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| Symphony No. 3 C minor op. 78 (Organ part.) Orchestra [Part] Barenreiter
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This e...(+)
Composed by Camille Saint-Saens (1835-1921). Edited by Michael Stegemann. This edition: urtext. Stapled. Organ part. 16 pages. Published by Baerenreiter Verlag (BA.BA7896-67).
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Concerto No. 10 D Minor Op. 7/4 HWV 309 Orchestra [Score] Schott
Orchestra (Score) SKU: HL.49004414 Score. Composed by George Fride...(+)
Orchestra (Score) SKU: HL.49004414 Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Op. 7/4. 32 pages. Duration 16'. Schott Music #ED 3835. Published by Schott Music (HL.49004414). ISBN 9790001045834. 9.0x12.0x0.129 inches. $28.99 - See more - Buy online | | |
| Organ Concerto No. 10 D Minor Op. 7/4 HWV 309 Orchestra Schott
Oboe 2 Orchestra SKU: HL.49004416 Oboe 2 Part. Composed by George ...(+)
Oboe 2 Orchestra SKU: HL.49004416 Oboe 2 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 4 pages. Duration 16'. Schott Music #ED 3835-12. Published by Schott Music (HL.49004416). ISBN 9790001045858. $5.99 - See more - Buy online | | |
| Organ Concerto No. 10 D Minor Op. 7/4 HWV 309 Orchestra Schott
Oboe 1 Orchestra SKU: HL.49004415 Oboe 1 Part. Composed by George ...(+)
Oboe 1 Orchestra SKU: HL.49004415 Oboe 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 3 pages. Duration 16'. Schott Music #ED3835-11. Published by Schott Music (HL.49004415). ISBN 9790001045841. UPC: 073999688245. 9.0x12.0x0.015 inches. $5.99 - See more - Buy online | | |
| Organ Concerto 9 Op. 7, No. 3 in B flat Major Orchestra [Score] Schott
Orchestra (Score) SKU: HL.49004408 Score. Composed by George Fride...(+)
Orchestra (Score) SKU: HL.49004408 Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1751. Op. 7/3. 36 pages. Duration 19'. Schott Music #ED 3834. Published by Schott Music (HL.49004408). ISBN 9790001045773. 9.0x12.0x0.125 inches. $28.99 - See more - Buy online | | |
| Organ Concerto No. 10 D Minor Op. 7/4 HWV 309 Orchestra Schott
Bass Orchestra SKU: HL.49004420 Bass Part. Composed by George Frid...(+)
Bass Orchestra SKU: HL.49004420 Bass Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Folding. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 4 pages. Duration 16'. Schott Music #ED3835-16. Published by Schott Music (HL.49004420). ISBN 9790001045896. UPC: 073999935530. 9.0x12.0x0.009 inches. $5.99 - See more - Buy online | | |
| Organ Concerto No. 8 A Major Op. 7/2 HWV 307 Orchestra Schott
Viola Orchestra SKU: HL.49004406 Viola Part. Composed by George Fr...(+)
Viola Orchestra SKU: HL.49004406 Viola Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1743. Op. 7/2. 2 pages. Duration 14'. Schott Music #ED 3833-16. Published by Schott Music (HL.49004406). ISBN 9790001045759. 9.0x12.0x0.01 inches. $5.99 - See more - Buy online | | |
| Organ Concerto No. 8 A Major Op. 7/2 HWV 307 Orchestra Schott
Orchestra SKU: HL.49004407 Bass/Cello Part. Composed by George Fri...(+)
Orchestra SKU: HL.49004407 Bass/Cello Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1743. Op. 7/2. 2 pages. Duration 14'. Schott Music #ED 3833-17. Published by Schott Music (HL.49004407). ISBN 9790001045766. 9.0x12.0x0.01 inches. $5.99 - See more - Buy online | | |
| Organ Concerto No. 8 A Major Op. 7/2 HWV 307 Orchestra [Score] Schott
Orchestra (Score) SKU: HL.49004400 Score. Composed by George Fride...(+)
Orchestra (Score) SKU: HL.49004400 Score. Composed by George Frideric Handel. Edited by Helmuth Walcha. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1743. Op. 7/2. 30 pages. Duration 14'. Schott Music #ED3833. Published by Schott Music (HL.49004400). ISBN 9790001045698. UPC: 073999718546. 9.0x12.0x0.115 inches. $24.99 - See more - Buy online | | |
| Organ Concerto No. 10 D Minor Op. 7/4 HWV 309 Orchestra Schott
Violin 1 Orchestra SKU: HL.49004417 Violin 1 Part. Composed by Geo...(+)
Violin 1 Orchestra SKU: HL.49004417 Violin 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/4. 4 pages. Duration 16'. Schott Music #ED3835-13. Published by Schott Music (HL.49004417). ISBN 9790001045865. UPC: 073999735482. 9.0x12.0x0.009 inches. $5.99 - See more - Buy online | | |
| Organ Concerto No. 8 A Major Op. 7/2 HWV 307 Orchestra Schott
Oboe 1 Orchestra SKU: HL.49004401 Oboe 1 Part. Composed by George ...(+)
Oboe 1 Orchestra SKU: HL.49004401 Oboe 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Composed 1743. Op. 7/2. 3 pages. Duration 14'. Schott Music #ED 3833-11. Published by Schott Music (HL.49004401). ISBN 9790001045704. 9.0x12.0x0.015 inches. $5.99 - See more - Buy online | | |
| Fantaisie Dialoguee for Organ and Orchestra Op. 35 Orchestra Lucks Music Library
Orchestra (2+1.2.2.2/4.2.3.1,timp,1 perc,str,solo organ) SKU: TM.12346SET ...(+)
