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| Suzuki Organ School - Vol.3 Organ [Sheet music + CD] Alfred Publishing
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuk...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School. Book. 24
pages. Alfred Music #00-
47146. Published by Alfred
Music (
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suzuki Organ School - Vol.1 Organ [Sheet music + CD] Alfred Publishing
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuk...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School. Book. 32
pages. Alfred Music #00-
47140. Published by Alfred
Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suzuki Organ School - Vol.2 Organ [Sheet music + CD] Alfred Publishing
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuki O...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School. Book. 24
pages. Alfred Music #00-
47143. Published by Alfred
Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- Swing Low, Sweet Chariot Organ Advance Music
Alto Saxophone & Organ SKU: AP.1-ADV7064 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ SKU: AP.1-ADV7064 For Alto Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Alto Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7064. Published by Advance Music (AP.1-ADV7064). UPC: 805095070644. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Swing Low, Sweet Chariot, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- Lord I Want to Be a Christian Organ Advance Music
Alto Saxophone & Organ SKU: AP.1-ADV7061 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ SKU: AP.1-ADV7061 For Alto Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Alto Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7061. Published by Advance Music (AP.1-ADV7061). UPC: 805095070613. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Lord I Want to Be a Christian, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- Swing Low, Sweet Chariot Organ Advance Music
Tenor Saxophone & Organ SKU: AP.1-ADV7069 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ SKU: AP.1-ADV7069 For Tenor Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Tenor Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7069. Published by Advance Music (AP.1-ADV7069). UPC: 805095070699. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Swing Low, Sweet Chariot, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- Sometimes I Feel Like a Motherless Child Organ Advance Music
Alto Saxophone & Organ SKU: AP.1-ADV7062 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ SKU: AP.1-ADV7062 For Alto Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Alto Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7062. Published by Advance Music (AP.1-ADV7062). UPC: 805095070620. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Sometimes I Feel Like a Motherless Child, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- Oh Freedom Organ Advance Music
Tenor Saxophone & Organ SKU: AP.1-ADV7068 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ SKU: AP.1-ADV7068 For Tenor Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Tenor Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7068. Published by Advance Music (AP.1-ADV7068). UPC: 805095070682. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Oh Freedom, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- Oh Freedom Organ Advance Music
Alto Saxophone & Organ SKU: AP.1-ADV7063 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ SKU: AP.1-ADV7063 For Alto Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Alto Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7063. Published by Advance Music (AP.1-ADV7063). UPC: 805095070637. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Oh Freedom, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- Lord I Want to Be a Christian Organ Advance Music
Tenor Saxophone & Organ SKU: AP.1-ADV7066 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ SKU: AP.1-ADV7066 For Tenor Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Tenor Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7066. Published by Advance Music (AP.1-ADV7066). UPC: 805095070668. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Lord I Want to Be a Christian, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- O Happy Day Organ Advance Music
Alto Saxophone & Organ SKU: AP.1-ADV7060 For Alto Saxophone and Organ<...(+)
Alto Saxophone & Organ SKU: AP.1-ADV7060 For Alto Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Alto Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7060. Published by Advance Music (AP.1-ADV7060). UPC: 805095070606. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, O Happy Day, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Spirituals for Saxophone -- Sometimes I Feel Like a Motherless Child Organ Advance Music
