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| Symphonie Nr. 4 d-moll op.120 Orchestra [Score and Parts] Breitkopf & Härtel
(study score). By Robert Schumann. Edited by Joachim Draheim. Breitkopf Full Sco...(+)
(study score). By Robert Schumann. Edited by Joachim Draheim. Breitkopf Full Scores. Parts, Urtext. 172 pages
$22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 4 in D minor Op. 120 Orchestra [Study Score / Miniature] Breitkopf & Härtel
Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim ...(+)
Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4 th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Double bass part. Breitkopf and Haertel #OB 5264-27. Published by Breitkopf and Haertel (BR.OB-5264-27).
0.48
$8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 3 in Eb major Op. 97 Orchestra [Study Score / Miniature] Breitkopf & Härtel
Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim...(+)
Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Violoncello part. Breitkopf and Haertel #OB 5263-23. Published by Breitkopf and Haertel (BR.OB-5263-23).
0.48
$10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphonie Nr. 2 C-dur op. 61 Orchestra [Score and Parts] Breitkopf & Härtel
(study score). By Robert Schumann. Edited by Joachim Draheim. Breitkopf Full Sco...(+)
(study score). By Robert Schumann. Edited by Joachim Draheim. Breitkopf Full Scores. Parts, Urtext. 240 pages
$22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 3 in Eb major Op. 97 Orchestra [Study Score / Miniature] Breitkopf & Härtel
Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim...(+)
Rhenish Symphony - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Violin 2 part. Breitkopf and Haertel #OB 5263-16. Published by Breitkopf and Haertel (BR.OB-5263-16).
0.48
$10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphonie Nr. 4 e-moll op. 98 Orchestra [Study Score / Miniature] Breitkopf & Härtel
(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra...(+)
(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages
$20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Canticle of Freedom Orchestra [Score] Boosey and Hawkes
By Aaron Copland. (Full Score). Boosey and Hawkes Scores and Books. Size 10x14 ...(+)
By Aaron Copland. (Full Score). Boosey and Hawkes Scores and Books. Size 10x14 inches. 52 pages. Published by Boosey and Hawkes.
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie D Major Hob. I:86 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489054 Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Klaus Lippe and Sonja Gerlach. Study Score. Paperbound. Henle Study Scores. Classical. Softcover. 66 pages. G. Henle #HN9054. Published by G. Henle (HL.51489054). ISBN 9790201890548. UPC: 888680950606. 7.0x9.0x0.287 inches. Preface: Ullrich Schneidler. Joseph Haydn's so-called Paris Symphonies were composed in 1785 and 1786 for the masonic lodge “Société Olympique†in Paris, which ran a large orchestra and organised regular concerts. These six works are notable for their artful motivic work and playful wit. Haydn here pays tribute both to the discerning taste of the Paris audience and to the excellent abilities of the musicians in the orchestra. These symphonies rapidly became famous and popular throughout Europe, thanks to editions published variously in Paris, Vienna and London. In this D-major symphony, composed in 1786, the slow movement entitled “Capriccio†is very free in its form, and its introverted mood stands in marked contrast to the exuberance of the other movements. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Triumphlied, Op. 55 Orchestra [Study Score / Miniature] G. Henle
Baritone Voice; Choral; Orchestra (Study Score) SKU: HL.51489030 Barit...(+)
Baritone Voice; Choral; Orchestra (Study Score) SKU: HL.51489030 Baritone Solo, 8-Part Chorus and Orchestra Study Score. Composed by Johannes Brahms. Edited by Johannes Behr and Ulrich Tadday. Henle Study Scores. Classical. Softcover. G. Henle #HN9030. Published by G. Henle (HL.51489030). UPC: 196288093763. 6.75x9.5x0.505 inches. Brahms composed his Triumphlied for eight-part chorus, solo baritone and orchestra as a direct reaction to the victory of the German army in the Franco-Prussian War of 1870/71 and the consequent founding of the German Empire. Similar to the German Requiem completed shortly before, Brahms himself compiled the text from the Bible, in this case from Chapter 19 of the Book of Revelations. Because of the somewhat melodramatic tone of the composition and the nationalistic background to the works genesis, in recent years the Triumphlied has seldom been heard in concert halls. Unlike overly-patriotic occasional works such as Richard Wagner's Kaisermarsch, the Triumphlied is true Brahms and is a musically rich composition. This study edition takes the musical text from the Brahms Complete Edition (HL 51486030), thereby representing the highest scholarly precision. The Appendix contains an exciting new discovery, a previously-unknown early version of the 1st movement in C major, which was only rediscovered in 2012 in Bremen. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Angel of Light (Symphony No. 7( Orchestra SATB, Orchestra Fennica Gehrman
Orchestra SKU: FG.55011-444-9 Composed by Einojuhani Rautavaara. Score (l...(+)
Orchestra SKU: FG.55011-444-9 Composed by Einojuhani Rautavaara. Score (large). Fennica Gehrman #55011-444-9. Published by Fennica Gehrman (FG.55011-444-9). ISBN 9790550114449. Einojuhani Rautavaara (1928-2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Symphony No. 7, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music and choral works. Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism, combining modernism with mystical romanticism in his later works. According to the composer, the role of the composer is to be mediator, a midwife, who helps the music become alive on its own terms; Listen to what the music wants to tell you, he told his composition students, sense where it wants to go. Rautavaara rose to great international fame with the success of his Symphony No. 7, Angel of Light (1995) powered by the prize-winning recording (Helsinki Philharmonic, Segerstam, Ondine label) later the same year. Many high-profile international commissions followed, creating yet more prize-winning recordings. To mark the 25th anniversary of the work's premiere - in its original form as the Bloomington Symphony - by the Bloomington Symphony Orchestra and conductor David Pickett, Fennica Gehrman is publishing an entirely new edition of the symphony based on all available sources, including the composer's manuscript and his markings in various printed scores. This is a large-sized conductor score with extensive analysis of the work and its genesis. $93.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphony D Major Hob. I:93 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9061. Published by G. Henle (HL.51489061). UPC: 840126932836. 6.75x9.5x0.22 inches. The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony C Minor Hob. I:95 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 55 pages. G. Henle #HN906. Published by G. Henle (HL.51489063). UPC: 840126932867. 6.75x9.5x0.204 inches. The twelve “London Symphonies†comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony G Major Hob. I:92 (Oxford) Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 64 pages. G. Henle #HN9060. Published by G. Henle (HL.51489060). UPC: 840126932843. 6.75x9.5x0.226 inches. Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. Completed in 1788 according to the autograph manuscript, the Symphony in E flat major no. 91 astonishes, even for Haydn’s standards, with its many idiosyncrasies, such as the Baroque, contrapuntal theme of the first movement or the strings of trills in the slow variation movement. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy scorean ideal companion for all current and soon-to-be Haydn fans. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 7 a Major Op. 92 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489817 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489817 Orchestra Study Score. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Henle Study Scores. Classical. Softcover. 120 pages. G. Henle #HN9817. Published by G. Henle (HL.51489817). UPC: 840126932782. 6.75x9.5x0.341 inches. The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty.†The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movement’s distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance.†Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 8 F Major Op. 93 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489818 Orchestra Study Score. Co...(+)
Orchestra (Study Score) SKU: HL.51489818 Orchestra Study Score. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Henle Study Scores. Classical. Softcover. 86 pages. G. Henle #HN9818. Published by G. Henle (HL.51489818). UPC: 840126932744. 6.75x9.5x0.25 inches. Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash.†At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now,in this study edition, it is available to everyone at a reasonable price and in a handy format. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$13.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Double Bass Concerto No. 3 Orchestra [Study Score / Miniature] G. Henle
