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| Drama Queens
Mezzo-Soprano voice, Piano
Boosey and Hawkes
(13 Selected Arias from Early Baroque to Classic Mezzo-Soprano/Soprano). By Vari...(+)
(13 Selected Arias from Early Baroque to Classic Mezzo-Soprano/Soprano). By Various. Edited by Alan Curtis. For Mezzo-Soprano, Soprano, Piano Accompaniment. Boosey and Hawkes Voice. Softcover. 88 pages. Bote and Bock #M202523438. Published by Bote and Bock
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| DREAM Songs
Mezzo-Soprano voice, Piano
Subito Music
Mezzo-Soprano & Piano SKU: SU.29020130 For Mezzo-Soprano & Piano. ...(+)
Mezzo-Soprano & Piano SKU: SU.29020130 For Mezzo-Soprano & Piano. Composed by Reinaldo Moya. Vocal/Choral, Solo Voice. Accompanied by piano. Full Score. Subito Music Corporation #29020130. Published by Subito Music Corporation (SU.29020130). Settings of poetry by DREAMer (immigrants who were brought to the US as minors and have since had difficulties adjusting their legal status) poets (In English) 4 Songs: I. Cenzóntle; II. How I Learned to Walk; III. Between Chou and the Butterfly; IV. Such AsMezzo-Soprano and Piano Duration: 23 Composed: 2017 Published by: Distributed Composer. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Nico Muhly: So Many
Things: Mezzo-Soprano:
Vocal Score
Mezzo-Soprano voice, Piano
St Rose Music Publishing
The sheet music for contemporary virtuoso composer Nico Muhly's So Many Things ...(+)
The sheet music for contemporary virtuoso composer Nico Muhly's So Many Things arranged for Mezzo-Soprano and Piano Accompaniment. So Many Things was commissioned by a number of institutions including The Los Angeles Philharmonic Association UC Berkeley and Carnegie Hall. Lasting around 15 minutes Muhly has set three poems to this wonderful music including a lengthy narrative poem by Joyce Carol Oates and two translations of C.F. Cavafy by Daniel Mendelsohn. Muhly has brilliantly managed to take the emotion of the words and replicate them through music creating an astonishingly movingaccompaniment that not only reflects the lyrical sentiment but complements it. He states that the Piano moves between skittish and ostinato relentless but often pausing for an effective break in the musical narrative. With drones and palindromes from the Piano the Voice leaps between intervals creating a dynamism that creates uncertainty rather than resolve much like the poetry.
Pre-shipment lead time: In Stock | | |
| Ian Venables: Ian
Venables: Mixed Choir:
Vocal Score
Mezzo-Soprano voice, Piano
Novello & Co Ltd.
At the Court Of The Poisoned Rose-Programme Note: The song At the Court of the P...(+)
At the Court Of The Poisoned Rose-Programme Note: The song At the Court of the Poisoned Rose was commissioned by the countertenor James Huw-Jeffries. It is based upon a long prose poem by the Scottish poetess Marion Angus (1866-1946). Published under the title of Alas! Poor Queen the poem narrates the tragic story of the life of Mary Queen of Scots who was manipulated by the political ambitions of those around her. Given the work?s length and sectional nature the song is more akin to a ?Dramatic Scena?. The music opens mysteriously setting a nostalgic atmosphere that seeks to mirror the queen?s confinement and sense of resignation. This is followed by acontrasting section that conveys her love of life?s trivialities and her capricious nature ? it is quicker in tempo. These two ideas are subsequently developed and reshaped. At the words ?she rode through Liddesdale with a song? I have adapted an aire by the Elizabethan composer Philip Rosseter and interpolated material from the previous sections. The emotional climax of the work comes on the poignant words ?Queens should be cold and wise?. In spite of this the lighthearted and earthly bound music returns reminding us that the Queen only ?loved little things and red-legged partridges and the golden fishes of the Duc de Guise?. - Ian Venables Duration: c. 6 minutes
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