Orchestra (2+1.2.2.2/4.2.3.1,timp,1 perc,str,solo organ) SKU: TM.12346SET Composed by Leon Boellmann. Set Type: D. Set of parts. Lucks Music Library #A8922. Published by Lucks Music Library (TM.12346SET). Chorus sold individualy as S, A, T, and B choral parts. $100.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fantaisie Dialoguee for Organ and Orchestra Op. 35 Orchestra Lucks Music Library
Orchestra (2+1.2.2.2/4.2.3.1,timp,1 perc,str,solo organ) SKU: TM.12346SC ...(+)
Orchestra (2+1.2.2.2/4.2.3.1,timp,1 perc,str,solo organ) SKU: TM.12346SC Composed by Leon Boellmann. Score. Lucks Music Library #A8922. Published by Lucks Music Library (TM.12346SC). Chorus sold individualy as S, A, T, and B choral parts. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 1 in g, Op. 4 No. 1 Orchestra Lucks Music Library
Orchestra (0.2.0.1/0.0.0.0,cem,str, org solo) SKU: TM.01717SET Composed b...(+)
Orchestra (0.2.0.1/0.0.0.0,cem,str,org solo) SKU: TM.01717SET Composed by George Frideric Handel. Set Type: D. Set of parts. Lucks Music Library #A3345. Published by Lucks Music Library (TM.01717SET). Cembalo and Organ together on same page; need 2 copies if using both. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 13 in F "Cuckoo and the Nightingale" (Seiffert) Orchestra Lucks Music Library
Orchestra (0.2.0.0/0.0.0.0,cem,str, organ solo) SKU: TM.00824SET Composed...(+)
Orchestra (0.2.0.0/0.0.0.0,cem,str,organ solo) SKU: TM.00824SET Composed by George Frideric Handel. Edited by Seiffert. Set Type: D. Set of parts. Lucks Music Library #A5327. Published by Lucks Music Library (TM.00824SET). Solo in set. Transposed: Hn 1-4,Tpt 1&2,Tbn 1&2. Cl 1&2 orginally in Bb. Score typeset. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 3 in g, Op. 4 No. 3 Orchestra Lucks Music Library
Orchestra (0.2.0.0/0.0.0.0, Cem, Str) SKU: TM.10819SC Composed by George ...(+)
Orchestra (0.2.0.0/0.0.0.0, Cem, Str) SKU: TM.10819SC Composed by George Frideric Handel. Score. Lucks Music Library #A5351. Published by Lucks Music Library (TM.10819SC). Oboe in Violin I. Organ in Score. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata Festiva for three Trumpets, two Kettledrums and Organ op. 131 Orchestra Barenreiter
Trumpet, Timpani, Organ (Orchestra) SKU: BA.BA09309 Composed by Giselher ...(+)
Trumpet, Timpani, Organ (Orchestra) SKU: BA.BA09309 Composed by Giselher Klebe. Stapled. Score. Composed 1999. Opus 131. 18 pages. Duration 8 minutes. Baerenreiter Verlag #BA09309_00. Published by Baerenreiter Verlag (BA.BA09309). ISBN 9790006531059. 42 x 29.7 cm inches. $28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Concerto No. 3 in g, Op. 4 No. 3 Orchestra Lucks Music Library
Orchestra (0.2.0.0/0.0.0.0, Cem, Str) SKU: TM.10819SET Composed by George...(+)
Orchestra (0.2.0.0/0.0.0.0, Cem, Str) SKU: TM.10819SET Composed by George Frideric Handel. Set Type: D. Set of parts. Lucks Music Library #A5351. Published by Lucks Music Library (TM.10819SET). Oboe in Violin I. Organ in Score. $35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 13 in F "Cuckoo and the Nightingale" (Seiffert) Orchestra Lucks Music Library
Orchestra (0.2.0.0/0.0.0.0,cem,str, organ solo) SKU: TM.00824SC Composed ...(+)
Orchestra (0.2.0.0/0.0.0.0,cem,str,organ solo) SKU: TM.00824SC Composed by George Frideric Handel. Edited by Seiffert. Score. Lucks Music Library #A5327. Published by Lucks Music Library (TM.00824SC). Solo in set. Transposed: Hn 1-4,Tpt 1&2,Tbn 1&2. Cl 1&2 orginally in Bb. Score typeset. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 8 in A major Orchestra [Set of Parts] Carus Verlag
Composed by George Frideric Handel (1685-1759). For orchestra. Orgelkonzert Nr. ...(+)
Composed by George Frideric Handel (1685-1759). For orchestra. Orgelkonzert Nr. 8. Free organ music. Complete orchestral parts. Language: Italian. HWV 307 op. 7, 2. Published by Carus Verlag
$88.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto in F Orchestra Lucks Music Library
Orchestra (0.0.0.0/2.0.0.0,str,orga n solo) SKU: TM.00833SC Composed by F...(+)
Orchestra (0.0.0.0/2.0.0.0,str,organ solo) SKU: TM.00833SC Composed by Franz Joseph Haydn. Score. Lucks Music Library #A1586. Published by Lucks Music Library (TM.00833SC). Solo in set. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 4 in F, Op. 4 No. 4 Orchestra Lucks Music Library
Orchestra (0.2.0.1/0.0.0.0,cem,str, org solo) SKU: TM.00830SET Composed b...(+)
Orchestra (0.2.0.1/0.0.0.0,cem,str,org solo) SKU: TM.00830SET Composed by George Frideric Handel. Set Type: D. Set of parts. Lucks Music Library #A3374. Published by Lucks Music Library (TM.00830SET). Organ and Cembalo together on one part. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 4 in F, Op. 4 No. 4 Orchestra Lucks Music Library
