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| Orchestra Expressions[TM], Book One: Student Edition Cello, Orchestra [Sheet music + CD] Alfred Publishing
By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow,...(+)
By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow, consulting editor Anne C. Witt, and contributing arrangers Jack Bullock, Victor Lopez, and Tom Roed. For Cello. String Orchestra Method/Supplement. Expressions Music Curriculum[TM]. Book & CD. 56 pages. Published by Alfred Publishing.
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Cello And Orchestra No. 1 A Minor Op. 33 Study Score With Cd Cello, Orchestra [Sheet music + CD] Eulenburg
By Camille Saint-Saëns and Camille Saint-Sa. Eulenberg Audio plus Score. Book...(+)
By Camille Saint-Saëns and Camille Saint-Sa. Eulenberg Audio plus Score. Book with CD. 80 pages. Eulenburg (Schott Music) #EAS168. Published by Eulenburg (Schott Music)
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Duke Ellington for Strings Cello, Orchestra [Sheet music] Alfred Publishing
Arranged by William Zinn. For Cello. String Orchestra Collection. Book. 28 pages...(+)
Arranged by William Zinn. For Cello. String Orchestra Collection. Book. 28 pages. Published by Alfred Publishing.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Romances in G/F major Ops. 40/50 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - 1.2.0.2. - 2.0.0.0. - str) SKU: BR.PB-14590<...(+)
Violin and orchestra (solo: vl - 1.2.0.2. - 2.0.0.0. - str) SKU: BR.PB-14590 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Shin Augustinus Kojima. Orchestra; stapled. Partitur-Bibliothek (Score Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Classical. Full score. 28 pages. Breitkopf and Haertel #PB 14590. Published by Breitkopf and Haertel (BR.PB-14590). ISBN 9790004211120. 10 x 12.5 inches. When Ludwig van Beethoven wrote the present two works around 1800, the Romance as a genre designation for a soulful, melodious instrumental piece was anything but established, despite the occasional piece bearing this title. Beethoven himself named the pieces Romance in the autographs, but offered them to Breitkopf & Hartel for publication as Solo. His brother Karl even spoke of 2 Adagios to the publisher. Nevertheless, Beethoven's two Romances for violin achieved lasting popularity ever since the publication of the first editions in 1803 and 1805.The present Urtext edition takes the autographs and first editions as its main sources.
The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. $28.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Adagio in E major K. 261 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.0.0.0 - 2.0.0.0 - str) SKU: BR.PB-4854 ...(+)
Violin and orchestra (solo: vl - 2.0.0.0 - 2.0.0.0 - str) SKU: BR.PB-4854 Composed by Wolfgang Amadeus Mozart. Orchestra; Softcover. Partitur-Bibliothek (Score Library). From a letter sent by Leopold Mozart to his son, it would appear that Wolfgang Amadeus delivered this Adagio as a single movement to the Salzburg violinist Antonio Brunetti in 1776 after Brunetti found the original middle movement too scholarl. Solo concerto; Classical. Full score. 8 pages. Duration 8'. Breitkopf and Haertel #PB 4854. Published by Breitkopf and Haertel (BR.PB-4854). ISBN 9790004206522. 9 x 12 inches. There is considerable evidence to support the claim that the present Adagio in E major is an alternative middle movement intended for the well-known A-major Violin Concerto K. 219. Ultimately, Mozart decided to leave the work (written in 1775) as it was, without change.The violin part of the present edition contains - also in the tutti sections - the upper part of the orchestra, thus leaving it up to the soloist to decide whether he should pause here or join in.
