SKU: BR.EB-8033
ISBN 9790004174364. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extant, since it is more stimulating for children to change the teaching material frequently. Jean-Philippe Rameau (1683-1764) is the second great keyboard master of the Baroque Age next to Couperin. His works are as unknown to pianists, with few exceptions, as they are famous among harpsichord players. The virtuosity and imaginativeness of his works lend themselves especially well to the sound of harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the harpsichord and clavichord, and no one would dare question their interpretation on the pianoforte. In order to introduce these Impressionists of the Baroque Era to piano instructions, the editor has added to this series a folio of both Couperin's (EB 8029) and Rameau's music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. Baroque dance forms and graceful character pieces (LaJoyeuse, L'Indifferente) are typical ofRameau's work. Simplifications to a small extent of the harpsichord setting and also of the omamentation in the original version were required, based on the teaching experience of the editor. The indications for phrasing and articulation are those of the editor. The Minuet on page 6 has been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series: what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the espective footnotes; these directions, however, are not obligatory. Indications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case by used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realisation of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: BR.EB-8029
ISBN 9790004174326. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. There are four existing harpsichord books with a total of 226 compositions by Francois Couperin le Grand (1668 -1733). His works are as unknown to pianists as they are famous among harpsichord players. The grace and imaginativeness of his works lend themselves especially well to the sound of the harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the haipsichord and clavichord, and no one would dare question their intetpretation on the pianoforte. In order to introduce these lmpressionists of the Baroque Era to piano instruction, the editor has added to this series a folio of both Couperin's and Rameau's (EB 8033) music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. The Butterflies and the Windmills are both especially typical of masterful character pieces. The demands made on technique certainly correspond to a level of moderate difficulty. The simplifications made are restricted to the artistically realized twopart accompaniment (eg. p. 4 f. and p. 8 f.) with regard to finger stretch and to the profuse ornamentation of the original. The indications for phrasing and articulation are those of the editor. The first two pieces have been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series; what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the respective footnotes; these directions, however, are not obligatory. lndications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case be used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realization of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: HL.338219
ISBN 9781540089021. UPC: 840126913378. 9.0x12.0x0.225 inches.
The Classical Piano Sheet Music Series includes compilations of intermediate level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. Includes: ANONYMOUS: Minuet in C minor, BWV Appendix 121 • Minuet in D minor, BWV Appendix 132 • Minuet in G Major, BWV Appendix 116 • Musettein D Major, BWV Appendix 126 CARL PHILIPP EMANUEL BACH: March in D Major, BWV Appendix 122 • March in G Major, BWV Appendix 124 • Solfegietto in C minor, H. 220 JOHANN SEBASTIAN BACH: Invention No. 1 in C Major, BWV 772 • Invention No. 2 in C minor, BWV 773 • Invention No. 4 in D minor, BWV 775 • Prelude in C Major, BWV 846 • Prelude in C Major, BWV 924 • Prelude in C Major, BWV 939 • Prelude in C minor, BWV 999 • Prelude in D minor, BWV 926 WILHELM FRIEDMANN BACH: Allegro in A Major JOHN BLOW: Courante in C Major • Prelude in C Major ARCANGELO CORELLI: Gavotta in F Major FRANCOIS COUPERIN: Benevolent Cuckoos Under Yellow Dominos • Berceuse JEAN-FRANCOIS DANDRIEU: Lament LOUISE-CLAUDE DAQUIN: The Cuckoo GEORGE FRIDERIC HANDEL: Courante in G Major • Minuet in F Major • Rigaudon in G Major • Sarabande, HWV 437 JOHANN PACHELBEL: Sarabande in B-flat Major CHRISTIAN PETZOLD: Minuet in G Major, BWV Anh. 114 • Minuet in G minor, BWV Anh. 115 HENRY PURCELL: Suite No. 1 in G Major JEAN PHILIPPE RAMEAU: Tambourin ALESSANDRO SCARLATTI: Aria in D minor DOMENICO SCARLATTI: Minuet from Sonata in C Major, L. 217 (K. 73b, P. 80) • Sonata in A Major, L. 483 (K. 322, P. 360) • Sonata in A minor, L. 378 (K. 3) • Sonata in D minor, L. 423 (K. 32, P. 14) • Sonata in G Major, L. 79 (K. 391, P. 364) GEORG PHILIPP TELEMANN: Dance in G Major.
SKU: HL.50490229
ISBN 9790080146958. UPC: 884088531515. 9.0x12.0x0.208 inches. Selected and edited by Judit Peteri.
Easy and moderately difficult piano sonatas, including: Sonata in C Major, K 200 • Sonata in E Major, K 215 • Sonata in D Major, K 377 • and more.
SKU: BT.ALHE33724
French.
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume of Selected Sonatas isindispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought thatmuch of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The first volume of Selected Sonatas,compiled by Kenneth Gilbert, includes many of the popular and recognised sonatas. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in theservice of two royal families, his sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.