Orchestra (0.2.0.1/0.0.0.0,cem,str, org solo) SKU: TM.00830SC Composed by...(+)
Orchestra (0.2.0.1/0.0.0.0,cem,str,org solo) SKU: TM.00830SC Composed by George Frideric Handel. Score. Lucks Music Library #A3374. Published by Lucks Music Library (TM.00830SC). Organ and Cembalo together on one part. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto in F Orchestra Lucks Music Library
Orchestra (0.0.0.0/2.0.0.0,str,orga n solo) SKU: TM.00833SET Composed by ...(+)
Orchestra (0.0.0.0/2.0.0.0,str,organ solo) SKU: TM.00833SET Composed by Franz Joseph Haydn. Set Type: D. Set of parts. Lucks Music Library #A1586. Published by Lucks Music Library (TM.00833SET). Cembalo in score. Flute solo (Traverso) and Flute Dulce (Recorder) in set. Ed. by Koebel. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 9 in Bb, Op. 7 No. 3 Orchestra Lucks Music Library
Orchestra (0.2.0.1/0.0.0.0,cem,str= 3-3-2.3.2.2,org solo) SKU: TM.12043SC ...(+)
Orchestra (0.2.0.1/0.0.0.0,cem,str=3-3-2.3.2.2,org solo) SKU: TM.12043SC Composed by George Frideric Handel. Edited by Seiffert. Score. Lucks Music Library #A7873. Published by Lucks Music Library (TM.12043SC). Edited by Seiffert. Organ Solo & Cembalo (on same part) sold separately. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 9 in Bb, Op. 7 No. 3 Orchestra Lucks Music Library
Orchestra (0.2.0.1/0.0.0.0,cem,str= 3-3-2.3.2.2,org solo) SKU: TM.12043SET(+)
Orchestra (0.2.0.1/0.0.0.0,cem,str=3-3-2.3.2.2,org solo) SKU: TM.12043SET Composed by George Frideric Handel. Edited by Seiffert. Set Type: M. Set of parts. Lucks Music Library #A7873. Published by Lucks Music Library (TM.12043SET). Edited by Seiffert. Organ Solo & Cembalo (on same part) sold separately. $35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto No. 1 in g, Op. 4 No. 1 Orchestra Lucks Music Library
Orchestra (0.2.0.1/0.0.0.0,cem,str, org solo) SKU: TM.01717SC Composed by...(+)
Orchestra (0.2.0.1/0.0.0.0,cem,str,org solo) SKU: TM.01717SC Composed by George Frideric Handel. Score. Lucks Music Library #A3345. Published by Lucks Music Library (TM.01717SC). Cembalo and Organ together on same page; need 2 copies if using both. $15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jacob vs Angel Orchestra Subito Music
Orchestra SKU: SU.27020085 For Orchestra. Composed by Graham Gordo...(+)
Orchestra SKU: SU.27020085 For Orchestra. Composed by Graham Gordon Ramsay. Orchestra. Study Score. Subito Music Corporation #27020085. Published by Subito Music Corporation (SU.27020085). Jacob vs. Angel is a piece about crisis of conscience, ambiguity, and misinterpretation expressed through the depiction of a major battle, the goal of which is never made entirely clear. Based on the biblical story, the work is highly programmatic, with each of the six movements reflecting a corresponding stanza from the titular poem by Alice Weaver Flaherty. The piece was originally composed as a vehicle for virtuoso organist Heinrich Christensen, and later orchestrated. The first movement introduces the main musical material--a five note motive, the intervals of which are reorganized to create melodic and harmonic development throughout the piece. The second, third, and fourth movements depict the brutal fight between Jacob and the angel, and lead one to the next without pause. The fifth movement is about the post-battle scene, and the final movement is an epilogue, reframing the ideas from the previous movements. The music elucidates various actions from the Flaherty poem—sand skittering across the desert, aggressive acts of violence and sensuality between the protagonists, the beating of wings, feathers blowing in the wind, etc. But beyond the music's more literal elements, the work is designed to express an abstract state of mind, a sense of unease, and anticipation of what is yet to come. —Graham Gordon Ramsay2(2) 1,1 2 2; 2221; 7perc, hp, cel; stgs Duration: 24'Composed: 2023 Published by: Distributed Composer Jacob vs Angel was composed originally as a solo concert organ work in 2007; the orchestral version was completed in 2023. A live performance of the organ version can be seen at. Performance materials available on rental:. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Georg Friedrich Händel:
Organ Concerto F Major Op
4 No 4: Orchestra:
Miniature Orchestra Eulenburg
Organ Concerto F Major Op 4 No 4
11.50 GBP - Sold by Musicroom UK | |
| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78 - Organ: Orchestra:
Part Orchestra [Part] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
10.50 GBP - Sold by Musicroom UK | |
| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78 - Organ: Orchestra:
Score Orchestra Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
382.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Organ Symphony No. 2 Op.