From a letter sent by Leopold Mozart to his son, it would appear that Wolfgang Amadeus delivered this Adagio as a single movement to the Salzburg violinist Antonio Brunetti in 1776 after Brunetti found the original middle movement too scholarly.. $12.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Violoncello and Orchestra (2012) Cello, Orchestra EMB (Editio Musica Budapest)
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2016. 68 pages. Editio Musica Budapest #EMBZ14893. Published by Editio Musica Budapest (BT.EMBZ14893). The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Psalms of Taciturnity (Violin Concerto No. 1) Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - picc.2.2(cor ang).2.2.dbn. - 4.3.3.1. - perc(3)...(+)
Violin and orchestra (solo: vl - picc.2.2(cor ang).2.2.dbn. - 4.3.3.1. - perc(3) - hp - pno - str: 14.12.10.8.6.) SKU: BR.PB-5434 Composed by Ye Shen. Orchestra; Softbound. Partitur-Bibliothek (Score Library). World premiere: Tokyo, August 21, 2018. Solo concerto; Music post-1945; New music (post-2000). Full score. Composed 2018. 96 pages. Duration 27'. Breitkopf and Haertel #PB 5434. Published by Breitkopf and Haertel (BR.PB-5434). ISBN 9790004212813. 10.5 x 14 inches. My first violin concerto, The Psalms of Taciturnity, describes the inner feelings that cannot be expressed verbally, but that also cannot remain unexpressed. There is the human spirit's pain, sorrow and fortitude in the face of this big quandry. The Psalms stand for the praise of humanity and of life. And so in this concerto, the Psalms are lacking in words, but are full of music. (Ye Shen)
World premiere: Tokyo, August 21, 2018. $82.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Porgy and Bess for Strings Cello, Orchestra [Sheet music] Alfred Publishing
Arranged by William Zinn. For Cello. String Orchestra Collection. Book. Publishe...(+)
Arranged by William Zinn. For Cello. String Orchestra Collection. Book. Published by Alfred Publishing.
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Introduction et Rondo capriccioso op. 28 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SKU: BR.PB-15155 Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155). ISBN 9790004215609. 10 x 12.5 inches. Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work. $39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cello Concerto No. 2, Op. 126 Cello, Orchestra Hal Leonard
(New Collected Works of Dmitri Shostakovich - Volume 48). Composed by Dmitri Sho...(+)
(New Collected Works of Dmitri Shostakovich - Volume 48). Composed by Dmitri Shostakovich (1906-1975). For Cello, Orchestra (Score). DSCH. Hardcover. 164 pages. Hal Leonard #NCW48. Published by Hal Leonard
$110.00 - See more - Buy online | | |
| Havanaise in E major Op. 83 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-...(+)
Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-15136 Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic; Late-romantic. Full score. 32 pages. Breitkopf and Haertel #PB 15136. Published by Breitkopf and Haertel (BR.PB-15136). ISBN 9790004214725. 10 x 12.5 inches. The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens. $37.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto No. 1 in A minor, Op. 33 Cello, Orchestra [Study Score / Miniature] Eulenburg
For Cello and Orchestra. By Camille Saint-Saens. (Study Score). Schott. 71 page...(+)
For Cello and Orchestra. By Camille Saint-Saens. (Study Score). Schott. 71 pages. Published by Eulenburg Germany (Schott).
$17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Henri Dutilleux: Tout Un Monde Lontain Cello, Orchestra Heugel
Cello and Orchestra SKU: BT.ALHE32207 Composed by Henri Dutilleux. Classi...(+)
Cello and Orchestra SKU: BT.ALHE32207 Composed by Henri Dutilleux. Classical. Score Only. 137 pages. Heugel & Cie #ALHE32207. Published by Heugel & Cie (BT.ALHE32207). French. Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout un monde lointain, is considered to be one of the most important20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme(Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout un monde lointain was first performed in July 1970 by Russian cellist, Mstislav Rostropovich with the Orchestre de Paris. The pieceremains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Elgar : Cello Concerto E Minor Op85 Study Score/cd Cello, Orchestra [Study Score / Miniature] Eulenburg
Eulenburg Audio Score Series. By Edward Elgar. This edition: EAS121. Eulenburg A...(+)
Eulenburg Audio Score Series. By Edward Elgar. This edition: EAS121. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 112 pages. Published by Eulenburg.
