(Piano 6 Mains). Par BENEY ALAIN. / Niveau : Elémentaire / Répertoire / Piano 6 Mains, 4 Percussions : Vibraphone, Marimba

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Flute Violin Vibraphone Guitar or Piano-Suitable for Flute Violin Vibes Guitar or Piano.

1001 Nights in the Harem. Par SAY FAZIL. 'My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazade’s One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance – in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds. As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments. As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion.' Fazil Say/ Répertoire / Violon et Piano

Michel Cals (b. 1951) composed his Quatre Inventions for Percussion and Piano to be played in a competition at Paris Conservatoire. As an unusual contemporary addition to the Percussion repertoire this Cals piece is a must-play for percussionists wishing to broaden their style. The four pieces bear the name of their instrumentation; 1. Accessories and Vibraphone 2. Xylo-Marimba 3. Snare Drum and Drum Kit and 4. Five Timpani. Exploiting Percussion to its full potential Cals' Quatre Inventions is essential to the repertoire of advanced percussionists.

Written for a Paris Conservatoire contest  Suite Ancienne is a piece in five parts for Percussion and Piano and was composed by Maurice Jarre. All sections of this suite use different percussions:  1. Toccata – for 4 Timpanies 2. Sarabande – for Vibraphone Chimes Glockenspiel 3. Guigue – for Snare Drums Tambourine Triangle Castanets 4. Courant – for Xylophone 5. Rigaudon – for Drums Solo Maurice Jarre (1924-2009) was a French composer who wrote much film music some concert pieces and some ballets. Among the most famouspieces he composed were for “Lawrence of Arabia” “Dead Poets Society” and “I Dreamed of Africa”.

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Deleruyelle Thierry et éditée par Billaudot cette partition est idéale pour les joueurs de Percussions. Si l'instrumentation Percussions Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Percussions Et Piano / Partition

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Benetti Didier et éditée par Billaudot cette partition est idéale pour les joueurs de Percussions. Si l'instrumentation Percussions Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Percussions Et Piano / Partition