45 (NOWOWIEJSKI FELIKS) Orchestra PWM (Polskie Wydawnictwo Muzyczne)
Series C, Vol. II. Par NOWOWIEJSKI FELIKS. The undeniable artistic value of Orga...(+)
Series C, Vol. II. Par NOWOWIEJSKI FELIKS. The undeniable artistic value of Organ Symphony 2 - the freedom of narration with the discipline in forming the form, the originality of the harmonic solutions, and finally the skilful use of the qualities of the native church song - certainly encourages us to look close at this interesting representative of organ literature. / Date parution : 2023-06-01/ Répertoire / Orchestre
36.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Georg Friedrich Händel:
Organ Concertos Nos. 1-6
Op.4 HWV 289-294: Organ:
Score Orchestra [Sheet music] Barenreiter
The newly engraved scores and parts for the six Op.4 organ concertos follow the ...(+)
The newly engraved scores and parts for the six Op.4 organ concertos follow the revised volume of the Handel Complete Edition edited by Terence Best and William Gudger [BA 8340 / BA 8341-BA 8346].The new scores and orchestral parts are free from the overediting found in other editions available today. This means performers can play just exactly what Handel wrote and not what others think he meant. In other words you will not find trills staccato marks and slurs sprinkled throughout the score you will find what Handel wrote. In this new Urtext edition all editorial additions are clearly indicated.- New Urtext edition of the Op.4concertos taken from the Halle Handel Edition.- Earlier versions given as appendices in both scores and parts.- Bass part with figures.- Realised continuo part.- Large format orchestral parts – 25 5 x 32 5 cm.- Set containing 6 separate scores BA 8341-8346.
100.00 GBP - Sold by Musicroom UK | |
| Just For Manuals Volume
2: Organ Orchestra [Sheet music] Shawnee Press
Compiled and edited for manual organ by Darwin Wolford. Includes works by Marcel...(+)
Compiled and edited for manual organ by Darwin Wolford. Includes works by Marcello Pachelbel Brahms and Franck.
8.99 GBP - Sold by Musicroom UK | |
| Charles E. Ives: Postlude
In F Orchestra
Sc&Ptcritical Edition:
Orchestra: Score Orchestra [Sheet music] Schirmer
Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The P...(+)
Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The Postlude in F composed in 1895 is Charles Ives' earliest known work for large Orchestra. It is based on anearlier Organ piece which Ives performed at the Baptist Church in Danbury Conneticut on May 11 1890 (at the age of fifteen; on the cover page of the full score Ives mistakenly gave 1892 for the year of the Organcomposition). The version for Orchestra was probably produced as an orchestration assignment for a class of Horatio Parker Ives' teacher at Yale College. Ives recalled that the 'New Haven Orchestra' - that is the New Haven Symphony Orchestra organised by Parker in 1895- read through the work in 1896. The Postlude in F which was also preperation for work on the First Symphony (its first movement also completed in1895) contains some suprisingly mature and beautiful writing especially in the magical closing pages. - Kenneth D. Singleton.
44.99 GBP - Sold by Musicroom UK | |
| ...Le Ciel, Tout A
L'Heure Encore Si
Limpide, Soudain Se
Trouble Horriblement...
(JARRELL MICHAEL) Français Orchestra [Sheet music] Lemoine, Henry
Par JARRELL MICHAEL. De la nature... du musical
Michael Jarrell, né en 1958, e...(+)
Par JARRELL MICHAEL. De la nature... du musical
Michael Jarrell, né en 1958, est l'un des compositeurs les plus en vue de sa génération. Dans une démarche toute personnelle, qui ne s'est inféodée à aucun mouvement, et dans une quête intérieure inlassablement poursuivie, il a opéré une synthèse de l'héritage des musiques d'après-guerre dont il a extrait certaines caractéristiques techniques pour les mettre au service d'une véritable poétique musicale. En effet, contrairement à ses aînés, il explore moins le langage pour lui-même, faisant des nouvelles techniques le lieu d'une mutation dans la pensée musicale, qu'il ne cherche à le mettre au service de l'expression. Aussi se méfie-t-il d'une conceptualisation excessive, et de l'utopie dont l'oeuvre serait porteuse, préférant mettre en valeur les vertus d'un artisanat qu'il enseigne par ailleurs à Vienne et à Genève, ainsi que lors de nombreux séminaires à travers l'Europe. Ses oeuvres, facilement identifiables dans l'abondante production contemporaine, sont toutes liées les unes aux autres, non seulement par une certaine forme de sensibilité, leur tonalité propre, mais aussi par la récurrence de certains traits que Jarrell retravaille dans des contextes différents. Il s'est ainsi très tôt constitué un univers qu'il ne cesse de remodeler, visant moins l'originalité apparente de chacune des pièces qu'un déplacement constant des perspectives dans lesquelles les mêmes idées, en elles, peuvent être appréhendées. 'Cent fois sur le métier...' voilà quelle pourrait être sa devise. On trouve ainsi dans chacune de ses oeuvres quelque chose de familier qui acquiert en même temps une certaine étrangeté, sentiment qui constitue peut-être un élément essentiel de son expressivité. La musique de Jarrell arpente les régions du rêve et de l'irréalité, à la recherche de son moment de vérité, souvent situé dans les sonorités les plus graves et tes plus lentes, là où le temps, ailleurs agité, s'immobilise. C'est peut-être ce qui confère à sa musique une forme de tendresse inséparable de la beauté sonore, allant jusqu'à un esthétisme raffiné, loin des recherches extrêmes et des formulations autoritaires. Chez lui, même les techniques instrumentales les plus inhabituelles, ou les sonorités électroniques, auxquelles il a souvent recours, sont rapatriées dans un monde sensible emprunt de pureté où ce sont les qualités expressives qui dominent. Celles-ci ne renvoient pas forcément au moi du compositeur, qui tend au contraire à s'effacer, mais davantage à l'essence même du musical, au phénomène en soi, porteur d'une présence singulière au monde.
