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| Elegy for English Horn & Band Concert band [Score and Parts] - Intermediate/advanced C. Alan Publications
(English Horn Feature). By Jack Stamp. Arranged by Geoffrey Brand. For Soloist(s...(+)
(English Horn Feature). By Jack Stamp. Arranged by Geoffrey Brand. For Soloist(s) with Concert Band (Solo English Horn, Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Trombone ). Grade 4. Score and parts. Duration 6:20. Published by C. Alan Publications
$89.00 $84.55 (5% off) See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Elegy for English Horn & Band Concert band [Score] - Intermediate/advanced C. Alan Publications
(English Horn Feature). By Jack Stamp. Arranged by Geoffrey Brand. For Soloist(s...(+)
(English Horn Feature). By Jack Stamp. Arranged by Geoffrey Brand. For Soloist(s) with Concert Band (Solo English Horn, Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1/2, Trombone ). Grade 4. Score only. Duration 6:20. Published by C. Alan Publications
$32.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christmas Short & Suite Part 3 F Horn English Horn Concert band [Singles] Hal Leonard
(F Horn). Curnow Concert Band Full Set. Size 9x12 inches. 10 pages. Published by...(+)
(F Horn). Curnow Concert Band Full Set. Size 9x12 inches. 10 pages. Published by Hal Leonard.
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Basic Steps: Warm-Up, Phrasing and Styles for Wind Band Concert band - Beginner Schott
Parts concert band - very easy to easy SKU: HL.49018995 Set of Parts(+)
Parts concert band - very easy to easy SKU: HL.49018995 Set of Parts. Composed by Bernhard Hofmann, Jiggs Whigham, and Renold Quade. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. 716 pages. Schott Music #ED20910-10. Published by Schott Music (HL.49018995). ISBN 9783795754945. UPC: 888680927080. 9.5x12.5x2.0 inches. These exercises and pieces will help wind ensembles focus their concentration on the perception and implementation of refined playing techniques. Practicing music playfully will help students get the hang of contemporary music. Basic Steps will cover the following topics: Warm-up, intonation, chord colours, articulation and rhythm with a particular emphasis on the genre of Swing. This will be accompanied by compact orchestra etudes as well as short pieces. Set of parts - 1 Piccolo, 2 Flute 1, 2 Flute 2, 1 Oboe, 1 F English Horn, 1 Oboe, 1 Eb Clarinet, 3 Bb Clarinet 1, 3 Bb Clarinet 2, 3Bb Clarinet 3, 1 Eb Alto Clarinet, 1 Bb Bass Clarinet, 1 Eb Alto Saxophone 1, 1 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone 1, 1 Bb Tenor Saxophone 2, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 3 Bb Trumpet 4, 1 F Horn 1, 1 F Horn 2, 1 F Horn 3, 1 F Horn 4, 1 Trombone 1, 1 Trombone 2, 1 Trombone 3, 1 Trombone 4 (Bass Trombone), 1 Baritone 1, 1 Baritone 2, 1 Baritone 1 (Bb Tenorhorn 1), 1 Baritone 2 (Bb Tenorhorn 2), 3 Tuba, 1 E-Bass-Tuba, 1 E-Bass, 1 Percussion (Xylophone), 1 Percussion 1 (Bongos, Congas, Pandeiro), 1 Percussion 2 (Tambourine, Cabassa). 1 Percussion 3 (Triangle, Cabassa), 1 Percussion 4 (Shaker), 1 Drums, 1 Harmonic Reference - wind band. $290.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fantasia Nova Concert band - Advanced Manhattan Beach Music
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Su...(+)
Concert band - Grade 5 SKU: MH.1-59913-082-3 Composed by Bob Margolis. Suitable for community bands, high school bands, and college bands. 14 minutes duration if played as a suite; or movements 1 or 3 may be performed separately. Conductor score and set of parts. Duration 14:00. Published by Manhattan Beach Music (MH.1-59913-082-3). ISBN 9781599130828. Fantasia Nova is a suite comprising two concert marches and a slow, middle movement that derives its themes from both marches. Ragtime (composed in early September, 1978) is a new from old sort of piece. Although its tunefulness and harmonies have an old-fashioned character, its structure, development, and orchestration are unusual for a march. In the chorale section (measures 111 - 148) the band director must be very careful in balancing, for each of the elements must come through. More important is that the audience be brought up by this section -- filled with a joyous exaltation; great attention must be paid to sonority and the band must play earnestly. Ragtime stands on its own and may be performed separately. Dreams (composed in late September, 1978) is the traditional march of the two. It is very closely modeled (in structure only) to Sousa's Stars and Stripes Forever. It even includes a tricky piccolo solo, although the accompaniment has a chorale texture, almost like a