Successful French composer Pierre Gabaye (1930-2000) studied at the Paris Conservatoire where he won the 1956 Prix de Rome. His competence is proved by his Sonatina for Flute and Bassoon. Gabaye's compositional style has been described as following the French neo-classical tradition such as the music of Poulenc. Sonatina for Flute and Bassoon exemplifies the composer's light-hearted music. A typical performance of the duet lasts about 10 minutes and 40 seconds and comprises three movements. For all advanced flautists and bassoonists seeking alternative ensemble performance repertoire Gabaye's Sonatina for Flute and Bassoon is ideal.

This piece for Flute Clarinet Horn and Bassoon was premiered April 18th 2012 in Istanbul by its commissioner the Nis’tanbul Quartet composed of Sibel Pensel Aysegül Kirmanoglu Patrick Peignier and Arthur Menrath.    Armando Ghidoni's Swinging Counterpoint keeps all of its title’s promises: flowing with the same naturalness the same fluidity as Bach’s the counterpoint masterfully blends the colours and the lilt of swing. Recorded by the Nis’tanbul Quartet for the label Chant de Linos the work bursts with inspiration a melodic sincerity and a joyfulinsouciance.

Sérénade En Trio is a piece for Flute Clarinet and Bassoon by Eugène Bozza. Lasting 14 minutes this is a really nice work for concerts and recitals. It is divided into three parts: 1. Entrée ? Allegro Vivo 2. Fuguette ? starting with the Bassoon ?Expressivo? 3. Guigue ? Vivace This volume features the score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed severaloperas chamber works and ballets among others.

Scherzo Op.48 is a really lyrical piece for Wind Quintet (Flute Oboe Clarinet Bassoon Horn) which lasts around 2 minutes 30 seconds. The work starts Allegro Vivo with the main theme and some variations of this theme by each instrument then appear to end up on a final Animando. It reminds of music played to hold suspense during movies. This restless piece requires a good mastering of breathing techniques. This book features score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the GrandPrix de Rome. He composed several operas chamber works and ballets among others.

Composed in 1922 the Deux Mouvements - MCMXXII is a piece for two Flutes or Flute and Oboe Clarinet and Bassoon by Jacques Ibert. Dedicated to the “Modern Society of Wind instruments” this quartet is difficult and is composed of two movements: “Allant” and “Assez vif et rythmé”. This really lyrical quartet work is a great piece to play for a concert. Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie deFrance in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Ode For Saint Cecilia's Day Basson Timpani Flute Oboe 1 and Trumpet 1& 2 parts only.Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.£2.50 each instrument. Please specify which instruments you require and the quantity.

Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture - I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Les flûtistes sont toujours heureux de trouver des ?uvres pour musique de chambre dont l?instrumentation originale comprend leur instrument. Ainsi se réjouiront-ils sans doute de la présente édition urtext du trio pour piano flûte et basson de Beethoven. Cette édition s?appuie sur la partition de la nouvelle édition complète des ?uvres de Beethoven. Beethoven a probablement écrit ce trio concertant virtuose dès l?âge de 15 ans. La singularité de cette formation s?explique par le fait que la composition était destinée à la famille Westerholt-Gysenberg. Le baron Westerholt-Gysenberg jouait du basson son fils de la flûte et sa fille Maria Anna Wilhelmine était l?élève deBeethoven au piano. De la musique de chambre ravissante!

Music Minus One Bassoon-A marvelous and eclectic assortment of pieces for woodwind quintet from Bach Haydn Mozart and others. Includes a high-quality printed music score and a compact disc featuring each piece performed twice: first with soloist then without. Accompaniment: Camerata Woodwind Quintet: Roy Lawrence oboe Gerald Carey flute Roger Collins french horn Robert Koper bassoon

Andalag # 4 - Duo for 2 Bassoons (2011). Part of Andalag - Suite in 11 movements. Programme note Some years ago I was asked by the Faroese ensemble Aldubáran to compose duets for the woodwinds within the ensemble. The idea then came to me to write a Suite with the name “Andalag” in 11 movements. 8 movements are duets and are approximately 4 min. long. 2 movements are quartets and are approximately 8 min. long and 1 movement is an octet which is approximately 16 min. long. In other words the Suite will last approximately 60 min.   The (octet) instrumentation is 2 flutes 2 clarinets 2 horns and 2 bassoons. The Faroese word “andalag” has a multilayerd meaning. The first half of the word is “anda” and means to breath or spirit and the second half of the word “lag” means melodi mood or layer. I use two small ideas in this Suite. One idea is in a sort of major mood and the other in a sort of minor mood. Sunleif Rasmussen May 2013

for Double Wind Quintet. Par CESARINI FRANCO. Les danses folkloriques sont très répandues dans toute la Grèce. Dans cette pièce, Franco Cesarini a voulu utiliser quelques danses typiques de la tradition populaire grecque. Il a sélectionné trois chansons folkloriques traditionnelles, les adaptant librement. Le premier mouvement est un kalamatianos, une danse festive qui a des racines remontant à l'antiquité, dans les premiers écrits d'Homère. Elle est considérée comme la danse nationale grecque. Sa caractéristique la plus distinctive est le rythme irrégulier en 7/8. Selon l'occasion et l'habileté des danseurs, certains pas peuvent être exécutés en sautant et en s'accroupissant. Le deuxième mouvement représente un zeibekiko. Contrairement à la plupart des danses traditionnelles grecques, le zeibekiko n'est pas une danse exécutée en groupe ; il n'y a pas d'étapes particulières à suivre, seulement certaines figures. Le troisième mouvement, un hasapiko, est une danse traditionnelle avec des racines à Constantinople. Le hasapiko, qui a inspiré le sirtaki, est une danse qui passe d'un rythme lent à un rythme plus rapide. Le hasapiko est dansé en ligne ou en cercle ouvert, chaque danseur plaçant ses mains sur les épaules du voisin. / Date parution : 2022-04-01/ Répertoire / Double Quintette de Vents