Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières

La référence GB4537 de l'éditeur Billaudot dont l'auteur célèbre est Labey Marcel, qui a pour titre CANTILENE OPUS 43, a été écrite et composée pour Flûte Traversière et plus particulièrement pour 4 Flûtes Traversières. Cette partition musicale appartient à la catégorie Classique. / 4 Flûtes Traversières / Partition

Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This enables the flutist to maintain a natural flow during his performance. Since there is very little original literature for the flute ensemble, a pedagogue is often required to draw on arrangements in which the lowest voices are frequently comprised of non-flute accompanying motifs. In chorale music, all voices are equally employed in a voice-leading manner. The phrasing slurs depend upon the text. The breathing signs in some cases only serve to clarify the musical line in general and are not to be used for strong breathing. The arrangements are created for flute ensembles with four voices. In each case the lowest voice can also be performed with an alto flute as an alternative. An according part is attached to the edition. Ideal for group teaching Choral music from the Renaissance and Romantic eras arranged for four flutes All parts are melodic and are musically equal Practice at home using the Play-Along CD which includes all parts / Niveau : Facile / Recueil / 4 Flûtes Traversières

This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Calm Sea, Opus 3, No. 2 (Schubert) * Dedication, Opus 14, No. 1 (Franz) * Frolicher Landmann (Schumann) * March (Mozart) * Minuet (Mozart) * Music For Queen Mary (Purcell) * Prayer (Humperdink) * Promenade (Mussorgsky) * Salute (Byrd) * Spanish Dance No. 1 (Granados) * Stoptime Rag (Joplin) * Waltz (Schubert).

'Il est surprenant de constater que les compositeurs a priori les plus sérieux (dont Beethoven, par exemple) se sont amusés à composer de petits divertissements, des canons comiques, des chansons à boire, voire, comme Mozart, des 'plaisanteries musicales?. L'exemple venant de haut, je n'ai aucune gêne à faire voisiner dans mon catalogue des partitions qui ont exigé de moi la plus grande concentration, le meilleur de moi-même à tous les niveaux, avec d'autres qui ne sont que le plaisir de l'instant. Tel le plaisir que l'on a, en général, quand on mange du chocolat ! / 4 Flûtes

Pascal Proust has many years of experience as a musician and music teacher. His works include several hundred compositions for the most diverse range of instrumentations. He wrote 14 Intermediate Flute Quartets for flute players who have around 4-5 years of experience. It is important that these players have paid special attention to an easy-to-follow and attractive musical style. These quartets are ideal performance and competition works for young flute ensembles.

Pour Quatuor De Flûtes. Par ARRIAGADA SERGIO. / Répertoire / 4 Flûtes Traversières