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CHRISTMAS JOY MEDLEY (Piano Accompaniment for Violin, Viola & Cello)
CHRISTMAS JOY MEDLEY (Piano Accompaniment for Violin, Viola & Cello)
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Piano Accompaniment
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George Frideric Handel, John F
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När det lider mot jul (A Swedish Carol) for string quartet
När det lider mot jul (A Swedish Carol) for string quartet
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String Quartet: 2 violins, viola, cello
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Ruben Liljefors
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Tim Neumark
Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by Vikíngur Olafsson)
Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by Vikíngur Olafsson)
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Poco a poco ... für Klavier und Streichtrio (1974)
Piano Quartet: piano, violin, viola, cello
-
Intermediate/advanced
Barenreiter
Piano, violin, viola, cello (Piano, Violin, Viola, Violoncello) - Level 4 SKU...
(+)
Piano, violin, viola, cello (Piano, Violin, Viola, Violoncello) - Level 4
SKU: BA.BA07078
Musik, inspiriert von einem Text Wolfgang Hildesheimers
. Composed by Heinz Winbeck. Stapled. Score, Set of parts. Composed 1974. 39/7/7/7 pages. Duration 16 minutes. Baerenreiter Verlag #BA07078_00. Published by Baerenreiter Verlag (BA.BA07078).
ISBN 9790006485109. 34 x 27.2 cm inches.
World Premiere 21/07/1974, Hitzacker.
$99.95 - See more - Buy online
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Piano Quartet in D major op. 23
Piano Quartet: piano, violin, viola, cello
Barenreiter
Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urte...
(+)
Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).
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Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
Piano Quartet: piano, violin, viola, cello
Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad...
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Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano
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3 Quartets For Pianoforte, Violin, Viola And Violoncello Woo 36 (BEETHOVEN LUDWIG VAN)
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Barenreiter
Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quar...
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Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle
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Shades Of Silence (THORVALDSDOTTIR ANNA)
Piano Quartet: piano, violin, viola, cello
[Score and Parts]
Chester
Par THORVALDSDOTTIR ANNA. Score and Parts for Anna Thorvaldsdottir's Shades Of S...
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Par THORVALDSDOTTIR ANNA. Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin, Viola, Cello and Piano accompaniment. Score and Parts for Anna Thorvaldsdottir's Shades Of Silence for Violin, Viola, Cello and Piano accompaniment. Written for Nordic Affect. The first performance was given on 2 February2013 at Kaldal and oacute - n Hall, Harpa Centre, Reykjavik, Iceland. Duration: c. 8 minutes/ Répertoire / Violon, Alto, Violoncelle et Piano
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Quatuor N03 En Sol Majeur (HAHN)
Piano Quartet: piano, violin, viola, cello
Heugel
Par HAHN. For Violin, Viola, Cello and Piano./ Répertoire / Violon, Alto, Violo...
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Par HAHN. For Violin, Viola, Cello and Piano./ Répertoire / Violon, Alto, Violoncelle et Piano
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Phantasy In F Sharp Minor. Violin, Viola, Cello And Piano (BRIDGE FRANK)
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Stainer and Bell
Par BRIDGE FRANK. Strings/ Répertoire / Violon, Alto, Violoncelle et Piano
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Danny Elfman: Piano Quartet (ELFMAN DANNY)
Piano Quartet: piano, violin, viola, cello
[Score and Parts]
Faber Music Limited
Par ELFMAN DANNY. Danny Elfman?s Piano Quartet comprises thematic variations for...
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Par ELFMAN DANNY. Danny Elfman?s Piano Quartet comprises thematic variations for piano and string trio cast in five movements: Ein Ding, Kinderspott, Duett für Vier, Ruhig and Die Wolfsjungen. The idea behind the work stems from a familiar children?s playground taunt which can be heard in the second movement. The work playfully cycles through a variety of moods and textures, from the agitated intensity of the first movement so reminiscent of the composer?s iconic film music, through to the delicate Adagio, all culminating in Elfman?s energetic and impassioned finale. / Date parution : 2022-04-05/ Répertoire / Quatuor avec Piano
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Two Nocturnes (DAVIES PETER MAXWELL)
Piano Quartet: piano, violin, viola, cello
[Score and Parts]
Schott
for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed imm...
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for piano quartet. Par DAVIES PETER MAXWELL. The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out. 2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space. The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach. They are dedicated to James MacMillan and Amelia Freedman respectively. Sir Peter Maxwell Davies (2010)/ Répertoire / Piano, Violon, Alto et Violoncelle
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Ronda (DONATONI FRANCO)
Piano Quartet: piano, violin, viola, cello
[Score]
Ricordi
Per Violino, Viola Violoncello, Pianoforte. Par DONATONI FRANCO. / Musique cont...
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Per Violino, Viola Violoncello, Pianoforte. Par DONATONI FRANCO. / Musique contemporaine / Date parution : 1905-06-23/ Répertoire / Violon, Alto, Violoncelle et Piano
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...Aimez - Vous S...? (CORGHI AZIO)
Piano Quartet: piano, violin, viola, cello
[Score]
Ricordi
Per Violino, Viola, Violoncello, Pianoforte (2007-2008). Par CORGHI AZIO. / Mus...
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Per Violino, Viola, Violoncello, Pianoforte (2007-2008). Par CORGHI AZIO. / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Violon, Alto, Violoncelle et Piano
51.51 EUR - Sold by LMI-partitions
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