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Canon in D (Pachelbel) (D) (Violoncello Quintet)
Canon in D (Pachelbel) (D) (Violoncello Quintet)
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Canon in D (Pachelbel) (D) (Violoncello Octet)
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6 Sonatas Op. 5 (H. 103-108) for Violoncello and Basso Continuo - Vol. 1: Sonatas I-III
Violoncello, Basso continuo
[Score and Parts]
Ut Orpheus
Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. For ...
(+)
Composed by Francesco Geminiani (1687-1762). Edited by Christopher Hogwood. For Cello and Basso Continuo. Francesco Geminiani Opera Omnia. Early Music. Score and Parts. 76 pages. Published by Ut Orpheus
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Complete works for Cello (Manuscript, I-MOe)
Violoncello, Basso continuo
[Score]
Musedita
By Domenico Gabrielli (1651-1690). Edited by Alessandro Bares. For solo cello / ...
(+)
By Domenico Gabrielli (1651-1690). Edited by Alessandro Bares. For solo cello / cello and basso continuo. This edition: Paperback. Minghen dal Viulunzel. Baroque. Score. Published by Musedita Edizioni Musicali
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Sonates pour le violoncelle avec la basse continue - Livre I
Violoncello, Basso continuo
Anne Fuzeau Productions
By Jean-Baptiste Barriere. Edited by Jean Saint-Arroman, Philippe Lescat. Cello ...
(+)
By Jean-Baptiste Barriere. Edited by Jean Saint-Arroman, Philippe Lescat. Cello and continuo. For Cello. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 53 pages
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10 Sonate per violoncello e basso continuo: Cello
Violoncello, Basso continuo
Ricordi
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music i...
(+)
Ed. by/ A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to off er performers works that satisfy clear critical and musicological criteria.This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of cello music: Luigi Boccherini Sonata VI G. 4 - Antonio Caldara Sonata ottava -Francesco Geminiani Sonata op. V n. 2 H. 104 - Carlo Graziani Sonata op. II n. 3 - Salvatore Lanzetti Sonata op. I n. 5 - Benedetto Marcello Sonata op. I n. 1 - Giovanni Battista Pergolesi Sinfonia avioloncello solo - Giovanni Benedetto Platti Sonata quarta - Nicola Porpora Sinfonia a violoncello solo - Antonio Vivaldi Sinfonia a violoncello solo RV 39
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Antonio Vivaldi: Complete Sonatas for Violoncello and Bc. RV 39-47: Cello:
Violoncello, Basso continuo
[Sheet music]
Barenreiter
Performance Score and Parts-This scholarly-critical edition is based on all the ...
(+)
Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)
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Gioachino Rossini: Duetto for cello and double bass: Trombone: Instrumental
Violoncello, Basso continuo
Yorke Edition
It was a chance visit to a second hand bookshop in Nottingham that set me on the...
(+)
It was a chance visit to a second hand bookshop in Nottingham that set me on the trail of Rossini's now well-known Duetto for cello and double bass. But the story begins earlier than that. In the 1960s I was studying the double bass at the Royal College of Music with Adrian Beers who was at that time principal of the English Chamber Orchestra on the front desk of the Philharmonia Orchestra and a member of the Melos Ensemble of London (then one of the leading ensembles of the world). I was working on the 'Dragonetti Concerto' as most young players do and I wanted to find out a bit about it. My teacher said he thought the autograph manuscript might be in the British Library which was all the encouragement I needed to secure a pass to the Reading Room so I could go and see for myself. There sure enough I found a large collection of Dragonetti's autograph manuscripts together with other bound volumes relating to his life. The papers had been lovingly collated and annotated by Vincent Novello one of Dragonetti's closest friends then deposited in the library before his departure to Italy in 1848 two years after Dragonetti's death. One of the volumes included a lot of letters about various engagements and music festivals copies of orders for strings Dragonetti wanted from Italy details about paintings he wanted to buy and numerous invitations to private functions. The manuscript of the 'Dragonetti Concerto' of course wasn't among the papers we now know it to have been written by Edouard Nanny a century or so later. One name that came up regularly in the documents was that of Sir George Smart. Smart had been a violinist in Salomon's orchestra and had played for Haydn at his London concerts in the 1790s. As a child he had learnt much about music from his father who had in turn been present at many of Handel's rehearsals when he was preparing some of his major works for the first time. Smart was also a fine keyboard player becoming organist of the Chapel Royal in 1822. As a conductor
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Janson J.b. - Six Sonates, Oeuvre Iv - Violoncelle, Basse - Fac-simile Fuzeau
Français
Violoncello, Basso continuo
Anne Fuzeau Productions
Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préfac...
