Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et aujourd'hui figure dans le répertoire standard de tous les violonistes. Il est d'autant plus surprenant, donc, que jusqu'à présent il n'y a pas eu édition Urtext de ces travaux importants.Le score est basé sur une première édition supervisée par Corelli lui-même. D'après ce que nous savons de la performance en temps de Corelli, cependant, était plusattend de la violoniste qu'une lecture musicale de la partition imprimée: il était d'usage d'ajouter des ornements à la limite de l'improvisation, avec l'embellissement et 'variations' comme vous le souhaitez. La partition originale est doncprésenté ici avec le plus documenté l'ornementation d'une réimpression publiée par Roger à Amsterdam en 1708. Cette ornementation n'est pas destiné à être servilement imité, mais de stimuler le lecteur à trouver leur propre interprétation créative et stylistiquement confiant de la partition. Comme Roger n'a pas précisé les ornements pour les sonates dans le deuxième volume, les 'variations que désiré' utilisé par l'élève de Corelli Geminiani ont été reproduites avec la Sonate neuvième exemple. Conseils sur les performances est donnée par la Cologne baroque spécialiste Reinhard Goebel. Ce conseil ne s'applique pas seulement à l'ornementation, mais aussi de l'articulation, coups d'archet et d'autres choses encore, appelant à des marquages ??spécifiques dans la partie de violon séparée.La réalisation de la partie de continuo fait écho à la mode de l'époque. Ici aussi, des conseils sur la performance vise à stimuler la libre interprétation par le joueur de continuo. Une partie basse chiffrée est inclus pour le joueur qui préfère lire l'accompagnement des chiffres. / Violon Et Piano

Les sonates en solo composées en Italie à partir des premières décennies du 17e siècle se distinguent par leur virtuosité instrumentale et l?originalité de la pensée baroque dont elles sont traversées. Ces deux aspects ont été pris en compte dans le choix des morceaux retenus pour cette série intéressante de recueils de musique italienne pour violon de la période baroque. Le premier volume se concentre sur deux groupes: d?une part Corelli à Rome Torelli à Bologne et Veracini à Florence et d?autre part les trois célèbres représentants de la dernière génération de compositeurs baroques italiens ? Geminiani Tartini et Locatelli ? dont le rayonnement s?étendait de Padouejusqu?en Angleterre en passant par Amsterdam. Toutes les ?uvres ont été éditées sur la base des sources originales garantissant ainsi une vision claire de ces joyaux de l?art baroque dans une édition urtext qui a fait ses preuves. Dans la préface figurent des explications quant aux pratiques de jeu et à la réalisation de la basse continue. Une liste des différentes variantes complète cette édition urtext approfondie.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for 2 Violins and Orchestra d minor BWV 1043 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 672. / Violon Et Piano / Chanson En Séparée

This is a wonderful collection of spirited and lively sonatas by Baroque-composer Jean-Marie Leclair (1697-1764). The contrasting textures including canonic polyphonic and imitative - together with the meticulous editorial realsiation of dynamics and articulation are guaranteed to provide an enjoyable challenge to both advancing and accomplished violinists alike. This edition has been edited by Carl Herrmann and both the Violin I and Violin II parts are included on separate inserts.

30 Duets From 4 Centuries-The most recent volume in the popular Violinissimo series contains 30 duets of medium difficulty. The original compositions date from four centuries from the Baroque to the modern era. Violin Duets provide an attractive mixture of popular compositions and lesser known original works which are worth discovering.This anthology in the series is not only a valuable addition to violin lessons but also a real treasure trove of attractive works for every violinist.

