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| Orchestra Expressions[TM], Book One: Student Edition Cello, Orchestra [Sheet music + CD] Alfred Publishing
By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow,...(+)
By Kathleen DeBerry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow, consulting editor Anne C. Witt, and contributing arrangers Jack Bullock, Victor Lopez, and Tom Roed. For Cello. String Orchestra Method/Supplement. Expressions Music Curriculum[TM]. Book & CD. 56 pages. Published by Alfred Publishing.
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto For Cello And Orchestra No. 1 A Minor Op. 33 Study Score With Cd Cello, Orchestra [Sheet music + CD] Eulenburg
By Camille Saint-Saëns and Camille Saint-Sa. Eulenberg Audio plus Score. Book...(+)
By Camille Saint-Saëns and Camille Saint-Sa. Eulenberg Audio plus Score. Book with CD. 80 pages. Eulenburg (Schott Music) #EAS168. Published by Eulenburg (Schott Music)
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto for Cello and Orchestra in B minor Op. 104 Cello, Orchestra [Reduction] Praha
By Dvorak Antonin. Czech title: Koncert pro violoncello a orchestr h moll op. 10...(+)
By Dvorak Antonin. Czech title: Koncert pro violoncello a orchestr h moll op. 104. Published by Praha (Czech import).
$22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Konzert a-moll op. 102 Cello, Orchestra [Study Score / Miniature] Breitkopf & Härtel
Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde...(+)
Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms (1833-1897). Partitur-Bibliothek (Score Library). The Double Concerto in A minor op. 102 is Brahms' last work for orchestra. He wrote it in Thun in summer 1887 at the suggestion of the cellist Robert Hausmann, to whom Brahms had also dedicated his Cello Sonata No. 2 op. 99; it was completed just before o. Romantic. Study score. Breitkopf and Haertel #PB 3697-07. Published by Breitkopf and Haertel
$18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cello Concerto Cello, Orchestra [Study Score / Miniature] Oxford University Press
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello a...(+)
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello and orchestra (solo cello, 2 flutes, oboe, english horn, 2 clarinets in A, 2 bassoons, 4 horns, 2 trumpets in C, 3 trombones, tuba, timpani, percussion, celeste, harp, strings). William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 136 pages. Duration 27'. Published by Oxford University Press
$32.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Violoncello and Orchestra (2012) Cello, Orchestra EMB (Editio Musica Budapest)
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. ...(+)
Cello and Orchestra SKU: BT.EMBZ14893 Composed by László Dubrovay. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2016. 68 pages. Editio Musica Budapest #EMBZ14893. Published by Editio Musica Budapest (BT.EMBZ14893). The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Casanova Full Score - For Solo Cello And Wind Orchestra Cello, Orchestra [Score and Parts] - Intermediate Amstel Music
By Johan De Meij. Full score (separate set of parts needed for performance) for ...(+)
By Johan De Meij. Full score (separate set of parts needed for performance) for cello, piccolo flute, 4 flutes (one), 4 flutes (two), flute (three), 2 oboes (one and two), english horn (in F), 2 bassoons (one and two), double bassoon, Eb clarinet, 6 Bb clarinets (one), 6 Bb clarinets (two), 6 Bb clarinets (three), Eb alto clarinet, Bb bass clarinet, 2 Eb alto saxophones (one), 2 Eb alto saxophones (two), 2 Bb tenor saxophones, Eb baritone saxophone, 3 horns (one and three), 3 horns (two and four), 2 Bb trumpets (one), 2 Bb trumpets (two), 2 Bb trumpets (three), 2 Bb trump
$94.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| concerto (world to come) Cello, Orchestra Subito Music
Cello & Orchestra SKU: SU.81011030 For Cello & Orchestra. Composed...(+)
Cello & Orchestra SKU: SU.81011030 For Cello & Orchestra. Composed by David Lang. Strings, Cello, Orchestra. Concerto. Part. Subito Music Corporation #81011030. Published by Subito Music Corporation (SU.81011030). Solo Cello part onlycello & orchestra Duration: 24' Composed: 2010 Published by: Red Poppy Ltd. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Concerto No. 2, Op. 126 Cello, Orchestra Hal Leonard
(New Collected Works of Dmitri Shostakovich - Volume 48). Composed by Dmitri Sho...(+)
(New Collected Works of Dmitri Shostakovich - Volume 48). Composed by Dmitri Shostakovich (1906-1975). For Cello, Orchestra (Score). DSCH. Hardcover. 164 pages. Hal Leonard #NCW48. Published by Hal Leonard
$110.00 - See more - Buy online | | |
| concerto (world to come) Cello, Orchestra Subito Music
Cello & Orchestra SKU: SU.81001030 For Cello & Orchestra. Composed...(+)