school alma mater. This march has a patriotic, inspirational sound, because it was composed for the town of Irondequoit, New York -- for a Town March contest held by the town's community concert band. It did not, so far as I know, become the town's march; one can hear the name, Irondequoit, throughout the Trio, for every turn of the melody (in fact, each group of four notes) fits the accent pattern (Ih-RON-dih-kwoit) of the town's name. Parade stands on its own as a complete work and may be performed separately. Ensemble instrumentation: 1 Piccolo, 6 Flutes, 2 1st & 2nd Oboes, 1 English Horn, 1 Eb Clarinet, 3 1st Bb Clarinet, 3 2nd Bb Clarinet, 3 3rd Bb Clarinet, 1 Eb Alto Clarinet, 2 Bb Bass Clarinet, 1 Eb Contrabass Clarinet (optional), 2 1st & 2nd Bassoons, 1 Contrabassoon (optional), 1 1st Eb Alto Saxophone, 1 2nd Eb Alto Saxophone, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 1st Bb Cornets, 3 2nd Bb Cornets, 3 3rd Bb Cornets, 1 1st Horn in F, 1 2nd Horn in F, 2 3rd and 4th Horns in F, 2 1st Trombones, 2 2nd Trombones, 2 3rd Trombones, 1 Euphonium (Treble Clef), 2 Euphonium (Bass Clef), 4 Tuba, 1 String Bass, 1 Timpani (Triangle), 5 Percussion. $125.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Et in Terra Pax Concert band - Intermediate/advanced De Haske Publications
Concert Band - Grade 4 SKU: HL.44002765 Score and Parts. Composed ...(+)
Concert Band - Grade 4 SKU: HL.44002765 Score and Parts. Composed by Jan Van der Roost. De Haske Concert Band. Concert. Set (Score & Parts). Composed 1998. De Haske Publications #0981118-010. Published by De Haske Publications (HL.44002765). UPC: 073999027655. 9.5x13.5x0.97 inches. This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.
Dieses Werk wurde im Auftrag der Concert Band Vlamertinge geschrieben und ist ein Pladoyer an den Frieden: Der Titel bedeutet dann auch 'Frieden auf Erden'. Dies kommt unter anderem im vokalen Anteil der Ausfuhrenden zum Ausdruck. An verschiedenenStellen des Werkes erklingen, anfangs durcheinander dann zu einem rhythmischen und strukturierten Synchrongesang vereint, die Worte 'Et In Terra Pax' wie ein flehendes Gebet fur den Frieden. Ein pentatonisches Thema formt den Anfang dieses Werkes, basierend auf den Noten D, E, G, A, und C, die dem Namen: 'ConCErtbAnD VlAmErtingE' und dem Namen des Dirigenten NiCk VAnDEnDriessChe entstammen. Wahrend der orchestralen Klimax, die zu einemersten Klangausbruch fuhrt (ab Takt 62), entsteht eine etwas traurige Melodie. Plotzlich werden dann die Eingangstakte wiederaufgenommen, wenn auch mit einer veranderten Klangfarbe; die Worte 'Et In Terra Pax' runden den ersten Teil daraufhin ab. Esfolgt ein unruhiges Allegro, das uberraschend durch eine Choralartigen Passage voller Ruhe unterbrochen wird. Eine Sprechstimme liest wahrenddessen das Gedicht Sonnet des jungen Dichters Charles Hamilton Sorley vor, der im ersten Weltkriegfiel. Es findet fur die Grausamkeit und Sinnlosigkeit des Krieges die passenden Worte. Nachdem das Allegro, diesmal mit einigen Ausbreitungen, wiederholt wird, kehrt die weite, beinahe unendliche Atmosphare des Beginns wieder zuruck. Klarinettenspielen zusammen mit einem Englischhorn das pentatonische Eingangsthema ein letztes Mal in ausgebreiteter Fassung, wobei das Et In Terra Pax' durch den Rest des Orchesters stets wiederholt wird.Der Komponist hat bewusst auf jegliche Form der Aggression oder bombastischen Vertonung, die in so vielen Werken uber den Krieg zu finden ist, vermieden. Dennoch ist die Angst vor Gewalt und Zerstorung vor allem in den Allegro-Passagen deutlich zuhoren und zu fuhlen. Am Ende macht die anfangliche Spannung jedoch der Hoffnung Platz: Moge die Friedlichkeit auch im taglichen Leben die Grausamkeit verbannen... $202.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Et in terra Pax Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0981118-010 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0981118-010 Composed by Jan Van der Roost. Inspiration Series. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981118-010. Published by De Haske Publications (BT.DHP-0981118-010). This piece was commissioned by the ‘Concert Band Vlamertinge’ and is a plea for peace: the title translates as ‘Peace on Earth’. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words ‘Et In Terra Pax’ - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from ‘ConCErtbAnD VlAmErtinGE’ and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words ‘Et In Terra Pax’ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem ‘Sonnet’ by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words ‘Et In Terra... Pax’ are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.