On retrouve de telles qualités dans sa dernière oeuvre, ...Le ciel, tout à l'heure si limpide, soudain se trouble horriblement..., commandée par l'Orchestre de la Suisse Romande. Elle fait appel à un grand orchestre symphonique standard: 3 flûtes (dont alto et piccolo, 2 hautbois et cor anglais, 2 clarinettes et clarinette basse, 2 bassons et contrebasson, 4 cors, 3 trompettes, 3 trombones, tuba, harpe, timbales, 4 percussions (vibraphone, glockenspiel, cloches tubes, cymbales, bongos, tam-tam, grosse caisse, temple blocks, tom grave, spring coils, triangle, mark tree) et cordes. Malgré un titre qui pourrait sous-entendre un élément programmatique, l'oeuvre appartient à la catégorie de la musique pure. L'orchestre y est traité de façon conventionnelle, mais avec une virtuosité d'écriture, un raffinement dans la sonorité qui exige beaucoup de ses interprètes.
D'un seul tenant, l'oeuvre se divise en quatre parties principales d'inégale longueur, les deux premières étant plus importantes que les deux suivantes: la première est constituée d'un continuum de notes rapides réparties entre les cordes et Les bois, tandis que les trompettes, doublées par différents instruments, lancent une figure d'appel incisive qui s'allonge progressivement. L'écriture est d'une grande virtuosité, les figurations en triples croches passant d'un instrument ou d'un groupe à un autre. Les notes rapides se figent une première fois dans des oscillations jouées notamment par les cordes divisées, puis à travers des notes répétées qui traversent toute la texture orchestrale. Après un passage intermédiaire privilégiant les sons graves, l'écriture vive reprend jusqu'à un sommet dramatique marqué par des trilles, aussitôt suivi d'une désintégration qui mène à la seconde partie.
Celle-ci débute avec des quintes jouées par les cordes graves divisées et colorées par les percussions (les contrebasses, qui doivent modifier leur accord, jouent des sons harmoniques). La musique semble vouloir repartir d'un point originel, elle se réinvente à partir d'une structure élémentaire, dans une extrême douceur. L'impétuosité du début laisse place à une grande délicatesse des sonorités. C'est un trait que l'on retrouve dans de nombreuses pièces de Jarrell: après l'effervescence d'une écriture brillante, agitée, nerveuse, que l'auditeur suit dans sa course folle, vient un moment réflexif et profond, qui nécessite une réorientation de l'écoule, une plongée dans la nature même du phénomène sonore. La trame qui se déploie dans un tempo lent offre ainsi une autre image de la sonorité orchestrale, comme si une musique des origines, au caractère de litanie, était soudain dévoilée sous la couche éclatante du début. Elle donne le sentiment d'avoir commencé bien avant son moment d'apparition, comme si elle provenait des couches profondes de la conscience, d'une mémoire archaïque. D'ailleurs, Jarrell réélabore ici un passage d'une pièce antérieure, Music for a While, lui reprenant son matériau de base. Le sentiment de profondeur est dû au formidable ralentissement du temps, qui nous met soudainement en apesanteur, mais aussi à une forme en spirale, qui tranche avec la musique directionnelle qui précédait. L'effet que provoque la distance sensible entre de tels contrastes est onirique: on ne sait plus si la première partie, qui nous échappe en se projetant vers l'avant, n'était qu'une forme illusoire, ou si nous entrons, avec la partie lente, dans une sorte de rêve éveillé.