Tenor Saxophone & Organ SKU: AP.1-ADV7067 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ SKU: AP.1-ADV7067 For Tenor Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Tenor Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7067. Published by Advance Music (AP.1-ADV7067). UPC: 805095070675. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, Sometimes I Feel Like a Motherless Child, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spirituals for Saxophone -- O Happy Day Organ Advance Music
Tenor Saxophone & Organ SKU: AP.1-ADV7065 For Tenor Saxophone and Orga...(+)
Tenor Saxophone & Organ SKU: AP.1-ADV7065 For Tenor Saxophone and Organ. Arranged by Friedemann Graef. Series; Solo; Solo Small Ensembles; Woodwind - Tenor Saxophone Solo. Advance Music: Spirituals for Saxophone. Sacred; Spiritual; Traditional. Score and Part(s). Advance Music #01-ADV7065. Published by Advance Music (AP.1-ADV7065). UPC: 805095070651. English. Traditional. This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, O Happy Day, has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound. $13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Salmeforspil Og Koralbearbejdelser Organ Wilhelm Hansen
Organ SKU: HL.280395 Organ Solo. Composed by Bendt Fabricius. Musi...(+)
Organ SKU: HL.280395 Organ Solo. Composed by Bendt Fabricius. Music Sales America. Classical. Softcover. 57 pages. Edition Wilhelm Hansen #WH33092. Published by Edition Wilhelm Hansen (HL.280395). Hymn preludes and choral arrangements by Bendt Fabricus (2018). Foreword: This small collection of preludes and choral arrangements is a selection of movements, created through more than 30 years of work as an organist in the Danish National Church. The collectionis first and foremost intended as a useful work tool for all my colleagues around the Danish organ benches. There are movements thatare suitable for the small one-manual organ in the village church and others that are intended for the concert organ in the large city church. Some movements are easy to follow, even with a simple and traditionally constructed structure, while others, both harmonious and rhythmic, offer greater complexity and degree of difficulty. Virtually all the kits composed for two manuals and pedal can also be realized on organs that have only one manual and pedal. As far as registration instructions are concerned, my statements are only intended as a guide to the sonorous expression in a given movement, as of course everyone is free to find exactly the registration that is deemed appropriate on the instrument in question. It is my wish that all organists can benefit fromthe collection and that it will prove to be a useful and beneficial supplement in the daily work. Bendt Fabricius. $20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Peter Maxwell Davies: Sonata For Organ Organ Chester
Organ (Organ) SKU: HL.14008416 Composed by Sir Peter Maxwell Davies. Musi...(+)
Organ (Organ) SKU: HL.14008416 Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 32 pages. Chester Music #CH55477. Published by Chester Music (HL.14008416). 9.0x12.0x0.132 inches. This essentially contemplative work in four movements is based on a plainsong fragment from the Lamentations of Jeremiah, traditionally sung on Maundy Thursday in the ceremonies spiralling down to the sacrifice of Christ on Good Friday. First performed in June 1982 by Richard Hughes, to whom the work is dedicated. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| First Organ Book Organ Wayne Leupold Editions | | |
| Hymnus, Volume 1 for Organ Organ Fredonia Press
Composed by Paul J. Sifler. Fredonia Press #FRD101. Published by Fredonia Pres...(+)
Composed by Paul J. Sifler.
Fredonia Press #FRD101.
Published by Fredonia Press
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Two Folk Songs Organ Zimbel Press
Organ SKU: SU.80101470 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ SKU: SU.80101470 For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101470. Published by Zimbel Press (SU.80101470). Two Folk Songs (2011) are settings of traditional American folk songs, primarily associated with Appalachia. In keeping with the nature of the source material (and how it is performed in folk contexts), the settings are very straightforward. Every Night, When the Sun Goes Down is song with lyrics that focus on the transcendent peace that comes from faith, overcoming sorrow and death. Sourwood Mountain is a jubilant song with a nonsense refrain (hey-ho diddle-um day). The organ setting evokes the spirit of the banjo. As often happens in a traditional folk band, the melody is elaborated in a more virtuosic fashion on each repetition. Instrumentation: Organ Duration: 6' Composed: 2011 Published by: Zimbel Press. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 192 pages. Breitkopf and Haertel #EB 9415. Published by Breitkopf and Haertel (BR.EB-9415). ISBN 9790004188897. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $90.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9305. Published by Breitkopf and Haertel (BR.EB-9305). ISBN 9790004187692. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 108 pages. Breitkopf and Haertel #EB 9304. Published by Breitkopf and Haertel (BR.EB-9304). ISBN 9790004187685. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305). $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Bent Lorentzen: Mercurius (The Planets) Organ - Intermediate/advanced Wilhelm Hansen
Organ - Grade 4 SKU: HL.14019451 The Planets. Composed by Bent Lor...(+)
Organ - Grade 4 SKU: HL.14019451 The Planets. Composed by Bent Lorentzen. Music Sales America. Classical. Book [Softcover]. 12 pages. Edition Wilhelm Hansen #WH30405. Published by Edition Wilhelm Hansen (HL.14019451). ISBN 9788759809266. English. Written in 1995 as one part of Lorentzen's 'Suite of Seven Pieces for organ', Mercurius is a symbol of merchants, trade and thiefs, traditionally depicted with wings on his heels, forever restless, scurrying about. The music is divided into sequences of four, resulting in a sense of weightlessness and hurried urgency. The first complete performance of 'The Planets' took place in 1996 and was given by Jens E. Christensen. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 18 Liturgical Psalms Organ Breitkopf & Härtel
Solo Voices, Mixed Choir, Organ SKU: BR.CHB-5345-00 Composed by Louis Lew...(+)
Solo Voices, Mixed Choir, Organ SKU: BR.CHB-5345-00 Composed by Louis Lewandowski. Edited by Andor Izsak. Stapled. Chor-Bibliothek (Choral Library). The choice of the Psalms was determined by the traditional liturgical use in the synagogue. Thanks to their German language texts, these easily singable settings can also be performed by all church choirs during religious services or at concerts. In ma. Psalm; Romantic. Choral score. 76 pages. Breitkopf and Haertel #ChB 5345-00. Published by Breitkopf and Haertel (BR.CHB-5345-00). ISBN 9790004412756. 9 x 12 inches. German. The choice of the Psalms was determined by the traditional liturgical use in the synagogue. Thanks to their German language texts, these easily singable settings can also be performed by all church choirs during religious services or at concerts. In many of his works, Louis Lewandowski combined the practice of traditional Jewish synagogue music with romantic choral composition. World premiere recording with the Hungarian Radio Choir conducted by Andor Izsak. $20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe Den Herren: Jazz Partita Organ - Intermediate/advanced Schott
Organ - intermediate to advanced SKU: HL.49044329 For Organ Solo. ...(+)
Organ - intermediate to advanced SKU: HL.49044329 For Organ Solo. Composed by Peter Wittrich. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. 32 pages. Schott Music #ED21913. Published by Schott Music (HL.49044329). ISBN 9790001199452. UPC: 841886022386. 9.0x12.0x0.12 inches. Wittrich's modern interpretation of one of the most famous chorales in which traditional forms and structures of traditional church music merge with flavours of jazz, rock and pop music. $21.00 - See more - Buy online | | |
| Toccata, variationer och fuga over koralen Den blomstertiden nu kommer Organ Fennica Gehrman
Organ SKU: FG.55011-577-4 Composed by Lars Karlsson. Fennica Gehrman #550...(+)
Organ SKU: FG.55011-577-4 Composed by Lars Karlsson. Fennica Gehrman #55011-577-4. Published by Fennica Gehrman (FG.55011-577-4). ISBN 9790550115774. Probably of folk song origin, the Swedish hymn Den blomstertid nu kommer was first time published in the 1695 Swedish Hymnal. The Finnish version is traditionally sung in the end of the school year. The rhytmic toccata, followed by the joyful variations and an uplifting fuga by Lars Karlsson is based on this tune which strongly associates with the beginning of summer. $25.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Complete Organ Sonatas Organ Breitkopf & Härtel
Urtext. Composed by Camillo Schumann (1872-1976). Edited by Antje Wissemann. B...(+)
Urtext. Composed by Camillo
Schumann (1872-1976). Edited
by Antje Wissemann. Breitkopf
and Haertel #EB 8979.