Dieses Werk wurde im Auftrag der Concert Band Vlamertinge geschrieben und ist ein Plädoyer an den Frieden: Der Titel bedeutet dann auch ‘Frieden auf Erden’. Dies kommt unter anderem im vokalen Anteil der Ausführenden zum Ausdruck. An verschiedenenStellen des Werkes erklingen, anfangs durcheinander dann zu einem rhythmischen und strukturierten Synchrongesang vereint, die Worte ‘Et In Terra Pax’ wie ein flehendes Gebet für den Frieden. Ein pentatonisches Thema formt den Anfang dieses Werkes, basierend auf den Noten D, E, G, A, und C, die dem Namen: ‘ConCErtbAnD VlAmErtingE’ und dem Namen des Dirigenten NiCk VAnDEnDriessChe entstammen. Während der orchestralen Klimax, die zu einemersten Klangausbruch führt (ab Takt 62), entsteht eine etwas traurige Melodie. Plötzlich werden dann die Eingangstakte wiederaufgenommen, wenn auch mit einer veränderten Klangfarbe; die Worte ‘Et In Terra Pax’ runden den ersten Teil daraufhin ab. Esfolgt ein unruhiges Allegro, das überraschend durch eine Choralartigen Passage voller Ruhe unterbrochen wird. Eine Sprechstimme liest währenddessen das Gedicht Sonnet des jungen Dichters Charles Hamilton Sorley vor, der im ersten Weltkriegfiel. Es findet für die Grausamkeit und Sinnlosigkeit des Krieges die passenden Worte. Nachdem das Allegro, diesmal mit einigen Ausbreitungen, wiederholt wird, kehrt die weite, beinahe unendliche Atmosphäre des Beginns wieder zurück. Klarinettenspielen zusammen mit einem Englischhorn das pentatonische Eingangsthema ein letztes Mal in ausgebreiteter Fassung, wobei das “Et In Terra Pax’ durch den Rest des Orchesters stets wiederholt wird.Der Komponist hat bewusst auf jegliche Form der Aggression oder bombastischen Vertonung, die in so vielen Werken über den Krieg zu finden ist, vermieden. Dennoch ist die Angst vor Gewalt und Zerstörung vor allem in den Allegro-Passagen deutlich zuhören und zu fühlen. Am Ende macht die anfängliche Spannung jedoch der Hoffnung Platz: Möge die Friedlichkeit auch im täglichen Leben die Grausamkeit verbannen…. $229.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| An English Christmas Concert band [Score and Parts] Anglo Music
A Festival of Carols for Band with optional SATB Choir. Arranged by Philip Spark...(+)
A Festival of Carols for Band with optional SATB Choir. Arranged by Philip Sparke. (Score and Parts). This edition: AMP225. Anglo Music Press. Published by Anglo Music.
$129.00 $122.55 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Journey Concert band [Score and Parts] - Advanced Curnow Music
(Grade 5 - Score and Parts). By James Curnow. For Concert Band. Curnow Music Con...(+)
(Grade 5 - Score and Parts). By James Curnow. For Concert Band. Curnow Music Concert Band. Grade 5. Published by Curnow Music
$85.00 $80.75 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Reflections on the Mississippi Concert band [Score] - Intermediate/advanced Hal Leonard
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concer...(+)
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concert Band (Full Score). Michael Daugherty Music. Grade 5-6. Softcover. Published by Hal Leonard
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| British Waterside (The Jolly Sailor) Concert band Schirmer
Score and Parts. By Percy Aldridge Grainger. Arranged by Brain S. Wilson. Schirm...(+)
Score and Parts. By Percy Aldridge Grainger. Arranged by Brain S. Wilson. Schirmer Concert Band. 215 pages. Published by G. Schirmer, Inc.
$65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Be Glad Then, America Concert band [Score and Parts] Theodore Presser Co.