Cello & Orchestra SKU: SU.81001030 For Cello & Orchestra. Composed by David Lang. Strings, Cello. Study Score. Subito Music Corporation #81001030. Published by Subito Music Corporation (SU.81001030). Cello & orchestra Duration: 24' Composed: 2010 Published by: Red Poppy Ltd. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto in E minor for Violoncello and Orchestra Cello, Orchestra [Part] Barenreiter
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext E...(+)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 2. Single Part; Urtext Edition. Op. 85. Published by Baerenreiter-Ausgaben (German import). (BA9040 75)
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto in E minor for Violoncello and Orchestra Cello, Orchestra [Part] Barenreiter
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext E...(+)
By Edward Elgar. Edited by Jonathan Del Mar. For Violin 1. Single Part; Urtext Edition. Op. 85. Published by Baerenreiter-Ausgaben (German import). (BA9040 74)
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cello Concerto Cello, Orchestra Digital Music Print
Cello and Orchestra SKU: BT.DMP114011 Composed by Karel van Eycken. Set (...(+)
Cello and Orchestra SKU: BT.DMP114011 Composed by Karel van Eycken. Set (Score & Parts). Digital Music Print #DMP114011. Published by Digital Music Print (BT.DMP114011). $402.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Introduction et Rondo capriccioso op. 28 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SKU: BR.PB-15155 Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155). ISBN 9790004215609. 10 x 12.5 inches. Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work. $39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concertino für Violoncello und Jugendorchester Cello, Orchestra EMB (Editio Musica Budapest)
Cello and Orchestra SKU: BT.EMBZ8597 Für Violoncello und Jugendorch...(+)
Cello and Orchestra SKU: BT.EMBZ8597 Für Violoncello und Jugendorchester. Composed by Janos Decsenyi. EMB Works for Youth Orchestra. Educational Tool. Book Only. Composed 1980. 98 pages. Editio Musica Budapest #EMBZ8597. Published by Editio Musica Budapest (BT.EMBZ8597). English-Hungarian. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto in A minor, Op. Posthumous Cello, Orchestra [Study Score / Miniature] Eulenburg
For Violoncello and Orchestra. By Hans Pfitzner. (Study Score). Schott. 116 pag...(+)
For Violoncello and Orchestra. By Hans Pfitzner. (Study Score). Schott. 116 pages. Published by Eulenburg Germany (Schott).
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violoncello Concerto in B flat major Wq 171 Cello, Orchestra Breitkopf & Härtel
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Phili...(+)
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Partitur-Bibliothek (Score Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Full score. 52 pages. Duration 27'. Breitkopf and Haertel #PB 5509. Published by Breitkopf and Haertel (BR.PB-5509). ISBN 9790004211694. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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| Fanfares Cello, Orchestra Barenreiter
This study score is based on the score and complete performance material of Dvor...(+)
This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
27.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Antonín Dvo?ák: Cello
Concerto In B Minor
Op.104 (Critical Report):
Cello: Score Cello, Orchestra Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...(+)
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
33.50 GBP - Sold by Musicroom UK | |
| Antonín Dvo?ák: Cello
Concerto In B Minor
Op.104 (Full Score):
Cello: Score Cello, Orchestra [Sheet music] Barenreiter
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cell...(+)
b minor-Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
62.00 GBP - Sold by Musicroom UK | |
| Fantasy On Little Russian
Songs Op. 43 Cello, Orchestra Schott
David Popper (1843-1913), un élève de Julius Goltermann, n'était pas seulemen...(+)
David Popper (1843-1913), un élève de Julius Goltermann, n'était pas seulement un violoncelliste de concert a voyagé beaucoup et réussie. Comme beaucoup de ses collègues musiciens virtuoses, il quitte un certain nombre de compositions pour ses instruments pour la postérité, tels que la 'fantaisie sur l / Violoncelle Et Orchestre
24.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Carl Vine: Concerto for
Cello: Cello: Score Cello, Orchestra Faber Music Limited
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an ex...(+)
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly with soloist pitted against orchestra though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section whilst relentless motor rhythms drive the work to its close.