$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin Concerto 2 Reduction Cello, Orchestra Schott
Violin and orchestra (VN/PF) - difficult SKU: HL.49008022 Concerto per...(+)
Violin and orchestra (VN/PF) - difficult SKU: HL.49008022 Concerto per violino ed orchestra no. 2. Composed by Krzysztof Penderecki. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1992-1995. 96 pages. Duration 35'. Schott Music #ED8451. Published by Schott Music (HL.49008022). ISBN 9790001112574. UPC: 884088099268. 9.0x12.0x0.314 inches. The solo part in this edition contains the annotations made for the first performance with the soloist Anne Sophie Mutter. $81.00 - See more - Buy online | | |
| Violin Concerto in A minor BWV 1041 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5354 Urtext....(+)
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5354 Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Orchestra; stapled. Partitur-Bibliothek (Score Library). Bach's manuscript leaves several questions unanswered. Solo concerto; Baroque. Full score. 24 pages. Duration 16'. Breitkopf and Haertel #PB 5354. Published by Breitkopf and Haertel (BR.PB-5354). ISBN 9790004211533. 9 x 12 inches. When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.
Bach's manuscript leaves several questions unanswered. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violin Concerto No. 1 in G minor Op. 26 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-15132 Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132). ISBN 9790004214688. 10 x 12.5 inches. Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work. $70.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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| Fanfares Cello, Orchestra Barenreiter
This study score is based on the score and complete performance material of Dvor...(+)
This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
25.15 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Carl Vine: Concerto for
Cello: Cello: Score Cello, Orchestra Faber Music Limited
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an ex...(+)
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly with soloist pitted against orchestra though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section whilst relentless motor rhythms drive the work to its close.
30.00 GBP - Sold by Musicroom UK | |
| Antonín Dvo?ák: Cello
Concerto In B Minor
Op.104 (Critical Report):
Cello: Score Cello, Orchestra Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...(+)
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
33.50 GBP - Sold by Musicroom UK | |
| Antonín Dvo?ák: Cello
Concerto In B Minor
Op.104 (Full Score):
Cello: Score Cello, Orchestra [Sheet music] Barenreiter
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cell...(+)
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
62.00 GBP - Sold by Musicroom UK | |
| Konzert Nr.1 Dugud Cello, Orchestra Schott
Le Concerto pour violoncelle Enjott Schneider reprend la légende sumérienne de...(+)
Le Concerto pour violoncelle Enjott Schneider reprend la légende sumérienne de la divinité oiseau 'Dugud 'dans les scènes archaïques. La légende raconte que la princesse Emeshe a été imprégné par l'hermaphrodite - moitié aigle, moitié faucon - dans un rêve et fonde avec ses Álmos fils, qui avait ainsi été conçus, la dynastie royale hongroise.En images musicales expressives, Schneider décrit la lutte dark-érotique d'imprégnation ainsi que le chant de l'enfant à naître. Planant au-dessus de tout, c'est la vision de la vie en toute liberté comme un oiseau.L'oeuvre a été créée par le violoncelliste hongrois László Fenyö en 2011. Merci à la partition de piano écrite par le compositeur, le travail peut désormais être étudiés et réalisés par un duo. / Violoncelle Et Orchestre
46.62 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Fantasy On Little Russian
Songs Op. 43 Cello, Orchestra Schott
David Popper (1843-1913), un élève de Julius Goltermann, n'était pas seulemen...(+)
David Popper (1843-1913), un élève de Julius Goltermann, n'était pas seulement un violoncelliste de concert a voyagé beaucoup et réussie. Comme beaucoup de ses collègues musiciens virtuoses, il quitte un certain nombre de compositions pour ses instruments pour la postérité, tels que la 'fantaisie sur l / Violoncelle Et Orchestre
22.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Concierto Como Un
Divertimento (RODRIGO
JOAQUIN) Cello, Orchestra [Sheet music] Schott
Par RODRIGO JOAQUIN. Tabea Zimmermann a été présenté les six mouvements de c...(+)
Par RODRIGO JOAQUIN. Tabea Zimmermann a été présenté les six mouvements de ce travail qui exploite les possibilités de l'alto au maximum - à partir de la lyrique à double-stopping chromatique explosive. Incorporant Eastern folktunes européen, polyphonie abstraite ainsi que des fragments de subtiles répétées de forme sonate, c'est une version miniature de la cosmologie musicale vaste de Ligeti. Bien que virtuose de la pièce est idiome-atic et de l'artisanat exquis et artifice. Un must pour les joueurs de toutes les avancées./ Répertoire / Violoncelle et Orchestre
31.08 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Bohuslav Martinu:
Concerto No.2 For Cello
And Orchestra: Cello and
Accomp.: Cello, Orchestra Hal Leonard
This is one of the best Cello concertos of the twentieth century and readily co...(+)
This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is inModerato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.