Freely Transcribed for Concert Band by the Composer from the First Movement of N...(+)
Freely Transcribed for Concert Band by the Composer from the First Movement of New England Triptych-Three Pieces for Orchestra After William Billings. By William Schuman. Concert band/stage band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet, Clarinet (in BB) I, Clarinet (in BB) II, Clarinet (in BB) III, Alto Clarinet (in Eb), Bass Clarinet (in BB), Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Bass Saxophone (in BB), Cornet I, Cornet II, Cornet III, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Baritone (Treble Clef), Baritone (Bass Clef), Tuba, Snare Drum, Bass Drum, Cymbal, Glockenspiel, Tubular Bells, Timpani. Score and parts. Dur
$175.00 $166.25 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pictures at an Exhibition Concert band [Score and Parts] Boosey and Hawkes
(Score and Parts). Composed by Modest Petrovich Mussorgsky (1839-1881). Arranged...(+)
(Score and Parts). Composed by Modest Petrovich Mussorgsky (1839-1881). Arranged by Paul Lavender and Maurice Ravel. For Concert Band. Boosey and Hawkes Concert Band. Grade 5. Published by Boosey and Hawkes
$895.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Zion Concert band Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more. SKU: PR.16500092L For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L). UPC: 680160039531. 11 x 17 inches. Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Winter Dreams Concert band [Score and Parts] - Intermediate Hal Leonard
For Concert Band. Composed by Michael Daugherty (1954-). Michael Daughert...(+)
For Concert Band. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Softcover. Published by Hal Leonard (HL.4004650).
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Vulcan Concert band [Score and Parts] - Intermediate/advanced Hal Leonard
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Mich...(+)
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Michael Daugherty Music. Grade 4. Softcover. Published by Hal Leonard
$325.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Codon Concert band [Score and Parts] - Intermediate/advanced Scherzando
By Kevin Houben. (Score and Parts). SCHERZANDO CONCERT BAND. Published by Scher...(+)
By Kevin Houben. (Score and Parts). SCHERZANDO CONCERT BAND. Published by Scherzando.
$245.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Apollo Concert band [Score and Parts] - Intermediate/advanced De Haske Publications
By Jan Van der Roost. For Concert Band (Score and Parts). De Haske Concert Band....(+)
By Jan Van der Roost. For Concert Band (Score and Parts). De Haske Concert Band. Grade 4. De Haske Publications #1094849010. Published by De Haske Publications
$86.00 $81.7 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Accent on Performance Holiday Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (F Horn)). Arrang...(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (F Horn)). Arranged by John O'Reilly and Mark Williams. Concert Band. For F Horn. Band Supplement; Book. Accent on Performance. Chanukah; Christmas; Winter. 24 pages. Published by Alfred Music
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Short Ride in A Fast Machine Concert band [Score and Parts] Boosey and Hawkes
Score and Parts. By John Adams. Arranged by Lawrence T. Odom. (BAND SET). Boose...(+)
Score and Parts. By John Adams. Arranged by Lawrence T. Odom. (BAND SET). Boosey and Hawkes Concert Band. Published by Boosey and Hawkes.
$115.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Variations On America Concert band [Score and Parts] Theodore Presser Co.
For Band: Complete Set - Full Score, Condensed Score, and Parts. By Charles Ives...(+)
For Band: Complete Set - Full Score, Condensed Score, and Parts. By Charles Ives; William Schuman. Arranged by William Schuman. Concert band/stage band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Bassoon I, Bassoon II, Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Baritone (Treble Clef), Euphonium (Baritone), Double Bass, Bass, Timpani, Tambourine, Snare Drum, Bass Drum, Castanet, Suspended Cymbal, Triangle, Xylophone, Bells. Presser Summit Band Series. Classical. Co
$150.00 $142.5 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festival in Russia (Polonaise, Op. 49) Concert band - Intermediate/advanced Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-020-3 Composed by Liadov. Arranged...(+)
