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| Messe h-moll - Mass in B minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Critical Reports] Barenreiter
H-moll Messe - Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach E...(+)
H-moll Messe - Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. (Performance Material for sale = BA 5102). By Johann Sebastian Bach. Edited by Smend, Friedrich. For Soli, Mixed Choir, Orchestra. Neue Bach-Ausgabe. Serie II, Band 1. Critical Commentary; Complete Edition (cloth bound). BWV 232. Published by Baerenreiter-Ausgaben (German import). (BA5001 41)
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| Messe h-moll BWV 232 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Breitkopf & Härtel
(piano reduction). By Johann Sebastian Bach (1685-1750). Edited by J. Rifkin / A...(+)
(piano reduction). By Johann Sebastian Bach (1685-1750). Edited by J. Rifkin / A. Durr. For Soli, Choir and Orchestra. This edition: piano reduction/vocal score. Edition Breitkopf. Piano reduction, Urtext. 228 pages
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| Te Deum Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorb...(+)
Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Vc/ Fg/ Tiorba, Bc SKU: CA.2103203 Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Sacred vocal music, Motets, Praise and thanks. Vocal score. H 146. 48 pages. Duration 25 minutes. Carus Verlag #CV 21.032/03. Published by Carus Verlag (CA.2103203). ISBN 9790007186142. Language: Latin. In 1953, with timpani and trumpets a la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc-Antoine Charpentier's Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier's musical-theological interpretation of the Latin hymn of praise that it is based on. Score available separately - see item CA.2103200. $23.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Magnificat Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, cello/contrabass, organ SKU: CA.2100305 Comp...(+)
SATB vocal soli, SATB choir, cello/contrabass, organ SKU: CA.2100305 Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Choral Score. H. Duration 9 minutes. Carus Verlag #CV 21.003/05. Published by Carus Verlag (CA.2100305). ISBN 9790007100797. Language: Latin. Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score available separately - see item CA.2100300. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Semele, HWV 58 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel-Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01). ISBN 9790006443222. 33 x 26 cm inches. Text Language: English. Handelâ??s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.
Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.
Handelâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.
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| Symphonie Nr. 9 d-moll op. 125 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Vocal Score] Breitkopf & Härtel
(piano reduction). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschil...(+)
(piano reduction). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. For Soli, Choir and Orchestra. Edition Breitkopf. Piano reduction/vocal score. 56 pages
$15.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Daphnis et Églé RCT 34 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Choir, Orchestra SKU: BA.BA08862-90 Pastorale héroïque...(+)
Soloists, Choir, Orchestra SKU: BA.BA08862-90 Pastorale héroïque in one act. Composed by Jean-Philippe Rameau. Edited by �rik Kocevar. Arranged by François Saint-Yves. This edition: urtext edition. Paperback. Vocal Score. Duration 3 hours. Baerenreiter Verlag #BA08862_90. Published by Baerenreiter Verlag (BA.BA08862-90). ISBN 9790006558223. 27 x 19 cm inches. Text Language: French. Preface: Kocevar, �rik. Text: Charles Colle. The heroic pastoral Daphnis et Egle was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.
This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version--which is actually more complete in its musical form, in particular with its overture and two ariettas--but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.
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| Messe h-Moll BWV 232 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Barenreiter
(Urtext der NBArev). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. V...(+)
(Urtext der NBArev). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Vocal soli, mixed choir, orchestra. For 2 soprano voice solos/alto voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/2 flutes/oboe1 (oboe d'amore1, english horn1)/oboe2 (oboe d'amore2, english horn2)/oboe3/2 bassoons/horn/3 trumpets/timpani/2 violins/viola/basso continuo (organ)). This edition: Urtext edition. Level 4. Score (paperbound). Language: Latin, Text language: German/English. BWV 232. Duration 2 hours, 15 minutes. Published by Baerenreiter Verlag
$131.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| B Minor Mass, BWV 232 (Messe in h-Moll) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. This ...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Complete orchestral parts. Innovative practice aids, Masses, Latin, Lent and Passiontide. Orchestral Parts. BWV 232. Duration 100 minutes. Carus Verlag #CV 31.232/19. Published by Carus Verlag (CA.3123219).
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| Kantate 211 Schweigt stille Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Breitkopf & Härtel
By Johann Sebastian Bach (1685-1750). For vocal solo(s), mixed choir, orchestra....(+)
By Johann Sebastian Bach (1685-1750). For vocal solo(s), mixed choir, orchestra. Partitur-Bibliothek (Score Library). Score. 32 pages. Published by Breitkopf and Haertel score
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| Missa in C KV 317 (Kronungsm.) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Breitkopf & Härtel
By Wolfgang Amadeus Mozart. For Solo Parts, Mixed Choir, Orchestra. Breitkopf Fu...(+)
By Wolfgang Amadeus Mozart. For Solo Parts, Mixed Choir, Orchestra. Breitkopf Full Scores. Published by Breitkopf and Haertel (German import).