30.00 GBP - Sold by Musicroom UK | |
| Peter Sculthorpe: Cello
Dreaming: Orchestra:
Score Cello, Orchestra [Sheet music] - Intermediate Faber Music Limited
Written in 1998 Peter Sculthorpe's calm work draws its inspiration from his own...(+)
Written in 1998 Peter Sculthorpe's calm work draws its inspiration from his own environmental concerns for Northern Australia's so-called 'Top End'. There along the coastline Aboriginal and Torres Strait Island cultures mingle with those of Melanesia and Indonesia. Cello Dreaming reflects this plurality.
10.99 GBP - Sold by Musicroom UK | |
| Sadie Harrison:
Architechtonia: Cello:
Score Cello, Orchestra [Sheet music] University Of York Music Press
Architechtonia was expertly composed in 1986 by Sadie Harrison. Architechtonia...(+)
Architechtonia was expertly composed in 1986 by Sadie Harrison. Architechtonia received its first performance by Projects/London conducted by Richard Bernasat St. John's Smith Square November 1987.Australian born freelance composer and performer Sadie Harrison’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; PaulCarey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison's works have beengiven across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others.
12.95 GBP - Sold by Musicroom UK | |
| Variations On A Rococo
Theme For Cello And
Orchestra Op. 33
(TCHAIKOVSKI PIOTR
ILITCH) Cello, Orchestra [Set of Parts] Eulenburg
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Un hommage de Tchaïkovski à l'...(+)
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ' dont le thème suit de près le style de musique du XVIIIe siècle exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations./ Répertoire / Violoncelle et Orchestre
180.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Variations On A Rococo
Theme For Cello And
Orchestra Op. 33
(TCHAIKOVSKI PIOTR
ILITCH) Cello, Orchestra Eulenburg
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Cet hommage de Tchaïkovski à l...(+)
Original Version. Par TCHAIKOVSKI PIOTR ILITCH. Cet hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ', dont le thème suit de près le style de musique du XVIIIe siècle, exige un maximum d'accomplir et brillance technique de la violoncelliste solo. Les variations sont connectées musicalement par orchestrales ritournelles qui, en matière de musique et de la substance, presque forment une deuxième séquence de variations./ Répertoire / Violoncelle et Orchestre
36.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Variations On A Rococo
Theme For Cello And
Orchestra Op. 33
(TCHAIKOVSKI PIOTR
ILITCH) Cello, Orchestra Eulenburg
Version Of The Cellist Wilhellm Fitzenhagen. Par TCHAIKOVSKI PIOTR ILITCH. Un ho...(+)
Version Of The Cellist Wilhellm Fitzenhagen. Par TCHAIKOVSKI PIOTR ILITCH. Un hommage de Tchaïkovski à l'excellent exemple admiré de Mozart et un défi pour le violoncelliste solo: ' Rokoko-variations ', dont le thème suit de près le style de musique du XVIIIe siècle, exige un maximum d'effectuer et de brillance technique de th/ Répertoire / Violoncelle et Orchestre
18.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Cello Concerto (BRYARS
GAVIN) Cello, Orchestra [Study Score / Miniature] Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...(+)
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character.
One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...
The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.
The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
Gavin Bryars/ Répertoire / Violoncelle et Orchestre
38.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Violoncellokonzert C-Dur
(STAMITZ CARL) Cello, Orchestra [Sheet music] Breitkopf & Härtel
Par STAMITZ CARL. Editeur(s) d'origine: Gradenwitz, Peter E./ Répertoire / Viol...(+)
Par STAMITZ CARL. Editeur(s) d'origine: Gradenwitz, Peter E./ Répertoire / Violoncelle et Orchestre
26.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Robert Schumann: Concerto
for Cello and Orchestra
(Concertstück): Cello
and Cello, Orchestra Peters
Original Version. Schumann?s Cello Concerto Rediscovered
In her first Urtext edi...(+)
Original Version. Schumann?s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions.