Un passage central, dans cette seconde partie, s'organise autour de guirlandes sonores à la harpe et aux cloches que tout l'orchestre remplit de sonorités suaves. Les arpèges descendants des vents doublés par des pizzicatos de cordes, que transpercent des notes répétées aux trompettes et aux cors, dans un climat encore doux, annoncent la reprise du mouvement frénétique. Mais cette fois, ce sont moins des figures virevoltantes qui passent à travers les pupitres que des blocs de notes joués par la masse des instruments: des figures qui s'élancent vers le haut aboutissent à des notes répétées, en une forme d'antiphonie, et mènent à un sommet d'intensité. Après quoi, en guise de coda, une quatrième partie nous conduit à une fin mourante: l'harmonie se fige, les polyrythmes annulent toute sensation de mesure, les longues tenues des instruments graves chutent chromatiquement, les percussions jouant des figures rituelles, en résonance, jusqu'à l'immobilité finale.
Le titre de la pièce provient de Lucrèce (De la nature). Il n'a pas de signification structurelle immédiate, comme souvent chez Jarrell, mais exprime en quelques mots l'idée qui avait présidé au morceau. Le trouble s'apparente ici à une forme d'étrangeté, à quelque chose d'inquiétant qui n'apparaît pas de façon narrative, tel un vent d'orage dans un ciel serein, mais comme l'essence même de l'articulation formelle entre deux types d'écriture, deux types d'expression qui exigent des temporalités opposées l'une à l'autre. La soudaineté, c'est le renversement entre les deux. Pourtant, on retrouve un même noyau entre les parties vives et les parties lentes, la quinte jouant dans les deux cas un rôle structurel, et le mib apparaissant comme une note polaire (toute la musique de Jarrell est aimantée par des pôles qui orientent l'écoute). Si le passage du limpide au trouble se traduit par la sonorité orchestrale, par le maniement très sensible des timbres qui provient en grande part de la tradition orchestrale française, il se manifeste aussi par des figures qui évitent tout profil thématique, toute forme mélodique au sens traditionnel du terme, et qui composent la texture. L'auditeur a directement à faire avec la matière sonore. Et celle-ci est composée de part en part.
L'adjectif poétique vient à l'esprit pour définir une invention qui s'écarte aussi bien des formes illustratives que des constructions schématiques, et qui repose essentiellement sur l'organisation des hauteurs au détriment des effets, des sonorités bruiteuses ou des gestes iconoclastes. Et malgré les passages brillants, malgré les explosions sonores toujours maîtrisées et un maniement virtuose de l'orchestre, cette poétique révèle un caractère fondamental plutôt intimiste.
Philippe Albèra / contemporain / Répertoire / Orchestre
46.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Johannes Brahms: Symphony
No.1 In C Minor Op.68:
Orchestra: Miniature
Score Orchestra Dover Publications
Faced with the daunting legacy of Beethoven's symphonic works Brahms took twent...(+)
Faced with the daunting legacy of Beethoven's symphonic works Brahms took twenty years to shape his first symphony- a masterpiece that premiered in 1876 to great critical acclaim. The expansive Symphony No.1 perfectly displays Brahm's ability to organise a variety of moods into a coherent whole. Published in full score ideal for study purpose.
9.10 GBP - Sold by Musicroom UK | |
| Carl Vine: Concerto for
Orchestra: Orchestra:
Score Orchestra Faber Music Limited
Carl Vineâ??s Concerto for Orchestra was premiered to critical acclaim by the W...(+)
Carl Vineâ??s Concerto for Orchestra was premiered to critical acclaim by the West Australian Symphony Orchestra in October 2014. Its composer describes the way the 20-minute work (like his recent Piano Trio The Village) â??evolves organically through a chain of episodes to create a web of melodies and harmonies that are related but not identical. This network of ideas is tied together by strong lateral bonds but remains fluid and flexible creating a series of fleeting glimpses what Prokofiev called visions fugitives abstract patterns glimpsed in the half-light or imagined behind clouds.â??
30.00 GBP - Sold by Musicroom UK | |
| Joy To The World
(complete edition):
Ensemble: Score & Parts Orchestra [Score and Parts] Beriato Music
Cette ?uvre est née d?un projet commun entre plusieurs organisations musicales ...(+)
Cette ?uvre est née d?un projet commun entre plusieurs organisations musicales vocales et artistiques belges flamandes. Joy to the World est une mosaïque composée de deux pièces purement instrumentales et de treize chants de Noël internationaux arrangés pour Ensemble à instrumentation variable et Ch?ur. Cette vaste partition d?une durée d?environ 53 minutes peut constituer le matériau unique d?un programme de Noël. Il est également possible d?en donner une version écourtée en fonction du nombre de pièces que vous souhaitez interpréter. L?orchestration à 4 5 ou 6 voix est taillée sur mesure pour des ensembles ayant un effectif réduit ou incomplet. Lesparties pour Ch?ur sont simples et par conséquent facilement accessibles (paroles dans différentes langues). Pour obtenir plus d?informations consultez le site internet des éditions Beriato : www.beriato.com
329.99 GBP - Sold by Musicroom UK | |
| Nico Muhly: So To Speak:
Orchestra: Study Score Orchestra - Intermediate/advanced St Rose Music Publishing
So To Speak is an extended meditation on an anthem for Pentecost by Thomas Talli...(+)
So To Speak is an extended meditation on an anthem for Pentecost by Thomas Tallis entitled Loquebantur Variis Linguis (they spoke in many tongues). After organizing the material for the piece I wrote a melody that works against underneath and above Tallis’s lines to create counterpoint made of old and new elements. Patterns of aggressive woodwind scales and ornaments evoke some of the hysteria inherent in glossolalia (ecstatic speaking in tongues). The central section of the piece gestures towards an insect-like musical and religious fervor. So To Speak is scored for orchestra and lasts seven minutes. It is dedicated to Amiel Melnick.