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score. Composed by Serge Koussevitzky. Edited by Tobias Glö and ckler. Henle Study Scores. Classical. Softcover. 92 pages. G. Henle #HN7451. Published by G. Henle (HL.51487451). UPC: 196288158110. 6.75x9.5x0.294 inches. Thanks to its skilful combination of Romantic melody and sparkling virtuosity, KoussevitzkyÂ’s Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere in 1905. No wonder, for the virtuoso double bass player Koussevitzky had composed it for his very own instrument. As early as 1906/07 a first piano reduction was published in Moscow, followed by a second in 1910 in Leipzig. However, both contain so many mistakes in the solo part that there is still uncertainty about the correct musical text in many passages to this day. The double bass player Tobias Glöckler has therefore prepared his Urtext edition using several sources: as well as the manuscript performance material and the piano reductions published during the composer's lifetime, he has also studied recordings with Koussevitzky as soloist - thereby finally producing a thoroughly-researchedUrtext edition of the orchestral score and piano reduction of this classic of the double bass literature. As with all double bass concertos published by Henle Publishers, this edition also contains the piano reduction by Christoph Sobanski in two keys (E minor and F sharp minor) for performance with solo or orchestral tuning. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$23.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony Eb Major Hob. I:91 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9059. Published by G. Henle (HL.51489059). UPC: 840126932898. 6.75x9.5x0.22 inches. Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. Completed in 1788 according to the autograph manuscript, the Symphony in E flat major no. 91 astonishes, even for Haydn’s standards, with its many idiosyncrasies, such as the Baroque, contrapuntal theme of the first movement or the strings of trills in the slow variation movement. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy scorean ideal companion for all current and soon-to-be Haydn fans. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Harpsichord Concerto No. 1 in D Minor, BWV 1052 Orchestra [Study Score / Miniature] G. Henle
Harpsichord; Orchestra (Study Score) SKU: HL.51487380 [Cembalokonzert ...(+)
Harpsichord; Orchestra (Study Score) SKU: HL.51487380 [Cembalokonzert Nr. 1 D-Moll BWV 1052] Study Score. Composed by Johann Sebastian Bach. Henle Study Scores. Classical. Softcover. G. Henle #HN7380. Published by G. Henle (HL.51487380). UPC: 840126932881. 6.75x9.5x0.251 inches. Bach's harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of violin technique to the keyboard with such ingenuity that most of today's pianists also include these concerti in their standard repertoire. The first concerto in D minor is perhaps the most popular - not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach's harpsichord concerti, G. Henle Publishers presents a piano reduction and study edition (score) of the D-minor concerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 9 in D Minor, Op. 125 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489819 Study Score. Composed by ...(+)
Orchestra (Study Score) SKU: HL.51489819 Study Score. Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Henle Study Scores. Classical. Softcover. 266 pages. G. Henle #HN9819. Published by G. Henle (HL.51489819). UPC: 840126932737. 6.75x9.5x0.712 inches. After the first sketches had been put to paper in 1815, Beethoven only finally put the finishing touches to his last completed symphony in 1824. With its extended finale in which soloists and choir perform, building the bridge to the symphonic cantata with their invocation of fraternity, it marks a caesura in the history of the symphony that echoed long into the nineteenth century. The main theme of the ode “To Joy†by Friedrich Schiller, set to music in the final movement, has become one of the most popular melodies in all of classical music and today serves as the official anthem of Europe. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now,in this study edition, it is available to everyone at a reasonable price and in a handy format. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Horn Concerto No. 1 in E-Flat Major, Op. 11 Orchestra [Study Score / Miniature] G. Henle
French Horn; Orchestra (Study Score) SKU: HL.51487253 Hornkonzert Nr. ...(+)
French Horn; Orchestra (Study Score) SKU: HL.51487253 Hornkonzert Nr. 1 Es-Dur Opus 11 Study Score. Composed by Richard Strauss. Edited by Peter Damm. Henle Study Scores. Classical. Softcover. 83 pages. G. Henle #HN7253. Published by G. Henle (HL.51487253). UPC: 840126933048. 6.75x9.5x0.245 inches. With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world (not only) by horn players, and together with Mozart's masterworks, numbers among the essential pieces in the instrument's repertoire. Peter Damm, former principal horn for the Staatskapelle Dresden and world-class soloist, has not only performed the concerto publicly over 170 times himself, but has also presented pivotal research findings and publications on its genesis. Prepared after reviewing all surviving sources, the Urtext edition he has edited may thus been regarded as the edition of reference. The orchestral score, available in a practical study edition, eliminates innumerable errors from the first edition. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$21.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony in C Major, Hob. I:90 Orchestra [Study Score / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 63 pages. G. Henle #HN9058. Published by G. Henle (HL.51489058). UPC: 840126932904. 6.75x9.5x0.232 inches. Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,†as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies†nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.†Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. According to the autograph manuscript, the Symphony in C major no. 90 was completed in 1788 and highlights its festive character with the addition of timpani and trumpets. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Georg Friedrich Händel:
Organ Concertos Nos. 1-6
Op.4 HWV 289-294: Organ:
Score Orchestra [Sheet music] Barenreiter
The newly engraved scores and parts for the six Op.4 organ concertos follow the ...(+)
The newly engraved scores and parts for the six Op.4 organ concertos follow the revised volume of the Handel Complete Edition edited by Terence Best and William Gudger [BA 8340 / BA 8341-BA 8346].The new scores and orchestral parts are free from the overediting found in other editions available today. This means performers can play just exactly what Handel wrote and not what others think he meant. In other words you will not find trills staccato marks and slurs sprinkled throughout the score you will find what Handel wrote. In this new Urtext edition all editorial additions are clearly indicated.- New Urtext edition of the Op.4concertos taken from the Halle Handel Edition.- Earlier versions given as appendices in both scores and parts.- Bass part with figures.- Realised continuo part.- Large format orchestral parts – 25 5 x 32 5 cm.- Set containing 6 separate scores BA 8341-8346.
100.00 GBP - Sold by Musicroom UK | |
| Luigi Nono: Prometeo:
Orchestra: Score Orchestra [Score] Ricordi
Nuova edizione a cura di André Richard e Marco Mazzolini. The new edition of Lu...(+)
Nuova edizione a cura di André Richard e Marco Mazzolini. The new edition of Luigi Nono?s Prometeo serves a twofold objective. First, it proposes to document the musical text as defined through the experience of the performances in which Nono took part. Second, it aims to provide performers and scholars with the necessary information relating to the performance practice of the voices, instruments, and electronics (data, programming schemes, instructions for the implementation of sonic treatments). The technical and performance-related material is preceded by an essay which illustrates the philosophical background of the work, as closely linked to its formal aspects. The edition avails itself of the text of the second, final version of Prometeo, performed for the first time in Milan at the Stabilimento Ansaldo (September-October 1985) and reprised in Frankfurt (Alte Oper, August 1987), Paris (Théâtre National de Chaillot, October 1987) and Berlin (Kammermusiksaal of the Philharmonie, August 1988), with Nono at the Sound Direction. While the purpose of the edition is eminently practical, the specific nature of the work, combined with Nono?s own compositional approach, has made it necessary for the editors to access a number of sources, in order to accurately define the musical text. These include the autograph score supplied to the publisher and the printed copy that Nono used in all of the performances he took part in, the scores and parts used by the performers who worked with the composer, the work protocols of the Experimentalstudio of Freiburg (where Nono realized the live electronics part for Prometeo), the radio broadcast recordings of the performances in which Nono was directly involved. The concept of the edition owes much to André Richard?s extended experience realizing Prometeo, from the premieres of Venice (1984) and Milan (1985) up until 2015. He assumed a variety of roles in his plurennial involvement, from preparing the chorus and vocal soloists to leading the Sound Direction, to the design of the sonic space. As to the notation for the electronics of Prometeo, particular attention was devoted to solving the problem posed by the absence of a reference standard, as well as of specific indications in the autograph score. Based on the work protocols of the Experimentalstudio of Freiburg, the editors have developed a semiographic code that is coherent and expressive enough to avert stylistic ambiguities and, at the same time, open and flexible enough to allow for the exercise of interpretative freedom in a constantly evolving technological context.
283.10 GBP - Sold by Musicroom UK | |
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