?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
52.00 GBP - Sold by Musicroom UK | |
| Horizons Réflexes Cello, Orchestra Jobert
Après Altius (1999) pour violoncelle et 16 instruments et Huit à l'infini (200...(+)
Après Altius (1999) pour violoncelle et 16 instruments et Huit à l'infini (2001) pour octuor de violoncelles et orchestre, Horizons réflexes est ma troisième oeuvre de nature concertante écrite pour le violoncelle.Au début de la composition de cette pièce, dédiée à Gary Hoffman et commandée par le festival Automne en Normandie, j'avais à l'esprit l'idée quasi picturale d'un paysage étrange, constitué de lignes se développant horizontalement et de verticalités presque régulières qui se rencontrent, se trouvent, se dérobent ou se métamorphosent.Non seulement le vers du poète Alexis Pelletier 'Un matin, je fus saisi par l'évidence des horizons réflexes' m'a donné l'idée du titre de la pièce, mais il m'a également permis de conceptualiser la plastique sonore que je souhaitais développer au long des six sections enchaînées que compte cette composition.Dans la plupart de mes oeuvres concertantes - et c'est de nouveau le cas dans Horizons reflexes, le soliste devient la 'voix supérieure' d'une matière sonore en mouvement prolongée par un orchestre 'résonateur' qui sait aussi se montrer éloquent. (...)Dominique Lemaître / Violoncelle Et Orchestre
79.71 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Bohuslav Martinu:
Concerto No.2 For Cello
And Orchestra: Cello and
Accomp.: Cello, Orchestra Hal Leonard
This is one of the best Cello concertos of the twentieth century and readily co...(+)
This is one of the best Cello concertos of the twentieth century and readily communicates the Bohuslav Martinu strong feelings for his homeland. Written over the Christmas and New year period of 1944-45 in New York it is full ofhis reactions to that last dramatic winter of the war and the desire to go home. It is an expansive work over 35 minutes in length in the standard three movements. Typically for Martinu the first movement is inModerato tempo. The opening gesture is highly characteristic: A pulsing rhythm establishes itself in the orchestra and a striving rising theme with a contradictory rhythm contends with it. The second movement Andante pocomoderato has a general pulse that is not much slower than that of the first. It is episodic with a faster central section and then a truly magical and heartfelt treatment of the main subject in which Martinu expresses hislonging for home. The final movement Allegro is a driving energetic conclusion with a solo cadenza that breaks the ongoing rhythm and provides a touching moment of contemplation before the joyous conclusion. This editioncontains a Piano reduction of the Orchestral part for rehearsal purposes.
29.99 GBP - Sold by Musicroom UK | |
| Witold Lutoslawski:
Concerto For Cello And
Orchestra: Cello: Score Cello, Orchestra [Sheet music] Chester
First performed in 1970 by Mstislav Rostropovich to whom the work is dedicated ...(+)
First performed in 1970 by Mstislav Rostropovich to whom the work is dedicated with the Bournemouth Symphony Orchestra conducted by Edward Downes.
28.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Edward Elgar: Concerto:
Cello: Instrumental Work Cello, Orchestra Barenreiter
e minor-Edward Elgar's concerto for violoncello his last major work is a clean...(+)
e minor-Edward Elgar's concerto for violoncello his last major work is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar's editorial skills show themselves in the exacting placement of dynamics articulation and expression markings.The edition restores all Elgar's solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar's baton. This is the last word on this famous work a reference edition for everycellist!First ever critical editionAll existing sources consultedFirst ever critical commentary'I highly recommended this purchase even if you own a well-worn copy of another edition.'(American String Teacher vol. 56 No. 3 August 2006)'Ownership of this fine masterly authoritative and elegantly printed edition coupled with the fascinating Critical Commentary must be obligatory for all cellists!'(ESTA News
21.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Konzert Nr.1 Dugud Cello, Orchestra Schott
Le Concerto pour violoncelle Enjott Schneider reprend la légende sumérienne de...(+)
Le Concerto pour violoncelle Enjott Schneider reprend la légende sumérienne de la divinité oiseau 'Dugud 'dans les scènes archaïques. La légende raconte que la princesse Emeshe a été imprégné par l'hermaphrodite - moitié aigle, moitié faucon - dans un rêve et fonde avec ses Álmos fils, qui avait ainsi été conçus, la dynastie royale hongroise.En images musicales expressives, Schneider décrit la lutte dark-érotique d'imprégnation ainsi que le chant de l'enfant à naître. Planant au-dessus de tout, c'est la vision de la vie en toute liberté comme un oiseau.L'oeuvre a été créée par le violoncelliste hongrois László Fenyö en 2011. Merci à la partition de piano écrite par le compositeur, le travail peut désormais être étudiés et réalisés par un duo. / Violoncelle Et Orchestre
50.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Pezzo Capriccioso In B
Minor Op. 62 (TCHAIKOVSKI
PIOTR ILITCH) Cello, Orchestra [Reduction] Simrock
Par TCHAIKOVSKI PIOTR ILITCH. Format: New Edition portrait / Simrock Original Ed...(+)
Par TCHAIKOVSKI PIOTR ILITCH. Format: New Edition portrait / Simrock Original Edition / Répertoire / Violoncelle et Orchestre
23.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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