Instrumental Play-Along-Twelve solo Cello arrangements from Webber's greatest shows complete with full band accompaniment.

10 Songs from 6 Musicals-Intermediate-level arrangements for solo instruments and Piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic Grand Piano and are available online for download or streaming.Includes: 'Memory from Cats 'Don't Cry for Me Argentina' from Evita 'Hosanna' from Jesus Christ Superstar 'I Don't Know How to Love Him' from Jesus Christ Superstar 'The Last Supper' from Jesus Christ Superstar 'Close Every Door' from Joseph and the Amazing Technicolor Dreamcoat 'All I Ask of You' fromThe Phantom of the Opera 'Angel of Music' from The Phantom of the Opera 'The Music of the Night' from The Phantom of the Opera 'Unexpected Song' from Song

13 songs guaranteed to get the fans fired up including: Crazy Train · Don't Stop Believin' · Eye of the Tiger · Havana · Seven Nation Army · Sweet Caroline · We Are the Champions · and more. Songs are arranged for instrumentalists and feature access to great demonstration and backing tracks so they can play along and sound like a pro! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Solos for Cello-Nine songs from the Andrew Lloyd Webber musical masterpiece The Phantom of the Opera arranged for solo Cello: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again

Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date parution : 2022-06-08/ Recueil / Violoncelle

Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of

Preparez-vous a jouer tous les airs amusants du celebre Encanto de Disney ! Ces recueils contiennent des solos instrumentaux avec des enregistrements en ligne de demonstrations et de pistes d'accompagnement professionnelles. Les chansons comprennent : All of You - Colombia, Mi Encanto - Dos Oruguitas - The Family Madrigal - Surface Pressure - Waiting on a Miracle - We Don't Talk About Bruno - What Else Can I Do ? L'acces aux fichiers audio se fait en ligne a l'aide du code unique qui se trouve a l'interieur du recueil et peut tre ecoute ou telecharge. Les fichiers audio fonctionnent avec PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l'audio sans modifier la hauteur, de definir des boucles, de changer de tonalite et d'effectuer un effet panoramique vers la gauche ou la droite. / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Most compendiums of studies and exercises suffer the same fate as the infamous home-trainers: one sets out full of good intentions but after a few weeks of blood sweat and tears they are left to gather dust in a corner. Why? Any athlete prefers a proper cross-country run to a stint on the treadmill. If there is variety and a chance to make decisions all the senses become involved. May this set of studies be spared the fate of the exercise-machine; rather they should serve as the equivalent of a cross-country run with people feeling liberated ‘with-it’ and keen to set and achieve their own targets.

Le nombre de méthodes et de collections d'étude existant pour violoncelle est énorme. Mais que faire lorsque aucun enseignant n'est sur place pour expliquer pourquoi un certain passage du concerto, simplement ne marcherait pas ? Le célèbre violoncelliste Maria Kliegel pionniers une toute nouvelle façon : son expérience et ses connaissances ont été résumés pour constituer la ' quintessence '. Dans le livre, elle explique en problèmes techniques de manière très détaillée, indiquant les exemples tirés du répertoire. Sur le DVD, elle illustre la technique correcte, donnant des conseils sur la façon de maîtriser les passages célèbres de la littérature de concert et sur la pratique efficace. Un must pour l'instrumentiste avancée qui cherche des réponses à des questions particulières ou qui a toujours voulu savoir comment surmonter ces obstacles techniques. La série de Master Class a reçu le prix spécial digita 2007 pour de nouveaux développements qui peut changer et poursuivre l'apprentissage avec les nouveaux médias. L'édition convaincante du contenu d'apprentissage par les experts de renom et de la conception de médias discrète de la... / Divers

For Solo Cello-'Gordon Wright was the friend of a lifetime. For thirty years Gordonand I shared our two greatest passions: music and Alaska. Gordonwas my musical collaborator my next-door neighbor my fellowenvironmentalistand my camping buddy. These miniatures aremusical sketches of three moments and places in our friendship.Like Alaska Gordon was larger than life. He always lived his ownway. And he died just as he would havewanted. We found himlying on the deck of his cabin in the Chugach Mountains curled upagainst his favorite birch tree looking across the waters of Turnagain Arm toward the Resurrection Valley and the tiny settlementof Hope.' - John Luther Adams This music contains no normal stopped tones. All the sounds areproduced as natural harmonics or on open strings. There are noharmonics higher than the sixth. So thesesounds should be clearand resonant. Even so balancing the harmonics with the openstrings requires careful attention. The durations of the individual pieces are given at the end of each.The totalduration of the set is about ten minutes.

A practical and resourceful first tutor with a wide selection of well-known tunes, familiar to even the youngest beginner. Accompaniments for the early pieces are included. Forces or Category : Tutor Difficulty : Very easy 48 pages 04 January 1990 Margaret Martindale and Robert Cracknell Debbie Cracknell studied guitar and piano at Trinity College of Music in London. After graduating with licentiate diplomas in both instruments, she has been teaching as a peripatetic guitar teacher for Buckinghamshire County Council for many years. Her very successful series, Enjoy Playing Guitar, has been followed by many solo and ensemble works aimed mainly at beginners and those in the early grades.

'Pop pour violoncelle' lance une nouvelle série de chaînes de caractères uniques qui veulent également jouer de la pop et de chansons rock.Dans le tout premier groupe à être classiques à cordes réels comme 'Dust In The Wind' ou 'Against All Odds' et de conifères comme 'Somethin 'Stupid' et 'A Whiter Shade Of Pale' ou 'classique gaz' facile à jouer et sonnant à la grande pour le violoncelle présenté.Mais 'Still' et actuels succès pop comme l'énergique 'So What' de Pink et de l'hymne rock allemand de Jupiter VTOL donner le violoncelle à un début inouïe Ecosse dans le style pop.Le CD fourni contient toutes les chansons de la version complète et une version play-along pour pratiquer audition et vraiment amusant. Musique pour violoncelle est l'alternative idéale pour tout violoncelliste aux études classiques - dans la salle de classe et à la maison! / 1 Ou 2 Violoncelle(s) / 28 pages / niveau : Facile / Partition Cd

The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!