Selected pieces and traditional songs in five volumes-The five-volume ABRSM Songbook series offers singers and their teachers an unrivalled choice of core repertoire that will provide the bedrock for many years of rewarding vocal study. This series features: Over 1000 art songs drawn from Grades 1-5 of the Associated Board's Singing syllabus. A massive range of repertoire from the Medieval to modern musicals - many in practical new editions. Irresistible new arrangements by Carol Barratt of eighteen classic songs. A rich collection of sixty authentic unaccompanied traditional songs sourced from around the world. English singingtranslations for every non-English-language song - many newly-commissioned. Useful notes on the songs containing background information and performance suggestions. CDs of Piano accompaniment to all the art songs performed by Simon Lepper as well as recordings of the text to every song performed by native speakers.

Songs II for High Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)

Instrumentation: High/Medium/Low-voice—Pf (includes Optional Violin Format: Sheet Music Details: Three versions in one edition: high voice (G major); medium voice (F major); low voice (D Major) Contents: Gounod wrote the first version of this famoussong in 1852 and it was published in Decemberof that year by Mayaud as 'Premier prélude deJ.S. Bach'. The words were by Lamartine – 'Vers sur un album' from his Recueillments poétiques of 1839. Exactly when these words were supplanted by those of the 'Ave Maria' is not clear, but it seems to have happened within the first few years of the song's life. After a century and a half the piece isstill sung, played and loved the world over, and this is surely its own guarantee of musical value, as it is of its composer's more general gift as a songwriter. In the view of Maurice Ravel, that sharp critic of everything shoddy or meretricious, 'the true founder of the mélodie in France was Charles Gounod.' (Roger Nichols)

A wonderful two volume collection of songs for Voice and Piano by Gioacchino Rossini. Volume 1 contains eight songs for Voice with Piano accompaniment.

High Voice in A with Piano-Cesar Franck's Panis Angelicus has long been popular amongst vocalists. This arrangement is for High Voice the range being small - from the A above middle C to the F Sharp above it - and the piece is in A Major.

Instrumentation : Medium Voice - Pf Medium Voice - Pf Editor :Roland Erben

A unique collection of music for piano and voice by the celebrated Spanish composer Jose Padilla. Suitable for pianists from grade 5 standard.

L'oeuvre musicale qui a pour support une Partition a pour titre Mendelssohn On Wings Of Song For Voice And Piano. C'est une partition musicale composée par Mendelssohn Felix et qui est destinée aux joueurs de Chant/Vocal/Choeur. Le détail de l'instrumentation Chant Et Piano vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Chant Et Piano / Partition

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano