for Flute Violin and Piano-By Bohuslav Martinu. For Flute Violin Piano. Flotenmusik. Playing Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import). (BA3326) ISBN M006432806.

Nicholas Maw is one of Britain's most admired composers. He is also an acknowledged master in whatever genre he expresses himself and one whose musical language is instantly recognisable. This piece for Flute and String Trio was commissioned by the Nash Ensemble and first performed at St. John's Smith Square London.

Free To Solo is a unique publication designed to be a fun play-along book for students who want to enjoy soloing freely instead of having to cope with too many scale changes. With interesting heads and long open sections the tunes encourage creativity over the inspiring contemporary material. Free to Solo is suitable for intermediate students seeking a challenge as well as more advanced players requiring additional material to explore.On the included CD there are 'minus one' tracks to play along with as well as complete performance versions of all the instruments in the series (Alto / Tenor sax Flute / Violin Clarinet Trumpet Guitar andTrombone) so that the reader can draw upon different interpretations of the improvised material.

Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano

Classical music for children: 36 easy pieces from the Baroque to the Romantic era in easily playable arrangements for string trio or beginners' string orchestra. Ideal for early ensemble work, and includes pieces from Vivaldi's Four Seasons, Mozart's Magic Flute and many more! / 2 Violons Et Violoncelle

Petits Airs à deux Dessus (for 2 recorders or 2 flutes or 2 oboes or 2 violins)

Arrangeur: Matt Johnston. Par HERBERT VICTOR. L'Encore is a short vignette originally composed for Flute, Clarinet (in A) and orchestra accompaniment. For this edition with piano reduction, to transpose the A Clarinet part for B-flat Clarinet would put the clarinet in an awkward key, so instead, included in the volume are additional transposed parts for the flute and piano. Thus, the clarinetist will always play off the clarinet part provided, however, depending on the instrument used, the flute and piano will need to play on the properly corresponding part, either in D Major or E-flat Major./ Répertoire / Flûte Traversière, Clarinette et Piano

This work was originally written in 1964 for two 12 year old twin brothers whom Britten met whilst working in Budapest. Each twin played the piano and one the flute and the other the violin. A second version has been prepared for those who may not be quite so versatile as the twins for whom it was originally intended and includes a version for four players with extra ad lib. passages for the Flute and Violin so they should not become bored by the long waits. This edition combines both versions with the additional passages in brackets and in small type in the score.

Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever thereason behind it Opus 25 is one of Beethoven’s few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding apublisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (Op. 41) which had been made by a third party. Our revised edition follows the musical text which willsoon be published in volume VI/1 of our new Beethoven Complete Edition.

for Flute, Violin and Piano. Par VALI REZA. Originally written for voice, lute, oud, harp and percussion, this four-movement, instrumental-only version for flute/clave (with optional doubling on Persian ney), violin and piano was written for Iranian flutist Arya Bastaninezhad. Aside from the original, one more version for voice, guitar, percussion, harp and piano is available from the publisher. / Date parution : 2023-06-01/ Répertoire / Flûte, Violon et Piano

Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano

Eugène Goossens (1893-1962) was an English composer whose work was initially held in the same high esteem as contemporaries such as Walton but who has since faded into obscurity. He worked across the UK US andAustralia and helped lobby for the Sydney Opera House to be built. He was knighted in 1955. His music helped incorporate French impressionism into English Romantic music. His Four Sketches (Op.5) werewritten in 1913 scored for either Flute Violin and Piano or 2 Violins and Piano. There are all simple and delicate but lively and enjoyable perfect for any recital. Book 1 contains the first two sketches:Legend and Serande.