Concert band - Grade 4 SKU: MH.1-59913-020-3 Composed by Liadov. Arranged by Don Wilcox. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 6:45. Published by Manhattan Beach Music (MH.1-59913-020-3). ISBN 9781599130200. Program Notes: Festival in Russia is a transcription for concert band of Anatoli Liadov's dazzling orchestral work, Polonaise (Op. 49). Written at the turn of the century, its energetic dance rhythms and melodic expressiveness will bring a delightful Old World charm to today's audiences. Liadov (1855-1914) was a student of Rimsky-Korsakov at the St. Petersburg Conservatory, and succeeded him as the composition teacher. (One of Liadov's most notable students at the Conservatory was Sergei Prokofiev.) At the time the Polonaise was written (1899), Liadov was at the height of his profession and one of his era's most respected and widely-known composers. The first performance of this transcription for concert band was given by the West Virginia University Wind Symphony at the Kennedy Center for the Performing Arts on February 24, 1988, Don Wilcox conducting. Ensemble instrumentation: 1 Piccolo, 4 Flute I, 4 Flute II, 1 Oboe I, 1 Oboe II, 1 English Horn, 1 Bassoon I, 1 Bassoon II, 1 Eb Clarinet, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 1 Eb Alto Clarinet, 1 Eb ContrabassClarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 3 Eb Alto Saxophone I, 3 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Cornet I, 3 Bb Cornet II, 3 Bb Cornet III, 2 Bb Trumpet I, 2 Bb Trumpet II, 2 F Horn I & III, 2 F Horn II & IV, 2 Trombone I, 2 Trombone II, 2 Bass Trombone, 3 Euphonium, 2 Euphonium T.C., 4 Tuba, 2 Timpani, 2 Bells & Vibraphone, 3 Chimes, Triangle & Cymbals, 2 Xylophone & Marimba, 2 Snare Drum & Bass Drum. $150.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Festival in Russia (Polonaise, Op. 49) Concert band - Intermediate/advanced Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-021-1 Composed by Liadov. Arranged...(+)
Concert band - Grade 4 SKU: MH.1-59913-021-1 Composed by Liadov. Arranged by Don Wilcox. Suitable for high school, community, and college bands. Conductor Full Score. Duration 6:45. Published by Manhattan Beach Music (MH.1-59913-021-1). ISBN 9781599130217. Program Notes: Festival in Russia is a transcription for concert band of Anatoli Liadov's dazzling orchestral work, Polonaise (Op. 49). Written at the turn of the century, its energetic dance rhythms and melodic expressiveness will bring a delightful Old World charm to today's audiences. Liadov (1855-1914) was a student of Rimsky-Korsakov at the St. Petersburg Conservatory, and succeeded him as the composition teacher. (One of Liadov's most notable students at the Conservatory was Sergei Prokofiev.) At the time the Polonaise was written (1899), Liadov was at the height of his profession and one of his era's most respected and widely-known composers. The first performance of this transcription for concert band was given by the West Virginia University Wind Symphony at the Kennedy Center for the Performing Arts on February 24, 1988, Don Wilcox conducting. Ensemble instrumentation: 1 Piccolo, 4 Flute I, 4 Flute II, 1 Oboe I, 1 Oboe II, 1 English Horn, 1 Bassoon I, 1 Bassoon II, 1 Eb Clarinet, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 1 Eb Alto Clarinet, 1 Eb ContrabassClarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 3 Eb Alto Saxophone I, 3 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Cornet I, 3 Bb Cornet II, 3 Bb Cornet III, 2 Bb Trumpet I, 2 Bb Trumpet II, 2 F Horn I & III, 2 F Horn II & IV, 2 Trombone I, 2 Trombone II, 2 Bass Trombone, 3 Euphonium, 2 Euphonium T.C., 4 Tuba, 2 Timpani, 2 Bells & Vibraphone, 3 Chimes, Triangle & Cymbals, 2 Xylophone & Marimba, 2 Snare Drum & Bass Drum. $18.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| American Overture for Band Concert band [Score and Parts] Theodore Presser Co.
For Band. By Joseph Willcox Jenkins. Concert Band. For Piccolo, Flute I, Flute I...(+)
For Band. By Joseph Willcox Jenkins. Concert Band. For Piccolo, Flute I, Flute II, Flute III, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Clarinet IV, Alto Clarinet, Bass Clarinet, Contrabass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone I, Tenor Saxophone II, Baritone Saxophone, Bass Saxophone, Cornet I, Cornet II, Cornet III, Cornet IV, Trumpet I, Trumpet II, Horn I, Horn II, Horn III, Horn IV, Baritone (Bass Clef) I, Baritone (Bass Clef) II, Baritone (Treble Clef) I, Baritone (Treble Clef) II, Baritone (Bass Clef) III, Baritone (Treble Clef) III, Tenor I, Tenor II, Tenor III, Tenor IV, Tuba, Cello, Contrabass, Timpani, Snare Drum, Bass Drum, Cymbal, Gong, Wood Block, Bells, Basses. Classical. Score and Set of Parts. Opus 13. 32 pages. Duration 4:30. Published by Theodore Presser Company.