Published by Breitkopf and
Haertel
$66.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Five Chorale Preludes Organ Zimbel Press
Organ SKU: SU.80101526 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ SKU: SU.80101526 For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101526. Published by Zimbel Press (SU.80101526). This volume contains five unrelated chorale preludes. Each is based on a traditional chorale melody from the Germanic tradition. However, they are all tunes now widely used internationally. The chorales are: Wie schön leuchtet; Jesus, meine Zuversicht; Macht hoch die Tür; In dir ist Freude; and Es ist ein Ros.Organ Duration: 18â?? Composed: 2021/22 Published by: Zimbel Press. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Charles Villiers Stanford: Intermezzo On An Irish Air (No.4 From Four Intermezzi Op.189) Organ Music Sales
Organ (Organ) SKU: HL.14005770 Composed by Charles Villiers Stanford. Mus...(+)
Organ (Organ) SKU: HL.14005770 Composed by Charles Villiers Stanford. Music Sales America. Folk British Isles. Book [Softcover]. 8 pages. Music Sales #NOV590094. Published by Music Sales (HL.14005770). 9.0x12.0x0.047 inches. Charles Villiers Stanford was an Irish composer, music teacher, and conductor. Stanford composed a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. Admitted to Queens College, Cambridge with an Organ scholarship Stanford had written a substantial number of compositions, including vocal music, both sacred and secular, and orchestral works before getting involved with the university's Musical Society. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. Part of the'Four Intermezzi Op. 189' Intermezzo On An Irish Air for Organ is based on the melody of the well-known 'Londonderry Air'. The traditional Irish tune was first collected in the mid 19th century by Jane Ross, and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20. $12.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Bedrich Smetana: The
Complete Traditional
Wedding Album For Organ:
Organ: Mixed Organ Dover Publications
This compilation features all of the traditional and best loved wedding music. C...(+)
This compilation features all of the traditional and best loved wedding music. Containing 53 of the most requested wedding melodies including examples of both classical and popular modern songs there will be somthing here to suit any wedding event. All the tracks are arranged for organ or other keyboard instrument and voice with complete lyrics for the hymns. Organists and pianists will find this volume a convenient collection and an essential addition to their music libraries. Ideal for public and private ceremonies this anthology of joyful music provides keayboardists and singers with ample performance options.
20.30 GBP - Sold by Musicroom UK | |
| Liedbewerkingen Voor
Orgel Deel 1
(TRADITIONAL) Organ De Haske Publications
Arr. Gerard Krapf. Par TRADITIONAL. Dutch/ Recueil / Orgue
15.76 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Shinichi Suzuki: Suzuki
Organ School 2: Organ:
Instrumental Tutor Organ
The first classical Organ method for children the Suzuki Organ School is based ...(+)
The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 2 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Allegro' (Suzuki) 'Amaryllis' (Ghys) 'Anthem' (Traditional) 'Bells' (French Folk Song) 'Cinderella' (French Folk Song) 'Claire de Lune' (Lully) 'Folk Song' (Icelandic Folk Song) 'French Folk Song' (Traditional) 'Goodbye to Winter' (Folk Song) 'London Bridge' (Folk Song) 'Long Long Ago' (Bayly) 'Lullaby' (Schubert) ' Musette' (Anonymous) 'O Come Little Children' (Traditional) 'Prelude' (Charpentier). 'French Folk Song ' 'O Come Little Children ' and 'Prelude (from 'Te Deum')' are Federation Festivals 2016--2020 selections.
18.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Shinichi Suzuki: Suzuki
Organ School 1: Organ:
Instrumental Tutor Organ
The first classical Organ method for children the Suzuki Organ School is based ...(+)
The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'A Little Fairytale' (Rönnberg) 'Allegretto' (Czerny) 'Amaryllis' (Ghys) 'Chant Arabe' (Anonymous) 'Cuckoo' (German Folk Song) 'Go Tell Aunt Rhody' (Folk Song) 'Gossip Tune' (German Folk Song) 'Herdsman's Song' (Danish Folk Song) 'Hippopotamus' (Rönnberg) 'Hot Dog' (English Folk Song) 'Lightly Row' (German Folk Song) 'Little Playmates' (Chwatal) 'Little Snail' (Traditional) 'London Bridge' (English Folk Song) 'Lullaby' (German Folk Song) 'Mary Had a Little Lamb' (Folk Song) 'My School Day' (Folk Song) 'Paris' (French Folk Song) 'Piglet' (G. Rönnberg 'Song of the Wind' (Folk Song) 'Spain' (Traditional) 'The Fly' (Traditional) 'The Musical Box' (Rönnberg) 'Twinkle Twinkle Little Star Theme and Variations' (Suzuki). 'Allegretto ' 'Go Tell Aunt Rhody ' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections.