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| Kantate 142 Uns ist ein Kind Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Reduction] Breitkopf & Härtel
Composed by Johann Sebastian Bach (1685-1750). Edited by Otto Schroder. For voca...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Otto Schroder. For vocal solo(s), mixed choir, orchestra. This edition: paperback. Edition Breitkopf. Piano reduction. 24 pages. Published by Breitkopf and Haertel
$13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa Beatissimae Virginis Mariae Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso c...(+)
SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo SKU: CA.5030519 Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed circa 1758-1760. MH 15. Duration 30 minutes. Carus Verlag #CV 50.305/19. Published by Carus Verlag (CA.5030519). ISBN 9790007145477. Key: C major. Language: Latin. The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and parts available separately - see item CA.5030500. $226.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa Beatissimae Virginis Mariae Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso c...(+)
SATB vocal soli, SATB choir, 2 trumpets, 2 trombones, timpani, 2 violin, basso continuo SKU: CA.5030549 Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. Stuttgart Urtext Edition: Johann Michael Haydn. Missa Beatiss.Virginis Mariae Mh 15. Sacred vocal music, Masses, Latin, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed circa 1758-1760. MH 15. 24 pages. Duration 30 minutes. Carus Verlag #CV 50.305/49. Published by Carus Verlag (CA.5030549). ISBN 9790007223762. Key: C major. Language: Latin. The Missa Beatissimae Virginis Maria was composed ca. 1758-1760, between the end of his tenure as a singer in the choir of St. Stephen's in Vienna and the beginning of his first position as violinist and music director for the Bishop of Grosswardein. The scoring of SATB (for soli as well as choir) and church trio was augmented by two trumpets (clarini) and timpani, as well as two trombones. The latter instruments double the alto and tenor voices in tutti passages but in the Et incarnatus est they are also employed in an obbligato role. On the one hand, as an early work this Mass is in the style of the festive baroque tradition, as practiced in south-German regions until the middle of the eighteenth century; on the other hand it already shows the subjective inspiration which distinguished it from many of the mass settings by Haydn's contemporaries. Score and part available separately - see item CA.5030500. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Kantaten zum Sonntag Estomihi Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score] Barenreiter
By Johann Sebastian Bach. Edited by Christoph Wolff. For Solo, Mixed Choir, Inst...(+)
By Johann Sebastian Bach. Edited by Christoph Wolff. For Solo, Mixed Choir, Instrument. Neue Bach-Ausgabe. Serie I. Band 8/1. Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA5078 01)
$192.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa in C KV 257 (Credo) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Breitkopf & Härtel
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Partitur...(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Partitur-Bibliothek (Score Library). Study score. Published by Breitkopf and Haertel (BR.PB-5615-07).
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| Field Mass H 279 / The Spectre's Bride H 214 I A Soli, Mixted choir and accompaniment Barenreiter
Soloists, Choir, Orchestra (Soli,Ch,Orch,Instr-Tast) SKU: BA.BA10573-01 C...(+)
Soloists, Choir, Orchestra (Soli,Ch,Orch,Instr-Tast) SKU: BA.BA10573-01 Composed by Bohuslav Martinu. Edited by Paul Wingfield. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition VI/2/2. Complete edition, Score, anthology. Baerenreiter Verlag #BA10573_01. Published by Baerenreiter Verlag (BA.BA10573-01). ISBN 9790260107922. 33.3 x 26.3 cm inches. Text Language: Czech. Preface: Wingfield, Paul. The present volume of the Bohuslav Martinu Complete Edition (BMCE) contains two vocal-instrumental works. TheField Mass(1939) with a text by Jiri Mucha incorporating bible and liturgy quotes was created in reaction to the outbreak of the Second World War and intended for outdoor performances. The cantataThe Spectre's Bridewith a text by Karel Jaromir Erben was composed in 1932 as part of the balletSpalicek(meaningchapbook); the composer later took out the cantata, making it into a stand-alone concert piece.