Music Minus One Violin-Bach's second Brandenburg concerto is a classic of Baroque beauty as is the famous 'Triple' concerto. Highly recommended for all advancing violinists. Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the right channel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Vienna Festival Orchestra Conductor: Franz Litschauer

The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue

7 Sonatas for Violine and Basso Continuo-An authoritative Urtext edition of seven of Sonatas for Violin and Basso Continuo written by Handel. Some of the finest baroque Violin Sonatas once more demonstrating Handel’s exquisite brilliance. This HenleVerlag Urtext edition is derived from Handel's original manuscripts with full editorial details and a comprehensive discussion of the differing editions as they have existed over the years thus it is the definitive referencesource for study and performance preparation. Separate performance parts are included for the solo Violin additional Violin and the realisation of the figured Bass for Cello alongside the full Piano/ Keyboard score.Edited by Stanley Sadie.

Music Minus One Violin Deluxe 2-CD Set-Three beautiful Baroque concerti from the master composer Antonio Vivaldi all part of his famous 'L'Estro Armonico.' Glorious Venetian Baroque music rewarding to study and play. The wonderful 'Double' Concerto includes printed parts for both primo and secondo violin and includes accompaniments with orchestra minus primo violin as well as with orchestra only (minus both violins) for you and a fellow violinist to perform. Suitable for a variety of technical levels. Includes a high-quality printed music score and 2 compact discs with complete and stereo accompaniment recordings. Performed by Geoffrey Applegate violin Lenore Sjoberg 2nd violin Accompaniment: ClassicChamber Orchestra Conductor: Emil Kahn

These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.

Baroque Violin Pieces is a four-volume graded anthology which acts as an introduction to the style and repertoire of Baroque music for solo Violin and Continuo. The editor's aim has been to select immediately attractive pieces which are at the same time of educational value in style and technique. The contents of each volume are arranged roughly in order of difficulty. The pieces in this volume Book 1 are of Grade 2 standard and progress in difficulty over the first three books. This volume has been edited by Richard Jones. The solo violin part is also included on a separate insert.

Baroque Violin Pieces is a four-volume graded anthology which acts as an introduction to the style and repertoire of Baroque music for solo Violin and Continuo. The editor's aim has been to select immediately attractive pieces which are at the same time of educational value in style and technique. The contents of each volume are arranged roughly in order of difficulty. The pieces in this volume book4 are of Grade 8 standard and above. This volume has been edited by Richard Jones.The solo violin part is also included on a separate insert.

Georg Friedrich Handel's Sonatas for Violin and Basso Continuo belong to the core repertoire of Baroque Violin music some of them even being among the most famous repertoire pieces of their time. The new edition in the Wiener Urtext Edition series is based on Handel's autographs contemporary copies and first prints. In addition to Handel's nine violin sonatas it contains two minuets for Violin and Basso Continuo which have been handed down in the environment of the sonatas. Apart from the solo Violin part and a Continuo score with a realised easily playable Basso Continuo the edition also includes a figured Bass partwhich gives experienced Continuo players the opportunity to improvise on the Basso Continuo part. The notes on interpretation by the renowned Baroque expert Reinhard Goebel provide insight into a sonata performance that was common practice at the time of Handel.

This new addition to the ‘Baroque Around the World’ series invites you to explore exciting new repertoire by Scotland’s Baroque composers: Oswald Reid McGibbon and Mackintosh!This collection includes the first modern edition of Mackintosh’s G minor Sonata. These pieces are ideal for auditions and exams as well as concerts and can be performed as whole sonatas or single movements. The accompaniments are simple and effective; the instrumentation is flexible – suitable for violin or flute and cello or bassoon plus keyboard. The sonatas are newly researched by the Scottish musicologist David Johnson. The CD includes complete performances as well asplay-along tracks.

Sixteen easy to intermediate pieces from 18th-century Sweden. The collection for violin (flute or oboe) keyboard and optional cello (bassoon) includes airs and dances by Roman Agrell Kraus Wikmanson Bellman.The Baroque Around the World series for flexible ensemble with keyboard can be used in the home in schools and in music centres – ideal for informal music-making as well as student and professional performance.Each publication includes a CD with listening and play-along tracks performed by the outstanding musicians Sharon Lindo (violin) Jennifer Stinton (flute) Nick Stringfellow (cello) and Jeremy Barlow (harpsichord).