SKU: CA.3109612
ISBN 9790007046859. Key: F major. Language: German/English. Text: Creutziger, Elisabeth. Text: Elisabeth Creutziger.
Score available separately - see item CA.3109600.
SKU: CA.4049505
ISBN 9790007070601. Key: F major. Language: German.
Score available separately - see item CA.4049500.
SKU: CA.2045912
ISBN 9790007196257. Key: F major. Language: German/English.
Score available separately - see item CA.2045900.
SKU: CA.3109649
Key: F major. Language: German/English. Text: Creutziger, Elisabeth.
Score and part available separately - see item CA.3109600.
SKU: CA.3118014
ISBN 9790007050122. Key: F major. Language: German/English. Text: Franck, Johann. Text: Johann Franck.
Score available separately - see item CA.3118000.
SKU: CA.2043520
ISBN 9790007036355. Key: F major. Language: German/English. Text: Spangenberg, Johann. Text: Johann Spangenberg.
Conclusion of the Weihnachtshistorie.
SKU: HL.48024809
ISBN 9781784545604. UPC: 888680978990. 9.0x12.0x0.169 inches.
In 1990 a short score of Strauss's late masterpiece Metamorphosen was discovered in Switzerland and acquired by the Bavarian State Library in Munich. It is headed 'Metamorphosen. Andante (für 2 Violinen, 2 Bratschen, 2 Celli[,] Contrabass) Richard Strauss'. This gives rise to the assumption that the composer had clearly conceived the piece as scored for seven strings and then changed his mindon receiving a commission from Paul Sacher to write a work for a larger string group. The short score bears the date 31 March 1945 at the end, the full score for twenty-three strings having already been started on 13 March. Rudolf Leopold, concert cellist and professor of cello at the University of Music, Graz, prepared the septet performing version of Metamorphosen, of which the study score was published in 1996. He explains that, for the most part, the 23-part version consists of doublings. “In the realisation of the 'original version' for string sextet and double bass I have made use of both the short score and the final score so that the complete tonal image appears in a chamber music format whilst retaining certain interesting details from the short score (for example the original closing modulation).â€.
SKU: HL.49012047
ISBN 9790001100809. UPC: 888680633165. 9.0x12.0x0.135 inches.
This work was written for the Donaueschingen Musiktage of 1926 and given its first performance there together with Paul Hindemith's 'Konzertmusik' and Ernst Toch's 'Spiel' for wind band. Until a few years ago the score was thought to be lost. This first edition reproduces the original Version but it has been carefully extended so that it can be played by the usual combination of Instruments now found in a wind band. The work is suitable for advanced wind bands and those at the highest level, and is one of the first original compositions for this form of ensemble.Hans Gal was born in Vienna where he studied composition and musicology and then taught at the university. From 1929 until 1933 he was Director of the Musikhochschule in Mainz. He then had to return to Vienna and he emigrated to Edinburgh where he was a university lecturer and conductor. Together with Eusebius Mandyczewski he published the collected works of Brahms1 Piccolo-Flote, 2 Floten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es, 3 Klarinetten in B, 1 Bass-Klarinette in B ad lib., 2 Alt-Saxophone in Es ad lib., 1 Tenor-Saxophon in B ad lib., 1 Bariton-Saxophon in es ad lib., 3 Horner in F, 2 Trompeten in B, 3 Posaunen, 2 Flugelhorner in B, 2 Tenorhorner in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: kleine Trommel, grosse Trommel, Tamburin, Triangel, Becken).
SKU: CA.2003513
ISBN 9790007193218. Key: F major. Language: German/English.
Score available separately - see item CA.2003500.
SKU: M7.DOHR-11366
ISBN 9790202023662.
Text und Melodie des 1653 erschienenen Liedes von Paul Gerhardt und Johann Crüger haben mich zu dieser Partita für Orgel inspiriert. Sie verwendet vier der insgesamt zehn Strophen, die musikalisch durch bewusste Verwendung unterschiedlicher Stilistiken und Akkorderweiterungen neu gedeutet bzw. reharmonisiert wurden, gefolgt von einem fröhlichen Finale. Der cantus firmus wird nach alter Tradition jeweils einer zugrunde liegenden Stimme zugeordnet und variiert, die im Advent den Zuhörern das Erkennen der Melodie und das Verständnis der Komposition erleichtern soll. (Holger Hantke).