(+)
Partition pour violoncelle et basse continue. Edition : Paris, 1774 La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation. Présentation de : Philippe Lescat : Biographie de Jean-Baptiste Janson Jean Saint-Arroman : Lecture de la partition Compositeur : JANSON Jean-Baptiste Auteur : LESCAT Philippe - SAINT-ARROMAN Jean Collection : Musique Française classique de 1650 à 1800 Titres : Sonata I en sol majeur : allegro, adagio, tempo di minuetto - Sonata II en ré majeur : allegro, adagio, rondo - Sonata III en ut majeur : allegro moderato, andante, aria con variatione - Sonata IV en sol majeur : allegro moderato, adagio, rondo - Sonata V en si b majeur : andante, allegretto - Sonata VI en ré majeur : allegro moderato, adagio, aria con variatione. Nombre de pages : 38 Format : 24,5 x 33,5 Parution : 02/2000
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Antonio Vivaldi: Six Cello Sonatas: Cello: Instrumental Album
Violoncello, Basso continuo
Schott
Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV...
(+)
Includes: Sonata I (RV 47) Sonata II (RV 41) Sonata III (RV 43) Sonata IV (RV 45) Sonata V (RV 40) Sonata VI (RV 46). Â Please note this comes with a separate Cello part.
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Sonatas For Cello And Basso Continuo (VIVALDI ANTONIO)
Violoncello, Basso continuo
Wiener Urtext
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbaue...
(+)
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co
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6 Sonates Pour Le Violoncelle Et Basse - Oeuvre IVe
Violoncello, Basso continuo
Anne Fuzeau Productions
Edition : Paris, 1774La préface donne une biographie de Jean-Baptiste Janson et...
(+)
Edition : Paris, 1774La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation.Présentation de :Philippe Lescat : Biographie de Jean-Baptiste JansonJean Saint-Arroman : Lecture de la partition / Violoncelle Et Basse Continue / 38 pages / niveau : 1 / Fac-Similés - Format: 24.5 X 33.5
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Concertini Band 1 (ZOCARINI MATTEO)
Violoncello, Basso continuo
Schott
Par ZOCARINI MATTEO. Format: New Edition portrait/ Répertoire / Violoncelle et ...
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Par ZOCARINI MATTEO. Format: New Edition portrait/ Répertoire / Violoncelle et Basse Continue
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Sonates Pour Le Violoncelle Avec La Basse Continue - Livre III
Violoncello, Basso continuo
Anne Fuzeau Productions
Sonates pour le violoncelle avec la basse continüe. Livre III. Edition : Paris,...
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Sonates pour le violoncelle avec la basse continüe. Livre III. Edition : Paris, l'Auteur, Boivin, Leclerc, (s.d. = 1739).Présentation : Terminologie - Agrémentation - Chiffrages - Reprises - Points d'orgue.Ce remarquable livre de sonates pour violoncelle et basse continue comprend une sonate en trio qui suppose 2 violoncelles solistes et un violoncelle pour jouer la partie de basse réalisée par le clavecin. / Violoncelle Et Basse Continue / 36 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
24.80 EUR - Sold by LMI-partitions
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Sonates Pour Le Violoncelle Avec La Basse Continue - Livre II
Violoncello, Basso continuo
Anne Fuzeau Productions
Sonates pour le violoncelle avec la basse continüe. Livre II. Edition : Paris, ...
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Sonates pour le violoncelle avec la basse continüe. Livre II. Edition : Paris, l'Auteur, Boivin, Leclerc, (s.d. = 1733).Présentation : Terminologie - Agrémentation - Chiffrages - Reprises - Points d'orgue.Ces excellentes sonates pour violoncelle et basse continue font partie du répertoire fondamental des violoncellistes qui jouent sur instrument ancien. / Violoncelle Et Basse Continue / 40 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
26.00 EUR - Sold by LMI-partitions
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Sonates A Deux Violoncelles (Violoncelle Et B.C.)
Violoncello, Basso continuo
Anne Fuzeau Productions
Edition : Paris, l'Auteur, Boivin, Leclerc, 1736.Présentation de Maëlle TrouvÃ...
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Edition : Paris, l'Auteur, Boivin, Leclerc, 1736.Présentation de Maëlle Trouvé : Biographie de Jean-Baptiste-Joseph Masse - Lecture de la partition (notation, ornementation, phrasé, terminologie, basse-continue, forme)Ces sonates, dites 'à deux violoncelles', sont en fait écrites pour violoncelle et basse-continue.Ce recueil de très jolies sonates a l'avantage d'être techniquement très abordable. Il sera donc un élément intéressant d'initiation au style de cette époque. - / Violoncelle Et Basse Continue / 36 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
27.90 EUR - Sold by LMI-partitions
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Sonates Pour Le Violoncelle Et Basse Continue
Violoncello, Basso continuo
Anne Fuzeau Productions
VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et ba...
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VI 'Sonata' - Oeuvre VePrivilège GénéralOeuvre écrite pour violoncelle et basse continue. / Violoncelle Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
12.70 EUR - Sold by LMI-partitions
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