Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day Trio for Violin Cello and Harp being no exception. Composed in 1944 Trio is suitable to advanced level violinists cellists and harpists. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques and significantly composed for anunusual arrangement of Violin and Cello with Harp accompaniment Ibert's Trio is an exciting addition to the advanced level Violin Cello and Harp ensemble repertoire.

Commandé par le Trio Jenlis.
Création du 22 mars 2019, à la ferme du Biéreau à Louvain-la-Neuve (Belgique), par Mathilde de Jenlis (violon), Axel de Jenlis (violoncelle) et Hélïse de Jenlis (harpe). / Partitions classique / Ensemble et orchestre / Musique de chambre / BILLAUDOT

Par SAMUEL RHIAN. Wind and Brass/ Répertoire / Flûte Traversière Harpe et Alto

For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of course then on the surface of the music there is instrumental texture and how fast the notes go by. Along with this sense of play in terms of the pacing and motion is the idea of color. I love this ensemble, and its palette of color has been part of my DNA, as it were, for many years, because Ravel’s wonderful work Introduction et Allegro is such a cornerstone in the harpist’s repertoire. While composing, I found myself feeling that I was entering into this colorful world that is possible with this combination of instruments, almost as if it were possible to step into a painter’s palette in a real and visceral way, physically interacting with all the different colors. The title Form and Postlude nods to Ravel’s Introduction et Allegro, although my piece lives in its own very distinct space apart from Ravel. – Hannah Lash/ Répertoire / Flûte Traversière, Clarinette, Harpe et Quatuor à

Par PROUST PASCAL. / Répertoire / Flûte Traversière Violoncelle et Harpe ou Piano

Par FRIBERG V.. / Répertoire / Flûte Traversière ou Violon), Violoncelle et Harpe

Par JOLIVET ANDRE. Pastoreles De Noë l by Andre Jolivet is a piece for Flute, Bassoon and the Harp lasting nearly 13 minutes. This piece is really gentle and restrained which demonstrates the quality of Jolivet 's work but also reflects that period of WWII when France was under occupation. These scores are of medium level of ability. Pastoreles De Noë l features four sections: L'etoile (the Star), Les Mages (the Wisemen), La Vierge et l'Enfant (the Virgin and the Child) and Entree et Danse des Bergers (the Shepherds' dance). Each of these parts describes a part of theChristmas story, starting with the Flute and the Bassoon in a duet, followed by the entrance of the Harp to settle the first part. The second section is quieter, expressing the walk in the desert. The Virgin and the Child is like a lullaby and the piece finishes on a joyful dance to express happiness and devotion. Andre Jolivet is a French composer who was really inspired by the Antiquity, and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière Basson et Harpe

Harp Part with Piano Reduction. Par WHITE PAUL. / Répertoire / Quatuor à Cordes, Harpe et Basse