A Hymn To The Virginfor unaccompanied chorus is one of Benjamin Britten's earliest works. It is in fact one of the earliest surviving pieces of church music written by the composer. The piece was first performed at a concert given by the Lowestoft Musical Society in St. John's Church on January 5 1931. The anonymous text was taken out of the Oxford Book of English Verse. This piece is written for unaccompanied SATB.

Paperback-Felix Mendelssohn's For He Shall Give His Angels Charge Over Thee for SSAATTBB unaccompanied.Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt this is the original a cappella version of the well-known chorus from Elijah. This edition presents both English and German texts.

Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Each edition contains the original German text and the English translation authorised by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefrontof musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes

The Parting Glass. A 4-minute gently flowing arrangement by Joshua Pacey of the traditional Irish/Scottish song. Written for unaccompanied SSAATTBB with soprano and tenor solo. Score includes rehearsal piano reduction. First recorded on VOCES8?s2019 album Enchanted Isle.

Un paramètre puissant pour choeur 8-partie de trois des réponses vendredi à matins: ' Tenebrae factae sunt ', ' Tradiderunt me' et ' Iesum tradidit impius '. Commandé par Cappella Nova (Directeur : Alan Tavener) et enregistrée par eux sur Linn Records. Un ajout important aux oeuvres de ce compositeur pour choeur de chambre standard avancé. / Choeur Mixte (SSAATTBB) A Cappella

Plant Et Træ with music by Bent Lorentzen and text by Jørgen Chr. Hansen. For SSAATTBB choir.

'for the National Youth Choirs of Great Britain'for junior-upper voice SSSA Choir and Double SATB Choir a cappella (Score)Commissioned by the National Youth Choirs of Great BritainText is by Arthur W. E. O'Shaughnessy, adapted by Jessica Duchen.Composer's NoteWhen the National Youth Choirs of Great Britain requested a short piece for their gala concert at Birmingham's Symphony Hall, I was particularly excited about the prospect of writing for 300 singers. A recent research trip to Estonia resulted in somewhat of a revelation: having heard and seen their world-renowned choirs in action (literally!) has resulted in We are the Music-Makers having the less mainstream 'surround-sound' of upper voices/junior choir at the back and sides of the audience and a further stereophonic double-choir on stage.This poem was sent to me by Tim Williams (my ex Head of English at school), and immediately seemed to fit this occasion. This text has already been set magnificently by Elgar, so partly to avoid any kind of comparison and also to bring its timeless message up to date, I asked my poet friend Jessica Duchen to give it a sligtly more contemporary feel.A poem about global music-making (which ties in with the NYCGB's recent World-Music CD), it speaks about humankind, nation to nation, and the mention of Babel inspiring a 'speakng of tongues' effect by using as many different international words for 'music' as possible as an accompaniment (not an easy task, as many of them are similar to our own word!). These are: French (Musique), Romanian (Muzica), Swahili (Mahewa), Polish (Muzka), Estonian (Muusika), German (Muzik), Japanese (Ongaku), and Spanish (Música). / Choeur Mixte (SSAATTBB) A Cappella

A cappella motet from The Healer: A Cantata For St Luke-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.

A cappella motet from Gloria-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.

A cappella motet from The Peacemakers-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.

La 'Messe en si bémol' a été réalisée en Novembre 1915 par le choeur de Tous les Saints, Margaret Street, Londres. Le directeur de la musique à l'époque, le Dr Walter Vale, adapté mouvements de la 'Liturgie de saint Jean Chrysostome' de Rachmaninov aux termes de l'ordinaire de la messe du 'Book of Common Prayer', en anglais, à l'exception du 'Kyrie 'qui utilise des mots grecs traditionnels. L'adaptation a été sanctionné par Rachmaninoff, qui a assisté à une représentation de la 'masse' à la Toussaint en 1924. / Choeur Mixte (SSAATTBB) A Cappella

Ce motet a été commandé par le Yale Glee Club avec un texte de l'Evangile selon Saint Jean, chapitre 8:10-11, où Jésus dit la femme prise en adultère d'aller et de ne plus pécher. Ce 6 minutes a cappella motet se distingue par ses textures full vocales et l'expression profonde rempli d'émotion. / Choeur Mixte (SSAATTBB) A Cappella