20.99 GBP - Sold by Musicroom UK | |
| John Williams: Olympic
Fanfare and Theme:
Orchestra: Score and
Parts Orchestra Hal Leonard
Score and Parts-Commissioned by the 1984 Los Angeles Olympic Organizing Committe...(+)
Score and Parts-Commissioned by the 1984 Los Angeles Olympic Organizing Committee. Score and Parts.
566.99 GBP - Sold by Musicroom UK | |
| I Was Glad (Orch Lawson)
Pack: Orchestra: Score
and Parts Orchestra Goodmusic Publishing
Parry wrote 'I was glad' for chorus with an organ accompaniment. There have been...(+)
Parry wrote 'I was glad' for chorus with an organ accompaniment. There have been various orchestral arrangements but here Peter Lawson has endeavoured to produce an orchestration in the style that Parry himself might have employed. The Organ part is optional and serves to add depth at appropriate moments. Whilst a chorus part is published in this edition this orchestration is compatible with the original choral copy as published by Novello.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) Organ (optional)
35.00 GBP - Sold by Musicroom UK | |
| Mark Hayes: Te Deum:
Orchestra: Parts Orchestra [Set of Parts] Shawnee Press
Full Orchestration-Here is a serious major work from legendary composer Mark Hay...(+)
Full Orchestration-Here is a serious major work from legendary composer Mark Hayes. This auspicious composition is destined to become a standard setting of this text and fans of this composer's oeuvre will be thrilled to discover the tremendousscope of this remarkable work. Scored for organ and voices the composer provides both full and chamber orchestration options. Includes solos for mezzo-soprano and baritone. Available separately; SSAATTBB Mezzo sorprano baritonesolo organ; Listening CD; Full Orchestration; Chamber Orchestration; SSAATTBB Book/Listening CD combo.
229.99 GBP - Sold by Musicroom UK | |
| All Hail the Power of
Jesus' Name: Orchestra:
Parts Orchestra Shawnee Press
Orchestration 2 trumpets 2 trombones piano organ timpani-Here is a marvelous...(+)
Orchestration 2 trumpets 2 trombones piano organ timpani-Here is a marvelous arrangement of a classic hymn. Written for organ and piano with an option for congregational participation this noble statement of the majesty of Christ is useful any time. This impressive work is wellcrafted which enables any choir to succeed in its presentation. Regal!
32.50 GBP - Sold by Musicroom UK | |
| Suk Josef - Meditation
On The Old Czech Hymn St
Wenceslas Op.35a -
Conducteur Orchestra [Score] Barenreiter
Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. ...(+)
Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. 35a Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian ?St. Wenceslas? hymn. The hymn?s message ? a plea for the well-being of the Czech people, directed at their patron saint ? was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. ? First Urtext edition Edition no. TP 583 ISMN 9790260107809 Editor Nouza, Zdenek Language(s) of text Czech, English, German Product format Study score, Urtext edition Binding Stapled Pages / Format XI, 6 S. - 22,5 x 16,5 cm
13.70 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Chronological Thematic
Catalogue Of The Works Of
Max Reger And Their
Sources Français Orchestra G. Henle
Since the 1980s scholarly research into Reger has built up a picture of the dive...(+)
Since the 1980s scholarly research into Reger has built up a picture of the diversity, complexity and variety of Reger's work and shown that the composer was the first to depart from the supposed logical evolution of music history. In the musical scene, on the other hand, ideas prevail that are clichéd and based on a small canon of works. This is now about to change.Since the beginning of the twenty-first century a thematic catalogue of the works of Max Reger and their sources has been put together in the Max-Reger-Institut Karlsruhe funded by the Deutsche Forschungsgemeinschaft. This will be a fitting addition to our series of thematic catalogues of the works of Beethoven, Brahms, Chopin and Schumann. It contains in-depth information in a readable form on the complete original works and arrangements, both published and unpublished, completed or fragmentary. Information concerning the genesis, place and state of the handwritten and printed sources are presented comprehensively and reflect the current state of research. Thus not only scholars but also performers, music lovers and concert organizers will be able to get to know Reger's neglected but in many ways surprising works.Numerous indexes will make the Reger Thematic Catalogue easy and clear to use and it has all of the prerequisites to soon become the definitive reference work for Max Reger. / Orchestre
688.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Alexander Scriabin: Poem
Of Ecstasy And
Prometheus: Orchestra:
Score Orchestra Dover Publications
In the early years of our century when vital new forces were revolutionising th...(+)
In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
15.20 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Gustav Mahler: Symphony
No.8 'Symphony Of A
Thousand': Orchestra:
Miniature Orchestra Dover Publications
Miniature Score-Widely regarded as the crowning achievement of his career Mahle...(+)
Miniature Score-Widely regarded as the crowning achievement of his career Mahler's Symphony No.8 received overwhelming recognition at its first performance in 1910. Scored for orchestra eight solo voices double chorus boys' choir and organ.
