Violin Sonatas Volume I-The Sonaten Fur Klavier Und Violine (Sonatas For Piano And Violin) Volume 1 is a beautiful collection of works for Violin and Piano composed by Beethoven. These sonatas provide a wonderful addition to the repertoireand will present an enjoyable challenge to the violinist and pianist alike.This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The solo violin part is alsoincluded on a separate insert.

With Piano Accompaniment-These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known others will sound fresh and new tomost players. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the pianoaccompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas Inc. If performed with full orchestra no solo parts should beplayed except the 1st violin part. Note also if you wish to perform these works with full orchestra and you are short certain instruments you still have some flexibility with the score. For example if there are not enoughviolas for balance the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.

Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new B?renreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully B?renreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '...a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006) Volume 1 contains: Sonatas KV 6-9 Sonatas KV 26-31 Sonatas KV 301-306 Sonata in C-Dur KV 296 Sonata in B-Dur KV 378

Stephen Albert's Tribute for Violin and Piano. Score and part. Duration: approx. 9 minutes.'Tribute revolves on a dual axis comprised of two lyrical themes that generate theother musical ideas appearing throughout this one movement work. The first theme is given to the Piano in the opening and the second theme is announced by the Violin on the heels of the opening Piano section. Both themes aredeveloped and elaborated on woven in and around one another until they are at length transformed into new themes that are more dramatic and rhythmic than their lyrical forebears. The end of the work is announced when ahymn-like section commences in the Piano after a genuinely loud climatic section.' - Stephen AlbertTribute was commissioned by the McKim fund for the Library of Congress 1988.The premiere performance took place on October 28 1988 Edna Mitchell Violin Frank Glazer Piano The Library of Congress Washington D. C.

Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.

This substantial volume contains all of the works that Tchaikovsky composed or arranged himself for Violin and Piano. The three larger Violin works opp. 26 34 and 42 which G. Henle Publishers also offers in individual practical editions are particularly well-known and popular. By contrast the three brief single movements with which Tchaikovsky presents charming adaptations of his own pieces promise to be genuine discoveries. Tchaikovsky’s Violin works have long suffered under corrupt musical editions heavily reworked later by violinists all the more important therefore that the editor responsible for this Urtextedition is Russian Tchaikovsky specialist Alexander Komarov. He consulted all of the relevant original sources in international archives thereby guaranteeing the highest reliability of this musical text. Ingolf Turban a Violin virtuoso of the first order supplied stylistically appropriate markings in the Violin part.

Composed for Violin and Piano in 1914 and reworked for Violin and Orchestra in 1920 The Lark Ascending is on of Vaughan Williams's most enduringly popular works. A serene romance the work takes its title from a poem by George Meredith. The Violin's magical evocation of the lark's 'chirrup whistle slur and shake' as it soas above delicate orchestral textures demonstrates the composer's mastery of the pastoral idiom. This new edition of the version for Violin and Piano includes an introduction by Michael Kennedy and is produced with the support of RVW Ltd.

(Spätere Wiener) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the third volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his five sonatas for Piano and Violin K.454 K.481 K.526 and K.547 also known as Die spateren WienerSonatas and also includes the Violin Sonata In B Flat K.570.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of the composer’s original intentions with thoroughly comprehensive and detailed editorial markings and suggestions.

Masterworks for Violin Series for Violin and Piano. Par PAGANINI NICCOLO. Contains La Campanella, Op.7 and Moto Perpetuo, Op.11. Niccolò Paganini gave the premiere performance of his Second Violin Concerto at La Scala in Milan, 1827. The success of the performance was such that the last movement of the concerto was repeated. The subtitle of this movement is \'La Campanella\' (The little bell) because of the sound the harmonics in this work produce. Paganini known for his pyrotechnics uses double harmonics and left hand pizzicato lavishly in this movement. Moto Perpetuo is one of Paganini\'s most popular works. Dozens of transcriptions exist for a variety of instruments, from marimba to double bass, as well as for orchestra, where all first violins play the solo part. The 3,032 sixteenth notes in this four-minute composition require formidable skill and endurance from the performer. / Date parution : 2022-01-14/ Recueil / Violin et Piano

for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied composition with László Draskóczy in Budapest, and conducting with Mark Stringer in Vienna. His works were awarded, among others, at the 2023 5th Zodiac International Music Competition, and the 2020 MUPA Composers Competition. As a conductor, he made his debut with the Hungarian State Opera in 2021. 2017-2020 he was assistant conductor of Savaria Symphony Orchestra. By incorporating a diverse range of musical genres, his aim is to connect with a wide spectrum of music enthusiasts. Many of his works delve into the intricate realm of mental health. Reflection and Exhilaration were awarded the second prize at the 2022 Béla Bartók World Competition and was chosen as obligatory piece of the 2023 Béla Bartók World Competition for violin. The two movements represent opposite moods, but they have in common the simplicity and effectiveness of the melodic invention, as well as the rhythmic sophistication, which also refers to the Bulgarian rhythms known from Bartók. / Date parution : 2023-07-31/ Répertoire / Violon et Piano

Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. The “Happy Birthday Variations” for violin and piano are dedicated to his good friend, the late Sir Roger Moore and are typical of Igudesman’s brand of humour. They take the internationally known musical greeting on a world-wide tour, from a Viennese Waltz, through a Big Band number, a Bulgarian Vivace in 7/8, a Russian Presto, a Tango and an Alpine Air to conclude in a Paganini-esque finale that’s not quite as difficult as it looks. A great concert showpiece for intermediate students, not least if someone in the audience is celebrating a special day! Or, if the teacher prefers to play the violin, Igudesman’s “The Soloist’s Ultimate Happy Birthday” (UE37199) does a different but equally funny job for violin duet./ Recueil / Violon et Piano

This edition contains all of Janá ek?s works for Violin and Piano - the Sonata as well as the Romance and Dumka composed while he was still a student.Though probably written as early as 1914 Janá ek?s Sonata for Violin and Piano was revised several times before finally appearing in a definitive version in 1922. This new edition of the Sonata and the Romance is based on the Complete Critical Edition of the Works of Leo? Janá ek (Vol. E/1) with a clearer notation to optimise readability.For the Dumka the editor has drawn on the sole autograph source the Violin part (still considered lost when the above mentioned Complete Edition volume waspublished) and the revised version contained therein. Unlike the first edition it also contains Janá ek?s detailed dynamic markings.Newly engraved edition with notation adapted to conform with modern usage.Revised version of Dumka with original dynamic markings.Foreword by leading Janá ek scholar Alena N mcová (Cz/Eng/Ger)