SKU: CL.032-3994-01

Crisp unison horn licks, funky backgrounds, and a high energy soul groove make Soulin’ an excellent chart for all mid-level bands. Playable with a minimum instrumentation, the open solo section includes suggested solos for your students. A dynamic chart with a soul groove that will be a big favorite with students and audiences alike!

SKU: BT.DHP-0991494-030

Soul Time by Roland Kernen has the two most important elements of any hit pop song - a driving rhythm and an attractive and catchy melody. This work has a three-part structure - a lively and exciting opening, a more peaceful middle section and an exuberant reprise. Get into the groove with this soulful work for brass band.

Soul Time enthält alle Elemente, nach denen ein Unterhaltungsmusikstück verlangt: ein treibender Rhythmus und eine gefällige Melodie. Ein schwungvoller Titel, der zu Tanz und Showeinlagen inspiriert.

Soul Time de Roland Kernen est un triptyque qui contient tous les éléments caractéristiques d’une œuvre de musique légère : une mélodie plaisante associée un rythme entraînant. Que du plaisir !

SKU: PR.114419980

UPC: 680160681723. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

SKU: LO.30-3322H

UPC: 000308142174.

Esteemed composer Z. Randall Stroope realizes the profound, soul-searching words of Tennyson’s Ulysses in a grand and expansive setting. Premiered in Carnegie Hall, Soulspeak is an absolutely stunning program closer that is well within the grasp of most high school, college, and professional ensembles.

SKU: HL.148932

UPC: 888506040016. 2.75x6.0x2.16 inches.

Hotone's all-new Soul Press 3-in-1 Volume/Expression/Wah-Wah pedal offers the convenience of each of these pedals in a single design. Inspired by the legendary CryBaby wah pedal, the Soul Press produces premium wah-wah effects. In addition, guitar volume and expression pedal modes are available with the flip of a switch. The easy-to-use design of the Soul Press features a metal footswitch and analog-style parameter knobs. Featuring multiple LEDs (Effects, Bypass/Off) and a strong casing, this pedal looks great and is built to last. The pedal offers true bypass circuitry for the highest quality sound when passing through un-effected signals. Soul Press enables players to craft the lightest, most compact pedalboard imaginable in combination with Hotone's Skyline Series Stompboxes. The 3-in-1 design of the Soul Press also makes for a great addition to an existing pedalboard where more effects are desired, but space and weight are at a premium. With great sound and maximum portability, Hotone's Soul Press Volume/Expression/Wah-Wah pedal is an optimal solution for guitarists that want excellent guitar tone for jam sessions, home office settings, bedroom setups and more. Features: • True bypass • Extreme compact size • LED lights • 3-in-1 pedal (Volume/Expression/Wah) • Sound based on the original CryBaby wah pedal • Adjustable control range (bottom value) • Active volume mode for keeping lossless tone • 9V DC or 9V battery power supply.

SKU: BT.DHP-1165684-015

English-German-French-Dutch.

The spiritual can be seen as the precursor of the black gospel music genre. Eric J. Hovi used the famous spiritual Rock My Soul in the Bosom of Abraham to make a simple but swinging arrangement for four-part variable wind ensemble with percussion.

De spiritual kan worden gezien als de voorloper van de zogenoemde black gospelmuziek. Eric J. Hovi maakte van de beroemde spiritual Rock My Soul in the Bosom of Abraham geheel in stijl een eenvoudige maar swingende bewerking voor vierstemmige variabele blazersbezetting met slagwerk.

Das Spiritual kann als Vorläufer der sogenannten schwarzen Gospelmusik angesehen werden. Eric J. Hovi verwendete das berühmte Spiritual Rock My Soul in the Bosom of Abraham als Vorlage für ein einfaches, aber swingendes Arrangement für vierstimmige variable Besetzung mit Schlagzeug.

Le spiritual peut être classé comme prédécesseur du gospel. Eric J. Hovi fait usage du célèbre spiritual Rock my Soul in the Bosom of Abraham pour en faire un arrangement simple mais rythmé pour orchestre d’harmonie variable quatre voix avec percussion.

Lo spiritual può essere considerato l’antesignano del genere gospel. Eric J. Hovi ha rivisitato il noto canto tradizionale Rock My Soul in the Bosom of Abraham per un arrangiamento dall’andamento “swingato” per organico variabile a quattro voci e percussioni.