SKU: HL.49012048
ISBN 9790001100816. UPC: 884088158811. 8.25x11.75x0.634 inches.
SKU: CA.2045909
ISBN 9790007036607. Key: F major. Language: German/English.
SKU: CA.3114913
ISBN 9790007208585. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).
In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.
SKU: HL.44003995
ISBN 9789043108140. UPC: 073999554304. 9.0x12.0x0.162 inches. English-German-French-Dutch.
This series features 15 original pieces for beginning wind instrument players in a variety of styles. It introduces students to the joy of playing solo with background accompaniment tracks on CD that are perfect for practice and performance.
SKU: PR.114416460
ISBN 9781598067811. UPC: 680160620616. 9x12 inches.
POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.
SKU: BT.DHP-1053873-140
9x12 inches. English-German-French-Dutch.
The melody of Bundeslied originates from Mozart’s' Frimaurerkantate (KV62) from 1791. However research has shown evidence that it was probably composed by Johann Holzer, a freemason brother of his, but there is no definite evidence for this. Following the Second World War this melody was used as the basis for the new Austrian national anthem. Micheal Bilkes has adapted this beautiful, stately hymn for concert band. The result is a captivating work for both performers and audience.Die Melodie des Bundesliedes stammt aus der Erstausgabe von Wolfgang Amadeus Mozarts Freimaurerkantate, ihre genaue Urheberschaft ist jedoch umstritten. Nach dem Zweiten Weltkrieg wurde die Melodie mit einem Text von Paula von Preradovic zur neuen Nationalhymne Österreichs erkoren. Diese wurde nach ihrer Einführung im Jahr 1947 schnell sehr gut vom österreichischen Volk angenommen. Michael Bilkes bearbeitete diese wunderschöne majestätische Hymne für Blasorchester. Das Resultat ist ein Werk, das sowohl die Spieler als auch ihre Zuhörer fesseln wird.En décembre 1791, Wolfgang Amadeus Mozart compose sa dernière oeuvre complète, la Cantate maçonnique (KV 623), dans laquelle apparaît plusieurs reprises la mélodie du chant Bundeslied (Brüder reicht die Hand zum Bunde). De nombreuses recherches musicologiques donnent penser que cette mélodie est en réalité l’oeuvre de Johann Holzer, un « frère » franc-maçon. Toutefois, on ne dispose d’aucune preuve patente ce sujet. Michael Bilkes, en a réalisé un arrangement majestueux pour Orchestre d’Harmonie.
SKU: BT.EMBZ14504A
English-German-Hungarian.
But their true significance consists in the new scholarly discoveries made by the editors. Similarly to the other NLE volumes, both the cloth-bound (Z. 14504a) version and the one bound in hard-paper (Z. 14504) contain in three languages the series preface, the preface to this volume, and the captions below the facsimiles, but the critical notes in English are to be found only in the linen-bound edition.
Territorial restrictions may apply. Please ask before ordering.Der Band enthält neben der Klavierpartitur der Symphonie von Berlioz, kleinere, spätere Meisterwerke (Excelsior!, Resignazione), die 1874 in Woronince entstandenen Albumblätter, die umfangreichen, mehrere Mozart-Themen aufgreifenden, aber unbeendeten und unausgearbeiteten Figaro- und Don Giovanni-Phantasien, das schon seit langem unzugängliche Klavierstück No. 1 in As-Dur, zwei von der Fachliteratur verkannte, unveröffentlichte Werke, die Maometto-Phantasie und die ‚Siege de Corinthe' (beide sind Transkriptionen von Rossini-Werken) und drei, ebenfalls bisher nicht erschienene Stücke, das Klavierstück in F-Dur, die Cavatina aus Meyerbeers ‚Robert der Teufel' und dasfür Pauline von Iwanowska komponierte ‚Freudvoll und leidvoll'. Das Vorwort, welches die Entstehungsgeschichte der Werke sehr genau und auf jedes Detail eingehend vorstellt, ist auch selbst eine interessante Lektüre. Seine wahre Bedeutung machen aber die neuen wissenschaftlichen Entdeckungen aus.
SKU: CA.9150300
ISBN 9790007122676. Key: F major. Language: German.
SKU: CA.9175600
ISBN 9790007124274. Key: F major. Language: German. Text: Bone, Heinrich. Text: Heinrich Bone.