$125.00 $118.75 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| March from Griffelkin Concert band Carl Fischer
Concert Band Bass Clarinet in Bb, Bassoon 1, Bassoon 2, Clarinet 1 in Bb, Clarin...(+)
Concert Band Bass Clarinet in Bb, Bassoon 1, Bassoon 2, Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet in C), Contrabassoon, English Horn, Flute 1, Flute 2, Horn 1 in F, Horn 2 in F, Horn 3 in F, Horn 4 in F, Oboe 1, Oboe 2, Percussion, Piccolo in Db, Timpani and more. SKU: CF.J731F For Wind Ensemble - Full Score. Composed by Lukas Foss. Carl Fischer Classic Band Editions. The opera, composed for NBC-TV, received its first five opera performances in Tanglewood, August, 1956. The composer made this Band arrangement for the TANGLEWOOD Fanfare in 1989. Full score. With Standard notation. Carl Fischer Music #J731F. Published by Carl Fischer Music (CF.J731F). 9 X 12 inches. Key: Bb major. $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fanfare, Reminiscence and Celebration Concert band Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, ...(+)
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Cornet 1, Cornet 2, Cornet 3, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.14540034F 9X12 Band Score. Composed by Ellen Taaffe Zwilich. Sws. Wind Band Select. Contemporary. Full score. With Standard notation. Composed 2010. 28 pages. Duration 12:30. Theodore Presser Company #145-40034F. Published by Theodore Presser Company (PR.14540034F). ISBN 9781598063240. UPC: 680160595914. 9x12 inches. Key: G major. Originally composed for orchestra with 3 offstage brass sextets, Fanfare; Reminiscence and Celebration has been re-created by Ellen Taaffe Zwilich for symphonic band plus three offstage brass sextets for a dazzling theater-in-the-round concert experience. The score is provided in 11x17 format for ease in reading. For advanced and university ensembles. Duration: 12’. $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| JBC BAND METHOD Horn in F Concert band Yamaha
Horn SKU: YM.GPW01096362 Concert Band. Method. Sheet music. Yamaha Music ...(+)
Horn SKU: YM.GPW01096362 Concert Band. Method. Sheet music. Yamaha Music Media #GPW01096362. Published by Yamaha Music Media (YM.GPW01096362). ISBN 9784636963625. English version of the most popular band method edited by Japan Band Clinic Committee. The concept of this method is to provide support from producing sound to musical expression. It covers everything from individual practice and band ensemble to analysis of music performance and will be helpful for all band directors around the world who teach their students.; Study I: Basic knowledge and individual basikc training; Study II: Making sound ind the band and understanding the music; Study III: Making music. You Ri Ben Chui Zou Le Zhi Dao Zhe Wei Yuan Hui Bian Zhu De Ren Qi Le Dui Xun Lian Zhi Nan De Ying Yu Ban Ben . Ben Jiao Cheng Ji You Yan Zou Fang Fa ,You You Yin Le Biao Da ,Nang Gua Liao Cong Ge Ti Lian Xi Dao Le Dui He Zou De Zheng Ti Guo Cheng ,Dui Le Dui Zhi Dao Zhe De Jiao Xue Fei Chang You Yong . Di Yi Bu Fen : Ji Chu Zhi Shi , Dan Du Ji Chu Xun Lian ; Di Er Bu Fen : Zai Le Dui Zhong Yan Zou , Li Jie Yin Le . Di San Bu Fen : Biao Yan Yin Le .
Horn in F part of JBC Band Method. JBCGuan Le Dui Zhi Dao Jiao Cheng FDiao Yuan Hao . $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fiesta Del Pacifico Concert band [Score and Parts] Boosey and Hawkes
Score and Parts. By Roger Nixon. (BAND SET). Boosey and Hawkes Concert Band. Pu...(+)
Score and Parts. By Roger Nixon. (BAND SET). Boosey and Hawkes Concert Band. Published by Boosey and Hawkes.
$135.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 4 for Band (West Point Symphony) Concert band [Score and Parts] - Intermediate/advanced Schirmer
Score and Parts. By Morton Gould. Score and full set of parts. Hal Leonard Conce...(+)
Score and Parts. By Morton Gould. Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Size 9x12 inches. Published by G. Schirmer, Inc.
$110.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Rocky Point Holiday:
Concert Band: Score and
Parts Concert band [Score and Parts] Boosey and Hawkes
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 ...(+)
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta
107.50 GBP - Sold by Musicroom UK | |
| André Waignein: Dunamis:
Concert Band: Score &
Parts Concert band Scherzando
Major Yvon Ducene wanted a new lush and colourful composition for his Guides mil...(+)
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band with André Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here the band can really show its capabilities to thefull. Based on a very precise rythm an idiom of sudden desperation and adversity develops which fused with a crushing agression culminates in a kind of eruption soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte when speaking about Honneger 'harmonies d'intensités' harmonies of the unmeasurable.