12.20 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Symphony No. 4:
Orchestra: Study Score Orchestra [Sheet music] Boosey and Hawkes
Hawkes Pocket Scores HPS 1528-Completed in short score in 2006 the composer play...(+)
Hawkes Pocket Scores HPS 1528-Completed in short score in 2006 the composer played the symphony to his son Miko aj on the piano that summer commenting on many details. It fell to Miko aj to complete the orchestration following his father’s death in 2010.The impetus for the work came from the director of the Tansman Festival in ód birthplace of the naturalised French composer Alexandre Tansman. The work’s principal motives are based on letters taken from Tansman’s name. The 38-minute symphony is scored for large orchestra including quadruple woodwind and brass and prominent parts for piano organ and three bass drums.
36.99 GBP - Sold by Musicroom UK | |
| Arne Nordheim: Magma:
Orchestra: Score Orchestra [Sheet music] Wilhelm Hansen
Work for large Orchestra (including 8 Percussionis Organ Piano Harpsichord an...(+)
Work for large Orchestra (including 8 Percussionis Organ Piano Harpsichord and Piano).
60.99 GBP - Sold by Musicroom UK | |
| Morton Gould: Cheers! - A
Celebration March:
Orchestra: Score Orchestra Schirmer
Score-For Orchestra with optional organ.
16.99 GBP - Sold by Musicroom UK | |
| Anders Koppel: Gemmer
Hvert Et Ord: Orchestra:
Vocal Work Orchestra [Sheet music] - Intermediate Wilhelm Hansen
Choral score for Gemmer Hvert Et Ord - Cantata for Choir SATB Regiment Orchestr...(+)
Choral score for Gemmer Hvert Et Ord - Cantata for Choir SATB Regiment Orchestra and Organ by Anders Koppel (1999). Text in Danish by Ulla Koppel. KP01775 = Score KP01776 = Piano score.
11.99 GBP - Sold by Musicroom UK | |
| Olivier Messiaen:
Ascension: Orchestra:
Score Orchestra [Sheet music] Leduc, Alphonse
This edition of L'Ascension for Orchestra by Olivier Messiaen is the conductor...(+)
This edition of L'Ascension for Orchestra by Olivier Messiaen is the conductor’s edition. This religious work lasts approximately 27 minutes and is divided into four parts. I. Majesté du Christ demandant sa gloire à son père (Saint John’s Gospel) II. Alléluïas sereins d’une âme qui désire le ciel (Ascension Mass) III. Alléluïa sur la trompette Alléluïa sur la cymbale (Psalm 46) IV. Prière du Christ montant vers son père (Saint John’s Gospel) This piece also exists for Solo Organ. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm Colour and Ornithology' in 7 volumes.
47.50 GBP - Sold by Musicroom UK | |
| Migot: La Jungle:
Orchestra: Score Français Orchestra [Study Score / Miniature] Leduc, Alphonse 32.50 GBP - Sold by Musicroom UK | |
| Joby Talbot: Worlds
Stars Systems Infinity
(Full Score): Orchestra:
Score Orchestra Chester
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Univers...(+)
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project.First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen.Instrumentation.4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo)3 Oboes (3rd doubling Bass Oboe)Cor Anglais2 Clarinets in BflatClarinet in A BassClarinet in B flat3 BassoonsContrabassoon6 Horns in F4 Trumpets in C2 Tenor TrombonesBass TromboneTenor Tuba in B flat (Euphonium)Bass Tuba2 Timpani (2nddoubling Suspended Cymbals China Cymbal)4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal)CelestaOrgan2 HarpsChorus (SSSAAAA)Strings
22.99 GBP - Sold by Musicroom UK | |
| Gabriel Fauré: Cantique
De Jean Racine: Mixed
Choir: Score Orchestra [Sheet music] Carus Verlag
Carus 70.301/10 which is part of the material associated with this piece can b...(+)
Carus 70.301/10 which is part of the material associated with this piece can be used as the choral score. Gabriel Fauré composed the Cantique de Jean Racine in 1865 the prizewinning work for the completion of his musical training. The composer expanded the original scoring for choir and organ by adding a string accompaniment; the version with orchestra was first performed in 1906. As a text Fauré chose a French adaptation by Jean Racine of the Latin hymn ?Consors paterni luminis.? The Cantique already displays the characteristics of an expressive choral setting typical for Fauré as well as the finely worked out orchestral accompaniment and together with the Requiem composed considerably later it is among the most popular works of the composer.
17.20 GBP - Sold by Musicroom UK | |
| Rued Langgaard:
Søndagssonate: Violin:
Score Orchestra [Sheet music] Wilhelm Hansen
Lille Storsymfoni- Søndagssonate (Lille Storsymfoni) by Rued Langgaard (1950...(+)
Lille Storsymfoni- Søndagssonate (Lille Storsymfoni) by Rued Langgaard (1950). BVN 393. For Piano Organ and Violin soli and Orchestra. Solo Violin part: WH32485C Orch. parts are available on hire: hire@ewh.dk
26.99 GBP - Sold by Musicroom UK | |
| Franz Joseph Haydn:
Symphony No.89 In F Hob.
I: Orchestra: Score Orchestra Barenreiter
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the...(+)
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
40.00 GBP - Sold by Musicroom UK | |
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