18.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Orgelwerke Band I/1
(BUXTEHUDE DIETERICH) Organ [Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...(+)
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
42.74 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Orgelwerke Set Band I
(BUXTEHUDE DIETERICH) Organ [Sheet music] Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...(+)
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
75.49 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Bent Lorentzen:
Mercurius: Organ:
Instrumental Work Organ [Sheet music] - Intermediate/advanced Wilhelm Hansen
The Planets-Written in 1995 as one part of Lorentzen's 'Suite of Seven Pieces fo...(+)
The Planets-Written in 1995 as one part of Lorentzen's 'Suite of Seven Pieces for organ' Mercurius is a symbol of merchants trade and thiefs traditionally depicted with wings on his heels forever restless scurrying about. The music is divided into sequences of four resulting in a sense of weightlessness and hurried urgency. The first complete performance of 'The Planets' took place in 1996 and was given by Jens E. Christensen.
16.99 GBP - Sold by Musicroom UK | |
| Peter Maxwell Davies:
Sonata For Organ: Organ:
Score Organ [Sheet music] Chester
This essentially contemplative work in four movements is based on a plainsong fr...(+)
This essentially contemplative work in four movements is based on a plainsong fragment from the Lamentations of Jeremiah traditionally sung on Maundy Thursday in the ceremonies spiralling down to the sacrifice of Christ on GoodFriday.First performed in June 1982 by Richard Hughes to whom the work is dedicated.
13.99 GBP - Sold by Musicroom UK | |
| Complete Organ Sonatas
(SCHUMANN CAMILLO) Organ [Sheet music] Breitkopf & Härtel
Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camill...(+)
Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that of Brahms and Mendelssohn. For the first time, the present anthology brings together all 6 Organ Sonatas in a modern Urtext edition, with editor Antje Wissemann combining philological source findings with the demands of performance practice. / Date parution : 2021-11-25/ Recueil / Orgue
54.94 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Charles Villiers
Stanford: Intermezzo On
An Irish Air: Organ:
Instrumental Work Organ [Sheet music] Novello & Co Ltd.
Charles Villiers Stanford was an Irish composer music teacher and conductor. S...(+)
Charles Villiers Stanford was an Irish composer music teacher and conductor. Stanford composed a substantial number of concert works including seven symphonies but his best-remembered pieces are his choral works for church performance chiefly composed in the Anglican tradition. Admitted to Queens College Cambridge with an Organ scholarship Stanford had written a substantial number of compositions including vocal music both sacred and secular and orchestral works before getting involved with the university’s Musical Society. While still an undergraduate Stanford was appointed organist of Trinity College Cambridge.Part of the‘Four Intermezzi Op. 189’ Intermezzo On An Irish Air for Organ is based on the melody of the well-known ‘Londonderry Air’. The traditional Irish tune was first collected in the mid 19th century by Jane Ross and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.
8.99 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
The Essential Organ Works
Book One: Organ:
Instrumental Organ Kevin Mayhew
Johann Sebastian Bach is regarded as one of the greatest composers of all time. ...(+)
Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. However during his lifetime Bach wasbest known throughout Europe as an organist Organ consultant and composer of Organ works in both the traditional German free genres?such as preludes fantasias and toccatas?and stricter forms such as chorale preludes andfugues. During his most productive period (1708 14) he composed about a dozen pairs of preludes and fugues five toccatas and fugues and the Little Organ Book an unfinished collection of forty-six short chorale preludes thatdemonstrates compositional techniques in the setting of chorale tunes.Essential Organ Works Of Bach includes Toccata And Fugue In D Minor BWV 565 Passacaglia And Fugue In C Minor BWV 582 Concerto in A minor 'after Vivaldi' BWV 593 Fantasia in G 'Piéce d'Orgue' BWV 572 In dulci jubilo BWV 729 Liebster Jesu wir sind hier BWV 731 Prelude and Fugue in Eb BWV 552 Prelude and Fugue in G BWV 541 Vater unser im Himmelreich BWV 683 and Watchet auf ruft uns die Stimme BWV 645. A must-have collection for any organist!