29.99 GBP - Sold by Musicroom UK | |
| Henri Dutilleux: Henri
Dutilleux: Tout Un Monde
Lontain: Cello: Study
Score Cello, Orchestra Heugel
Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries Ravel ...(+)
Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries Ravel Debussy and Roussel yet implemented his own unique style. His Cello Concerto Tout Un Monde Lontain is considered to be one of the most important 20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme (Enigma) 2) Regard (Gaze) 3) Houles (Surges) 4) Miroirs (Mirrors) and 5) Hymne (Hymn). Tout Un Monde Lontain was first performed in July 1970 by Russiancellist Mstislav Rostropovich with the Orchestre de Paris. Dutilleux's Tout Un Monde Lontain remains popular to this day and including the entire orchestral score this edition is essential to the advanced cellist's repertoire.
32.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Robert Schumann: Concerto
for Cello and Orchestra
(Concertstück): Cello
and Cello, Orchestra Peters
Original Version. Schumann?s Cello Concerto Rediscovered
In her first Urtext edi...(+)
Original Version. Schumann?s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions.
?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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| Allegro Appassionato Op.
43 (SAINT-SAENS CAMILLE) Cello, Orchestra [Sheet music] Schott
Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romant...(+)
Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romantique de violoncelle - édité et fourni avec doigtés par le célèbre violoncelliste Prof. Maria Kliegel. L'accompagnement orchestral est facile à jouer - même pour orchestres amateur et bonne école./ Répertoire / Violoncelle et Orchestre
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| Allegro Appassionato Op.
43 (SAINT-SAENS CAMILLE) Cello, Orchestra [Set of Parts] Schott
Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romant...(+)
Par SAINT-SAENS CAMILLE. L'une des plus belles pièces de la littérature romantique de violoncelle - édité et fourni avec doigtés par le célèbre violoncelliste Prof. Maria Kliegel. L'accompagnement orchestral est facile à jouer - même pour orchestres amateur et bonne école./ Répertoire / Violoncelle et Orchestre
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| Thomas Agerfeldt Olesen:
Cello Concerto: Cello:
Score Cello, Orchestra [Sheet music] Wilhelm Hansen
Cello Concerto was composed by Thomas Agerfeldt Olesen in 2015 (rev. 2017) - 'To...(+)
Cello Concerto was composed by Thomas Agerfeldt Olesen in 2015 (rev. 2017) - 'To the memory of my mother'. Written to Nicolas Altstaedt on commission from Aarhus Symfoniorkester and Die Duisburger Philharmoniker with support from The Danish Arts Foundation First perfomance in Århus Sept 24 2015. Programme note: This concerto contains a lot of technical and structural stuff that I have forgotten all about now. Without it though the piece would have been a big mess of emotions since it was written while my family and I were taking care of my mother as she was terminally ill. I recognize ithaving become a kind of rondo. The music wanted a place to return to and perhaps it is due to the fact that my mother was always someone I could return to when everything else was exploding. In the end the rondo dies and the music goes somewhere else like all mothers.
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| Great Romantic Cello
Concertos: Cello: Score Cello, Orchestra Dover Publications
Schumann Saint-Saens Dvorak-Complete scores of three great romantic cello conc...(+)
Schumann Saint-Saens Dvorak-Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century the compositions reveal extraordinary lyricism imagination and individual interpretation of the concerto form.Complete and unabridged edition.