194.99 GBP - Sold by Musicroom UK | |
| Claude Debussy: The Girl
with the Flaxen Hair:
Concert Band: Score &
Parts Concert band Hal Leonard
Solo for Alto Sax or English Horn and Band-Delicately scored and beautifully pac...(+)
Solo for Alto Sax or English Horn and Band-Delicately scored and beautifully paced here is Debussy's beautiful lyric melody arranged as a solo vehicle for alto sax or English horn with concert band. A wonderful opportunity for exploring the rich romanticism of Debussy'smusic while providing an attractive setting for a standout soloist. Dur: 2:30 (Includes full performance CD)
74.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| André Waignein:
Alternances: Concert
Band: Score & Parts Concert band [Score and Parts] Scherzando
In 1984 the Corciano (Italy) Tourist Authority initiated a composition competiti...(+)
In 1984 the Corciano (Italy) Tourist Authority initiated a composition competition for wind band. For this event André WAignein composed 'Alternances for Symphonic Band' a piece which won him the first prize in the competition. The opening of the work is based on a very tonal foundation. The English horn (or alto saxophone) introduces a rich and warm theme which is immediately taken up by the whole orchestra in a grandiose manner. The subsequent development shows off all the elements of the orchestra to the full. In the second movement the English horn (or alto saxophone) comes to the fore again. A harmonic change gradually takes us back to the allegro of the firstmovement. The musical development is here dominated by exuberance virtuosity and rhythm.
144.99 GBP - Sold by Musicroom UK | |
| Flexible Praise: Concert
Band: Part Concert band Curnow Music
Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sa...(+)
Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.
4.50 GBP - Sold by Musicroom UK | |
| JBC Band Method Horn in
F: Concert Band: Part Concert band [Part] Yamaha
JBC Band Method Horn in F. English version of the most popular band method edite...(+)
JBC Band Method Horn in F. English version of the most popular band method edited by Japan Band Clinic Committee. The concept of this method is to provide support "from producing sound to musical expression". It covers everything from individual practice and band ensemble to analysis of music performance and will be helpful for all band directors around the world who teach their students.; Study I: Basic knowledge and individual basikc training; Study II: Making sound ind the band and understanding the music; Study III: Making music.
12.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Karel Husa: Concerto for
Wind Ensemble: Concert
Band: Score Concert band [Sheet music] Schirmer
Score-Commissioned by the Michigan State University Alumni Band this three move...(+)
Score-Commissioned by the Michigan State University Alumni Band this three movement work by Pulitzer Prize-winning composer Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983.Previously available only in rental we are proud to offer this important work for publication.A note from the composer: Divided into three movements this work is a display of virtuoso passages given to solo instrumentsas well as to the groups of the ensemble. In the Fanfare of the first movement the brass section “concertizes” in groups of four brass quintets (2 trumpets horn trombone and tuba or baritone) spread from left toright in back. The saxophones (S A T B) are placed in front of the brass quintets and the woodwinds occupy the front of the stage with percussion on the left and right side. These groups like the brass quintets play in theconcertante style particularly in the first and last movements. At the same time each movement contains individual solo passages (for example timpani and flute in Movement I – “Drum Ceremony” andEnglish horn and other low woodwinds in Movement II – “Elegy”). The composition of this piece was prompted by the excellence of wind and percussion players today and by the incredible growth of wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.
25.99 GBP - Sold by Musicroom UK | |
| Jan Van der Roost: Et in
terra Pax: Concert Band:
Score & Parts Concert band [Score and Parts] De Haske Publications
This piece was commissioned by the ‘Concert Band Vlamertinge’ and i...(+)
This piece was commissioned by the ‘Concert Band Vlamertinge’ and is a plea for peace: the title translates as ‘Peace on Earth’. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize the words ‘Et In Terra Pax’ - an appeal for peace - at first jumbled together but later more rhythmically structured developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D E G A and C (taken from ‘ConCErtbAnD VlAmErtinGE’ and the name of the conductor NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured albeit with a differently colored sound: the words ‘Et In Terra Pax’ bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem ‘Sonnet’ by the young poet Charles Hamilton Sorley who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro the broad almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more this time broadly while the words ‘Et In Terra... Pax’ are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life too.
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| James Curnow: Bridge of
the Gods: Concert Band:
Score & Parts Concert band [Score and Parts] Hal Leonard
Commissioned by the Oregon Symphonic Band in Portland Bridge of the Gods is a d...(+)
Commissioned by the Oregon Symphonic Band in Portland Bridge of the Gods is a dramatic three-movement symphonic poem presenting the colorful legend told by the Native American Klickitatst about the origins of the volcanicmountains of the Cascade range and legendary bridge. The first movement (?Saghalie?) pays tribute to the powerful chief of all gods and is based on a majestic fanfare theme. The second movement captures the beauty ofthe maiden ?Loowit ? with haunting flute and English horn solos accompanied by soft chanting voices. The final movement ?Tanmahawis ? utilizes stark clusters jagged melodic fragments and rhythmicpercussive energy as it depicts the destruction of the mighty bridge. Dur: 8:50Recorded by the Oregon Symphonic Band ? Michael Burch-Pesses conductor
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| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band
for Wind Orchestra World Set (no ESS). Fascinated by the beauty of Chicago, Fra...(+)
for Wind Orchestra World Set (no ESS). Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?. Edition Franco Cesarini
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| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band [Score and Parts]
for Wind Orchestra Full Score. Fascinated by the beauty of Chicago, Franco Cesa...(+)
for Wind Orchestra Full Score. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?. Edition Franco Cesarini
74.00 GBP - Sold by Musicroom UK | |
| Jan Van der Roost:
Spartacus: Concert Band:
Score & Parts Concert band [Score and Parts] De Haske Publications
Spartacus is a 'Symphonic Tone Poem' with 3 joints. Each section has its own mel...(+)
Spartacus is a 'Symphonic Tone Poem' with 3 joints. Each section has its own melodical materials however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J) as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R) but has been worked out rhytmically.