15.99 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Christopher Tambling: The
Church Organist - Volume
1: Organ: Instrumental
Tutor Organ Kevin Mayhew
Volume 1: The Technique of Organ Playing-Here is a method that will train organi...(+)
Volume 1: The Technique of Organ Playing-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals andpedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today?s church organist. Christopher Tambling was Organist andMaster of the Schola Cantorum of Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter?s College Oxford and a Fellow of the Royal College of Organists. He died in 2015.
21.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Georg Philipp Telemann:
Organ Works Volume 2:
Organ: Instrumental Album Organ - Intermediate/advanced Barenreiter
Organ Works Volume 2: Twenty small Fugues and Freely Composed Organ PiecesTelema...(+)
Organ Works Volume 2: Twenty small Fugues and Freely Composed Organ PiecesTelemann?s organs works pay tribute to the contrapuntal art of the High Baroque while pointing to the age of Gluck Haydn and Mozart in their emphasis on melody.Easy to play Telemann?s organ music strikes a masterly balance between traditional stylistic elements and those of the burgeoning ?style galant?
29.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Philip Moore: Paean:
Organ: Instrumental Work Organ [Sheet music] Novello & Co Ltd.
Philip Moore's Paean (2010) for Organ. Duration: approx. 2 1/2 minutes. 'Every b...(+)
Philip Moore's Paean (2010) for Organ. Duration: approx. 2 1/2 minutes. 'Every bar of philip Moore's Paean is beautifully considered.' - Geoffrey Webber of choirandorgan.com 'This cheerful piece by Philip Moore is another work extracted from the Organists’ Charitable Trust Little Organ Book. As ever with one of the UK’s finest composers of ‘traditional modern’ organ music the work is literate idiomatic and pleasing to the ear. Making only moderate technical demands yet being full of colour and character this would be an excellent voluntary or recitalwork for any organist.' Sunday By Sunday December 2017
7.99 GBP - Sold by Musicroom UK | |
| Christopher Tambling: The
Church Organist - Volume
3: Organ: Instrumental
Tutor Organ Kevin Mayhew
Volume 3: Improvisation-Here is a method that will train organists properly for ...(+)
Volume 3: Improvisation-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playing step-by-step.Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals and pedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist. Christopher Tambling is Organist and Master of the Schola Cantorumof Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter’s College Oxford and is a Fellow of the Royal College of Organists.
21.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Christopher Tambling: The
Church Organist - Volume
2: Organ: Instrumental
Album Organ Kevin Mayhew
Volume 2: Repertoire-Here is a method that will train organists properly for the...(+)
Volume 2: Repertoire-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals andpedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist. Christopher Tambling is Organist andMaster of the Schola Cantorum of Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter’s College Oxford and is a Fellow of the Royal College of Organists.Includes many musicalexamples to illustrate:Using 1 manual and 2 pedal notesUsing 2 manuals and 2 pedal notesInvolving easy manual and coupler changesInvolving slightly more manual and coupler dexterityRequiring easy volume changesUsing the 2 hands on different manualsUsing the swell pedalPieces introducing 3 and 4 pedal notesTwo manuals and three pedalsi) Solo and accompanimentii) ChangingmanualsFour pedalsi) Solo and accompanimentii) Manual and registration changesFour pedals – more advancedFive pedals in two groupsSix pedals in two groupsHymn tunes using two to fourpedals
21.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Juan Bautista Cabanilles:
Ausgewählte Orgelwerke:
Organ: Instrumental Album Organ Barenreiter
Joan Cabanilles was cathedral organist in Valencia and the towering figure in Sp...(+)
Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language rooted in the traditional sounds of Spain has not managed to reach a large audience outside the Iberian peninsula although he is often called ?a musician of European stature?.The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end all available sources in the libraries of Astorga Barcelona San Lorenzo de el Escoreal Felanitx/Mallorca Jaca and Montserrat have been examined and newly evaluated.If Cabanilles?s oeuvre consists primarily of tientos organ hymns and versets the third and final volume contains three versos three pasacalles two galliards two toccatas and such special forms as Paseos de tercer tono Diferencias de Fol as and a Jácara.Final volume of the three-volume Urtext editionNew selection of pieces and musical formsExtensive trilingual Foreword (Ger/Eng/Sp) on the works sources and previous editions as well as notes on registration and contemporary organ building
35.00 GBP - Sold by Musicroom UK | |
| Georg Philipp Telemann:
Organ Works Volume 1:
Organ: Instrumental Album Organ [Sheet music] Barenreiter
Organ Works Volume 1: Chorale PreludesTelemann?s organs works pay tribute to the...(+)
Organ Works Volume 1: Chorale PreludesTelemann?s organs works pay tribute to the contrapuntal art of the High Baroque while pointing to the age of Gluck Haydn and Mozart in their emphasis on melody.Easy to play Telemann?s organ music strikes a masterly balance between traditional stylistic elements and those of the burgeoning ?style galant?.
