Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.

François Devienne's Sonata Op. 58 No.1 Emin arranged for Flute and Piano accompaniment is a perfect addition for the advanced Flautist looking for an impressive concert piece to show off theirmastery of the instrument. This work is part of the 2018-2021 ABRSM Flute syllabus (Grade 8)

This inspiring collection of seasonal music tells the tale of the men and women who braved a rough ocean crossing to come to America from Northern Ireland full of hope and strength. Includes a wide range of music from spirited jigs to touching melodies arranged for flute and piano with a separate pull-out section for the flautist.

Mathias' Sonatina, originally composed in 1953 but revised in 1986, is a slighter yet more approachable work. A considerable amount of straight repetition renders the music easily assimilable. For instance, both main themes in the opening sonata movement are repeated during the exposition; similarly a large stretch of the development consists simply of a transposed version of a previous passage. Only in the third and final movement does the structure become more complex, with the combination of variants of the main themes of the first movement. But such subtleties pale into insignificance when compared with the rhythmic ebullience and good humour of the outer movements, and the suave, urbane lyricism of the central Andante. If the listener is entertained agreeably, the Sonatina has done its job well. © Trevor Bray

World Music. Nouveau! Maintenant disponible avec un accompagnement piano alternative ajouté. Ces éditions le long de jeu pour solos flûtistes contenant le CD d'accompagnement orchestral pistes et partie de mélodie (y compris les symboles de la corde) sont maintenant disponibles avec un accompagnement au piano alternative ajouté fournissant des pianistes et flûtistes la chance de jouer ensemble de ces pièces. Les CD de cette série sont superbement produits, immédiatement apportant des musiques traditionnelles vivant partout dans le monde dans toute sa diversité. Représentations complètes des pièces sont également fournies et seront une source d'inspiration à la fois flûtistes et les joueurs de niveau pianistsIntermediate./ Recueil / Flûte Traversière