168.99 GBP - Sold by Musicroom UK | |
| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band [Study Score / Miniature] Edition Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions...(+)
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?.
21.00 GBP - Sold by Musicroom UK | |
| Franco Cesarini: Symphony
Nr. 3 Urban Landscapes
Op. 55: Concert Band:
Score Concert band
for Wind Orchestra Additional European Parts. Fascinated by the beauty of Chica...(+)
for Wind Orchestra Additional European Parts. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan.
The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece.
The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car.
If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs.
Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors.
Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?.. Edition Franco Cesarini
27.00 GBP - Sold by Musicroom UK | |
| Kevin Houben: Lux Futura:
Concert Band: Score and
Parts Concert band [Score and Parts] Scherzando
Lux Futura. Lux Futura (Light of the Future) was commissioned by the Royal Wind ...(+)
Lux Futura. Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters ?D-E-L-F-T? using the letter notation system by Béla Bartók. In this ?Delft? cell, there is referral to the ?Trinitas?, the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the ?Agneta March?, which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the cor anglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle.
209.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| James Curnow: Bridge of
the Gods: Concert Band:
Score Concert band Hal Leonard
Commissioned by the Oregon Symphonic Band in Portland Bridge of the Gods is a d...(+)
Commissioned by the Oregon Symphonic Band in Portland Bridge of the Gods is a dramatic three-movement symphonic poem presenting the colorful legend told by the Native American Klickitatst about the origins of the volcanicmountains of the Cascade range and legendary bridge. The first movement “Saghalie” pays tribute to the powerful chief of all gods and is based on a majestic fanfare theme. The 2nd movement captures the beauty of themaiden “Loowit” with haunting flute and english horns solos accompanied by soft chanting voices. The final movement “Tanmahawis” utilizes stark clusters jagged melodic fragments and rhythmic percussiveenergy as it depicts the destruction of the mighty bridge. Dur: 8:50Recorded by the Oregon Symphonic Band – Michael Burch-Pesses conductor
25.99 GBP - Sold by Musicroom UK | |
| Hankus Netsky: Nonantum
Bulgar: Concert Band:
Score & Parts Concert band BandQuest
“I wrote The Nonantum Bulgar in response to a request for a klezmer-style ...(+)
“I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA Idecided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication theevent featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion.A Bulgar is aRomanian Jewish Dance that was very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewishornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba andpercussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majesticconclusion.” --Hankus Netsky
57.50 GBP - Sold by Musicroom UK | |
| Traditional: Kingsfold:
Concert Band: Score Concert band Hal Leonard
The haunting melody of this traditional tune likely dates to the Middle Ages an...(+)
The haunting melody of this traditional tune likely dates to the Middle Ages and was published by British composer Ralph Vaughan Williams in the 1906 English Hymnal. Freely adapted by Johnnie Vinson in this setting for young bands the minor melodyis stated first by low clarinets and horns. The next section introduces an original theme which is then combined with the first melody in the moving final section. Beautifully paced and scored largely in choral fashion this is a wonderfully freshand unique offering for holiday or winter concerts.
5.50 GBP - Sold by Musicroom UK | |
| Traditional: Kingsfold:
Concert Band: Score &
Parts Concert band [Score and Parts] Hal Leonard
The haunting melody of this traditional tune likely dates to the Middle Ages an...(+)
The haunting melody of this traditional tune likely dates to the Middle Ages and was published by British composer Ralph Vaughan Williams in the 1906 English Hymnal. Freely adapted by Johnnie Vinson in this setting for young bands the minor melodyis stated first by low clarinets and horns. The next section introduces an original theme which is then combined with the first melody in the moving final section. Beautifully paced and scored largely in choral fashion this is a wonderfully freshand unique offering for holiday or winter concerts.
44.99 GBP - Sold by Musicroom UK | |
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