39.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Easy Organ Christmas
Album: Organ:
Instrumental Album Organ Dover Publications
Seasonal classics gathered in this compilation of traditional and classical orga...(+)
Seasonal classics gathered in this compilation of traditional and classical organ works for use in church and recital compiled and edited by Rollin Smith. These yuletide favourites by twenty-four different composers including Bach Brahms Franck Pachelbel and others. All set for Organ solo with an informative section of notes on the music offers background on each of the selections.
15.20 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Andrew D. Gordon: Gospel
Riffs God Would Love To
Hear- Organ: Organ: Organ ADG productions
Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear ...(+)
Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound Customer Comment About This Book: Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought
15.95 GBP - Sold by Musicroom UK | |
| Nigel Ogden: At Your
Service: Organ: Score Organ Stainer and Bell
Easy liturgical organ music in an accessible modern style is always welcome and...(+)
Easy liturgical organ music in an accessible modern style is always welcome and Nigel Ogden well-known contributor to Stainer & Bell’s ‘Light Organ’ series and host of ‘the Organist Entertains’ on BBC Radio 2 has composed fifteen new pieces for use within the communion service or other acts of worship.They are suitable both for traditional and electronic keyboard instruments and may be performed on single or multi-manuals with the bass played optionally on pedals as desired. There are fanfares and festal voluntaries to accompany the dramatic high-points of the liturgy as well as tranquil melodies for reposeful moments of meditation and private devotion pluspreludes on familiar hymns to collect the thoughts of the whole congregation. Flexibility is the watchword of At Your Service which offers a really practical contribution to the repertoire of useful music for church organists.
6.25 GBP - Sold by Musicroom UK | |
| Christopher Tambling: The
Church Organist - Volume
4: Organ: Instrumental
Album Organ Kevin Mayhew
Here is a method that trains organists properly for the traditional role of acco...(+)
Here is a method that trains organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of Organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the Organ its console manuals and stops before exploring the pedals good manuals and pedalstechnique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist.
21.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Hymns of Majesty and
Contemplation: Organ:
Instrumental Album Organ [Sheet music] Fred Bock Music Company
Organ. With classic flair Donald Campfield has arranged for organ 10 of the mos...(+)
Organ. With classic flair Donald Campfield has arranged for organ 10 of the most beloved traditional hymns for use as preludes postludes or hymn introductions. There is a hymn for almost every season including such standards as: Come Christians Join to Sing · Be Thou My Vision · A Mighty Fortress Is Our God · and more.
13.99 GBP - Sold by Musicroom UK | |
| Festal Voluntaries:
Advent: Organ:
Instrumental Album Organ [Sheet music] Novello & Co Ltd.
Festal Voluntaries for Organ -- Advent is a superb resource. It collects six...(+)
Festal Voluntaries for Organ -- Advent is a superb resource. It collects six adaptations for Organ of traditional hymn tunes and carols by six different important Organists of the 20th century. The collection includes:Toccata-Prelude on Wachet auf by Francis JacksonFantasia on Veni Emmanuel by Heathcote StathamVoluntary on Winchester New by C S LangMeditation on Conditor Alme by Alec RowleyRhapsody on Helmsley by William Lloyd WebberThe church or cathedral Organist will certainly find works suited to the season and the instrument in this collection.