The autograph scores served as primary sources for both works. The edition of theField Mass(including its performance materials) also contains the original version of the ending with a quote from the Czech medieval hymnJezu Kriste, stedry kneze(Jesu Christ, bountiful priest) and a number of contemporary translations.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$397.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: CA.3912709 Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. 1x 39.127/21 oboe 1, 1x 39.127/22 oboe 2. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Set of Orchestra Parts. TVWV 7:16. Duration 12 minutes. Carus Verlag #CV 39.127/09. Published by Carus Verlag (CA.3912709). ISBN 9790007215774. Language: German. Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and parts available separately - see item CA.3912700. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: CA.3912714 Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, basso continuo. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/14. Published by Carus Verlag (CA.3912714). ISBN 9790007215811. Language: German. Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: CA.3912712 Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 2. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/12. Published by Carus Verlag (CA.3912712). ISBN 9790007215798. Language: German. Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: CA.3912713 Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, Viola. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/13. Published by Carus Verlag (CA.3912713). ISBN 9790007215804. Language: German. Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I lift up mine eyes (Ich hebe meine Augen auf zu den Bergen) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: C...(+)
SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo SKU: CA.3912711 Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 1. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/11. Published by Carus Verlag (CA.3912711). ISBN 9790007215781. Language: German. Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Johann Sebastian Bach:
Messe h-moll BWV 232
(Hohe Messe): Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Breitkopf & Härtel
Messe h-moll BWV 232 (Hohe Messe)
81.90 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Kantate 194
Höchsterwünschtes
Freudenfest: Mixed Choir: Soli, Mixted choir and accompaniment Breitkopf & Härtel
Höchsterwünschtes Freudenfest-Klavierauszug f?r Gesangssoli Gemischtchor und ...(+)
Höchsterwünschtes Freudenfest-Klavierauszug f?r Gesangssoli Gemischtchor und Klavier. Soli: STB – Chor: SATB.
11.50 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Te Deum H 148: Mixed
Choir: Vocal Score Soli, Mixted choir and accompaniment [Sheet music] Barenreiter
The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine...(+)
The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later.Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus ideally suited for church choirs and small amateur ensembles.Despite its reduced forces this Te Deum proves to be an impressive work of great effect in performance.- Urtext based on the latest scholarly research-Straightforward continuo- Four-voice chorus (SATB) without vocal soloists- Duration: approx. 6 minutes- Separate organ part available (BA7591-67)
12.50 GBP - Sold by Musicroom UK | |
| Kantate 166 Wo Gehest Du
Hin (BACH JOHANN
SEBASTIAN) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoi...(+)
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoire / Soliste, Choeur Mixte et Orchestre
8.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Die Jahreszeiten Hob XXI:
3 (HAYDN FRANZ JOSEF) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Basso Continuo (Klav/Cemb). Par HAYDN FRANZ JOSEF. Editeur(s) d'origine: Bernste...(+)
Basso Continuo (Klav/Cemb). Par HAYDN FRANZ JOSEF. Editeur(s) d'origine: Bernstein, Walter H./ Répertoire / Soliste, Choeur Mixte et Orchestre
61.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Bohuslav Martinu: Field
Mass H 279: Ensemble:
Score Soli, Mixted choir and accompaniment Barenreiter
The Spectre's Bride H 214 I A
268.00 GBP - Sold by Musicroom UK | |
| Kantate 172 Erschallet,
Ihr (BACH JOHANN
SEBASTIAN) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoi...(+)
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoire / Soliste, Choeur Mixte et Orchestre
9.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Die Schöpfung Hob
XXI: 2 (La
Création) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Basso Continuo (Clav/Cemb). Par HAYDN FRANZ JOSEF. Editeur(s) d'origine: Bernste...(+)
Basso Continuo (Clav/Cemb). Par HAYDN FRANZ JOSEF. Editeur(s) d'origine: Bernstein, Walter H./ Répertoire / Soliste, Choeur Mixte et Orchestre
44.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Kantate 77 Du Sollst Gott
(BACH JOHANN SEBASTIAN) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoi...(+)
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoire / Soliste, Choeur Mixte et Orchestre
9.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Kantate 117 Sei Lob Und
Ehr (BACH JOHANN
SEBASTIAN) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Sei Lob und Ehr dem Höchsten Gut . Par BACH JOHANN SEBASTIAN. Editeur(s) d'orig...(+)
Sei Lob und Ehr dem Höchsten Gut . Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Dörffel, Alfred/ Répertoire / Soliste, Choeur Mixte et Orchestre
15.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Requiem D-Moll Kv 626
(MOZART WOLFGANG AMADEUS) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Harm. Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ ...(+)
Harm. Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ Répertoire / Soliste, Choeur Mixte et Orchestre
54.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Requiem D-Moll Kv 626
(MOZART WOLFGANG AMADEUS) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ Réper...(+)
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ Répertoire / Soliste, Choeur Mixte et Orchestre
18.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Kantate 198 Lass,
Fürstin, Lass (BACH
JOHANN SEBASTIAN) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoi...(+)
Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Bernstein, Walter H./ Répertoire / Soliste, Choeur Mixte et Orchestre
14.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Requiem D-Moll Kv 626
(MOZART WOLFGANG AMADEUS) Soli, Mixted choir and accompaniment [Sheet music] Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C. /Bernst...(+)
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C. /Bernstein/ Répertoire / Soliste, Choeur Mixte et Orchestre
25.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël: Mixed Choir: Part Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK | |
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