Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists soon after it was written. It was also this sonata which inspired Marcel Proust when he wrote about the fictional sonata by the composer Vinteuil in his novel ?À la recherche du temps perdu?. This performing edition edited by Fabien Guilloux and François de Médicis is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4 in which Saint-Saëns? lengthy corrections of the Durand first edition as well as the autograph sources have been meticulously evaluated. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-29/ Répertoire / Violon et Piano

1919. Par PERRACHIO LUIGI. / Date parution : 2022-11-29/ Répertoire / Piano, 2 Violons, Alto et Violoncelle

Par BRUZZESE ANGELO. / Date parution : 2022-11-29/ Répertoire / Violon et Guitare

herausgegeben von Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edition of Bach?s Sonatas and Partitas for solo violin ? possibly the very pinnacle of the whole repertoire for violin ?, by violinist Fulvio Luciani. The edition is based on the autograph and is equipped with an apparatus of critical notes: they indicate problems with the reading of the original source, suggest possible new solutions, alternative to the widely accepted ones, and retrace the history of harmonic perception, as evidenced by the changes the composition went through across all its historical editions. The curator provides indications (clearly distinguishable from the original source) for the performance, the bowings specifically. They are suggestions founded in the observation of the technical apparatus pictured by Bach in his genius: a hand technique closer to a pianist?s than a traditional violinist?s; a mechanism we could call pioneering to this day. / Date parution : 2022-09-20/ Recueil / Violon

Par BRAHMS JOHANNES. / Date parution : 2022-10-12/ Répertoire / Violon et Piano

per quartetto d'archi. Par MININNI EUGENIO. / Date parution : 2022-09-20/ Répertoire / Quatuor à Cordes

Texte von Alban Nikolai Herbst. Par PLATZ ROBERT H.P.. / Date parution : 2022-09-20/ Répertoire / Quatuor à Cordes

The Violin Play-Along Series will help you play your favorite songs quickly and easily. Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. The audio CD is playable on any CD player. For PC and MAC computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch! This volume includes the songs: Artist's LifeBlue Danube WaltzEmperor WaltzKiss Waltz Pizzicato Polka Tales from the Vienna Woods Thousand and One Nights Wine, Women and Song. / Violon / Hal Leonard

Der Werke von Felix Mendelssohn Bartholdy. Par MENDELSSOHN-BARTHOLDY FELIX. The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn?s accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn?s works are still waiting to be published; many others have been published in an unsatisfactory manner. Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag für Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions. The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at ?Mendelssohn Festtage? in Leipzig. SON 411 - 413 have been awarded the German Music Edition Prize 2006. / Date parution : 2022-10-12/ Recueil / Violon et Piano

G. 177-182 - Opera Omnia Vol. XXVI 4. Par BOCCHERINI LUIGI. / Date parution : 2022-07-30/ Recueil / Quatuor à Cordes

Par VIEUXTEMPS HENRI. / Date parution : 2022-09-20/ Répertoire / Violon et Piano

Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) Suite in the Olden Style for String Orchestra To celebrate the 200th birthday of the playwright Ludvig Holberg (1684-1754), a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a ?powdered wig piece? (as Grieg wrote to his publisher) that hearkens back to Holberg?s era ? a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian ?air? and an impetuous ?rigaudon?. Later Grieg arranged his ?Suite in the Olden Style? for string orchestra. This version became one of his most popular compositions. For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself. - New Urtext edition of this popular work for string orchestra - Based on previously neglected sources by Grieg himself - String parts in a practical large format (25.5 cm x 32.5 cm) / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes

Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow ?did not get it?: History and Progress ? it was thought - were proceeding along one clear path and Brahms ? who was composing sonatas and symphonies instead of nocturnes and symphonic poems ? had taken the wrong way. Almost one century later, Schönberg wrote an essay, Brahms, der Fortschrittliche ( Brahms, the progressive ), in which he explained that it wasn?t like that at all. Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present ? and the future ? can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1 , I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places ? even imaginary ones ? where we can give happiness a form of its own. Nicola Campogrande, December 2020 / Date parution : 2022-10-12/ Répertoire / Violon et Piano