14.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Louis Vierne: Symphonie 6
Op.59: Organ:
Instrumental Work Organ Barenreiter
Vierne's six symphonies are stylistic highlights of the French organ symphony ta...(+)
Vierne's six symphonies are stylistic highlights of the French organ symphony taking César Franck as their starting point. Vierne's sixth and last Organ Symphony op. 59 was written in summer 1930. In this work his well-known chromatic style verged on the traditional major-minor tonality.Evaluation of all available autograph manuscripts first printed editions and previously unpublished lettersWith a comprehensive critical commentary (Fr/Eng/Ger)Foreword (Fr/Eng/Ger) with detailed performance practice tipsNumerous illustrations and facsimile pages
30.50 GBP - Sold by Musicroom UK | |
| G.M. Gottsche U.K. Gross:
Jazz Inspirations Orgel:
Organ: Instrumental Album Organ [Sheet music] - Intermediate/advanced Barenreiter
Traditional church Organs are no longer the exclusive domain of Bach and the lik...(+)
Traditional church Organs are no longer the exclusive domain of Bach and the like - popular styles have conquered the “king of instruments” and found wide-ranging forms of expression. The only thing missing to date is a broad selection of suitable pieces. This is where Jazz Inspirations For Organ steps in. This comprehensive collection of moderately difficult pieces by various composers and organists offers “classical” swing jazz blues and Latin numbers side by side with rumba ragtime and calypso. A chorale prelude on Silent Night rubs shoulders with a Swing Fughetta and Latin for Lefties.The collection's great attraction lies in its personal treatment of the various themes. The editors are experienced organists fully conversant with the timbral possibilities of the pipe Organ. Their suggestions regarding registration are valuable tips that allow organists to develop their own style and be creative.
36.00 GBP - Sold by Musicroom UK | |
| G.M. Gottsche U.K. Gross:
Jazz Inspirations 3:
Organ: Instrumental Work Organ [Sheet music] Barenreiter
Long ago popular styles have conquered the traditional pipe organ. Various chara...(+)
Long ago popular styles have conquered the traditional pipe organ. Various characters have been espressed. The continuing succes of the first two editions of our series ?Jazz Inspirations for Organ?
36.00 GBP - Sold by Musicroom UK | |
| Worship Hymns for Organ -
Volume 3: Organ:
Instrumental Album Organ Fred Bock Music Company
Volume 3 in the best-selling series of organ hymn arrangements from Carolyn Haml...(+)
Volume 3 in the best-selling series of organ hymn arrangements from Carolyn Hamlin. Solid writing of traditional hymns and carols is the hallmark of Carolyn's career and this new collection is no different. New arrangements include: All Hail the Power of Jesus' Name - Give Me Jesus - Lo How A Rose E'er Blooming - Land of Rest - Praise to the Lord the Almighty - Simple Gifts.
15.99 GBP - Sold by Musicroom UK | |
| Funeral Music for Organ
1: Organ: Instrumental
Album Organ Uitgeverij Willemsen
Funeral Music For Organ edited and arranged by Wilco Bos. Includes Albinoni's Ad...(+)
Funeral Music For Organ edited and arranged by Wilco Bos. Includes Albinoni's Adagio Handel's Largo and the traditional Amazing Grace.
11.99 GBP - Sold by Musicroom UK | |
| Voluntary Choice 4:
Organ: Instrumental Album Organ [Sheet music] Spartan Press
This book replaces the legacy edition of Voluntary Choice Book 4 (SP457) and is ...(+)
This book replaces the legacy edition of Voluntary Choice Book 4 (SP457) and is enhanced by the addition of the Mendelssohn and Wagner wedding marches plus the Trumpet Voluntary by Jeremiah Clarke in 'manuals only' arrangements to complement Paul Mottram's full organ work 'Fanfare and Fantasia':- based on well known wedding themes. A book to satisfy traditional tastes yet also offering an extrovert slant on familiar material.
7.95 GBP - Sold by Musicroom UK | |
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