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FOR VIOLIN - FIDDLE
Cello High voice, Piano
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Two arias from Carmen (Habanera and Je dis que rien m'épouvante) for soprano and pianotrio
Two arias from Carmen (Habanera and Je dis que rien m'épouvante) for soprano and pianotrio
$15.99
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Soprano voice, Piano
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Georges Bizet
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HJ Bosma
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HJ Bosma
Camille Saint-Saens: My Heart at Thy Sweet Voice instantly for cello & piano
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Cello, Piano
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Camille Saint-Saens
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Songs for the Journey - High Voice
High voice, Piano
Beckenhorst Press
Composed by Craig Courtney / Dan Forrest. Beckenhorst Press #VC16H. Published ...
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Composed by Craig Courtney / Dan Forrest. Beckenhorst Press #VC16H. Published by Beckenhorst Press
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William Bolcom - Concert Songs - Volume 2 (2001-2012)
High voice, Piano
Edward B. Marks Music Company
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Pi...
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(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Piano Accompaniment. E.B. Marks. Softcover. 240 pages. Published by Edward B. Marks Music
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Practical Method
High voice, Piano
Peters
By Vaccai. For high voice, piano. (It-Ger). Published by C.F. Peters.
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Alessandro Scarlatti: 10 Arias
High voice, Piano
Schirmer
High Voice. By Alessandro Scarlatti. Arranged by M Robinson. Vocal Collection. S...
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High Voice. By Alessandro Scarlatti. Arranged by M Robinson. Vocal Collection. Size 9x12 inches. 36 pages. Published by G. Schirmer, Inc.
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César Franck: Panis Angelicus - Voice/Piano: Voice: Vocal Work
High voice, Piano
[Sheet music]
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Easy
Peters
Includes versions for High Medium or Low Voice (G F or E flat) with Piano acco...
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Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.
9.95 GBP - Sold by Musicroom UK
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Twenty-four Italian Songs And Arias Of The 17th And 18th Centuries Md/hi - High Voice
High voice, Piano
[Sheet music]
Schirmer
Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centurie...
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Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centuries - Medium High Voice A superb collection of 24 Italian Songs And Arias Of The Seventeenth And Eighteenth Centuries, compiled for Medium to High Voice with Piano accompaniment. Songlist Alma Del Core (La Constanza In Amor Vince L'Inganno) [Caldara, Antonio] Amarilli, Mia Bella [Caccini, Giulio] Caro Mio Ben [Giordani, Tommaso] Che Fiero Costume [Legrenzi, Giovanni] Come Raggio Di Sol [Caldara, Antonio] Danza, Danza, Fanciulla Gentile [Durante, Francesco] Gia Il Sole Dal Gange [Scarlatti, Alessandro] Lasciatemi Morire (Adriane's Lament) [Monteverdi, Claudio] Le Violette [Scarlatti, Alessandro] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] Nina [Pergolesi, Giovanni Battista] Nina [Pergolesi, Giovanni] Non Posso Disperar [De Luca, S.] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] Per La Gloria D'adorarvi [Bononcini, Giovanni] Pieta, Signore [Stradella, Alessandro] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Tu Lo Sai [Torelli, Giuseppe] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Vergin, Tutto Amor [Durante, Francesco] Vittoria, Mio Core! [Carissimi, Giacomo]
11.99 EUR - Sold by Woodbrass
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Edward Elgar: When The Spring Comes Round (High Voice And Piano): High Voice:
High voice, Piano
[Sheet music]
Novello & Co Ltd.
When The Spring Comes Round?(original title in French: Quand nos bourgeons se ro...
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When The Spring Comes Round?(original title in French: Quand nos bourgeons se rouvriront) is a song for solo Soprano Voice part of a staged recitation with orchestra ?Une voix dans ledésert? (A Voice in the Desert) written by the English composer?Edward Elgar?in 1915. The words are by the Belgian poet Émile Cammaerts and were translated into English by his wife Tita Brand.?In this Novello edition the orchestra part has been transcribed into a Piano accompaniment.Many of Sir Edward Elgar?s works have entered the British and international classicalconcert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations the Pomp and Circumstance Marches concertos for Violin and Cello and two symphonies. He was appointed Master of the King's Musick in 1924.
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