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| Suite D Minor Op. 16
(SAINT-SAENS CAMILLE) Cello, Orchestra [Reduction] Schott
Par SAINT-SAENS CAMILLE. Format: New Edition portrait/ Répertoire / Violoncelle...(+)
Par SAINT-SAENS CAMILLE. Format: New Edition portrait/ Répertoire / Violoncelle et Orchestre
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| Easter Triptych Cello, Orchestra Belaieff
La composition tripartite ' la Vierge '(Nativité, la Vierge à l'enfant - Piet...(+)
La composition tripartite ' la Vierge '(Nativité, la Vierge à l'enfant - Pietà, la Vierge et le crucifié, BEL 499 - triptyque de Pâques, la Vierge par la Croix, BEL 497) est l'une des oeuvres tardives de Mouravieff. Trois pièces peuvent être joués ensemble ou séparément. Mouravieff était très intéressé par la tragédie grecque antique, et cela l'a amené à tenter de faire revivre l'art grec antique du mouvement. En plus de concevoir des rythmiques avec battements forts et faibles, il a continué à faire usage de rythmes grecques antiques et plus tard appliqué ses réflexions au rythme de la respiration. Il décrit cette en termes de battements longs et courts (1,5 et 1 longueur) avec une césure approprié. Par le biais de cette dualité, qui correspondent à des patrons de respiration ou l'impulsion (certains musiciens peuvent aujourd'hui trouver cela plutôt difficile), Mouravieff a tenté d'une manière idiosyncratique d'utiliser pleinement l'élément important du rythme de la musique. / Violoncelle Et Orchestre De Chambre
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| Poul Ruders: Anima -
Cello Concerto No.2:
Cello: Score Cello, Orchestra [Sheet music] - Intermediate/advanced Wilhelm Hansen
In Latin Anima means soul but it is also a Jungian expression for the female ele...(+)
In Latin Anima means soul but it is also a Jungian expression for the female element of the male. Anima forms the first part of a nameless trilogy of solo concertos which emphasizes reflective moods. In this cello concerto it is mainly the melodic aspect that is in the foreground a bitter-sweet but always gentle song for cello.
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| Emergences - Nachlese Vi
(JARRELL MICHAEL)
Français Cello, Orchestra [Sheet music] Lemoine, Henry
Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ra...(+)
Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments behind. Nachlese is a german term already used by Goethe for the idea of 'reading again', referring to, commenting something...
The idea of this cycle (Nachlese) is to come back to some musical ideas which I liked and found interesting, but were inappropriate in a different context and to develop them in new directions.
When choosing a title I like it to refer to different techniques used in the piece, but also very directly to what is heard at some moments. For instance, in the first movement the orchestra 'emerges' from the very fast and nervous line played by the soloist and then, later, the 'climax' of this movement 'emerges' from the fast line then played by the orchestra.
This piece is dedicated to Jean-Guihen Queyras and Thierry Fischer. / contemporain / Répertoire / Violoncelle et Orchestre
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| Concerto For Cello And
Orchestra #3 C Major Ben
105 Cello, Orchestra Simrock
Sans raison valable, cinq concertos violoncelles du Pleyel sont éclipsées par ...(+)
Sans raison valable, cinq concertos violoncelles du Pleyel sont éclipsées par les concertos de ses contemporains, notamment par celles de Joseph Haydn. Contributions de Pleyel très originales au genre, cependant, qui sont parmi ses oeuvres les plus intéressantes, captivate une fois de plus l'auditeur par le biais du compositeur inventivité et charmant noblesse musical. Le violoncelliste hongrois Peter Szabó, qui a présenté le célèbre premier enregistrement des concertos de cinq tous sur l'étiquette de Hungaroton en 2003, a édité les concertos de l'édition originale de Simrock, fournissant des éditions critiques avec ses propres cadences. Les scores et le matériel de performance sont disponibles à la location. / Violoncelle Et Orchestre
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