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| Giovanni Battista
Pergolesi: Stabat Mater:
Voice
Voix et Piano Réduction
Ricordi
Ed. Critica Di C. Toscani - Reduction for voice and Piano by Antonio Frigé-The ...(+)
Ed. Critica Di C. Toscani - Reduction for voice and Piano by Antonio Frigé-The present reduction derives from the critical edition of the score also published in this catalog on Novembre 2012 (NR 139699). The critical edition returns the text of the Stabat mater thanks to a study of a particular scientifi c authority andphilological rigor: as main source the edition is based on the autograph score (now kept in the Archives of the Abbey of Montecassino) and on a number of manuscript sources selected (among the many existing) for their greater guarantee of fi delityto the original. The present edition includes a synthetic introduction of the historical context the description of the main sources employed and a choice of the critical Notes to the musical text.
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| Giovanni Battista
Pergolesi: Messa in re
maggiore: Voice
Voix et Piano Réduction
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Ed. critica di C. Bacciagaluppi - Riduzione per canto e pianoforte-Pergolesi wro...(+)
Ed. critica di C. Bacciagaluppi - Riduzione per canto e pianoforte-Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples Pergolesi limited his composition to the ?Kyrie? and ?Gloria?. The festive character of the work is emphasized by the rich scoring for vocal soloists five-part choir and a full orchestra of strings and winds. This edition made with strict philological criteria is based as its main source on a set of parts preserved partly in Naples partly in Montecassino. These parts were made for aperformance conducted by the composer who added various autograph annotations. Among the secondary sources are two period Neapolitan scores today in Bologna and Dresden. The book includes a historical introduction (which traces the history of the genre in Naples and the relationship between the two Masses by Pergolesi) and the critical notes.
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