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| Ludwig van Beethoven: Romances for Violin and Orchestra op. 40 and 50 in G and F major
Violin and Piano [Sheet music] G. Henle
For Violin and Orchestra - Piano Reduction. By Ludwig van Beethoven. Edited by J...(+)
For Violin and Orchestra - Piano Reduction. By Ludwig van Beethoven. Edited by J. Sommer. Violin. Pages: Score = 13 * Vl Part = 5. Piano Reduction-paper bound. Published by G. Henle.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Peter Maxwell Davies: Concerto For Violin And Orchestra Violin and Piano Chester
Violin and Piano (Violin) SKU: HL.14021013 Composed by Sir Peter Maxwell ...(+)
Violin and Piano (Violin) SKU: HL.14021013 Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 68 pages. Chester Music #CH55915. Published by Chester Music (HL.14021013). ISBN 9780711921320. This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday, and was written for Isaac Stern. The first performance took place in June 1986 at St. Magnus' Cathedral, Kirkwall, as part of the tenth St. Magnus Festival. It was given by Isaac Stern and the Royal Philharmonic Orchestra conducted by Andre Previn. This book contains the solo violin part and a piano reduction of the orchestral score. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bach, Johann Sebastian: Concerto for Violin and Orchestra A minor BWV 1041 Violin and Piano [Reduction] G. Henle
for Violin and Orchestra - Piano Reduction. By Johann Sebastian Bach. Edited by ...(+)
for Violin and Orchestra - Piano Reduction. By Johann Sebastian Bach. Edited by Hans Eppstein. Piano reduction by Johannes Umbreit. Violin. Pages: Score = III and 20 * Vl Part = 8. Piano Reduction-paper bound. Published by G. Henle.
$23.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bach, Johann Sebastian: Concerto for Violin and Orchestra E major BWV 1042 Violin and Piano [Reduction] G. Henle
For Violin and Orchestra - Piano Reduction. By Johann Sebastian Bach. Edited by ...(+)
For Violin and Orchestra - Piano Reduction. By Johann Sebastian Bach. Edited by Hans Eppstein. Piano reduction by Johannes Umbreit. Violin. Pages: Score = IV and 23 * Vl Part = 8. Piano Reduction-paper bound. Published by G. Henle.
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto Violin and Piano SATB, Orchestra Alfred Lengnick
Violin and Piano SKU: BT.AL-0855 Composed by Edmund Rubbra. Book Only. 62...(+)
Violin and Piano SKU: BT.AL-0855 Composed by Edmund Rubbra. Book Only. 62 pages. Alfred Lengnick & Co #AL 0855. Published by Alfred Lengnick & Co (BT.AL-0855). English. The Concerto for Violin and Orchestra Op.103 was written in 1958 and is yet another superb orchestral work by Edmund Rubbra. Typically, this is a work that calls more on musicality than on virtuosity, although Rubbra knewthe violin well for having long partnered his wife and for having long played in a trio with William Pleeth. Rubbra's familiarity with the instrument certainly helped him avoiding technical ‘tricks’ and concentrating his creativeenergies more on an inward-looking solo part than an outward-dashing virtuosic one!
This is an arrangement for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Edouard Lalo: Spanish symphony for violin and orchestra D minor op. 21 Violin and Piano [Reduction] G. Henle
for Violin and Orchestra - Piano Reduction. By Edouard Lalo. Edited by P. Jost. ...(+)
for Violin and Orchestra - Piano Reduction. By Edouard Lalo. Edited by P. Jost. Violin. Pages: Score =VIII and 55 * Vl Part = 23. Piano Reduction-paper bound. Published by G. Henle.
$38.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joseph Haydn: Concerto for Violin and Orchestra G major Hob. VIIa: 4
Violin and Piano [Sheet music] G. Henle
Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz J...(+)
Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz Joseph Haydn. Edited by S. Zorzor. Violin. Pages: Score = V and 19 * Vl Part = 12. Piano Reduction-paper bound. Published by G. Henle.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joseph Haydn: Concerto for Violin and Orchestra A major Hob. VIIa: 3 Violin and Piano [Sheet music] G. Henle
Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz J...(+)
Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz Joseph Haydn. Edited by G. Thomas, H. Lohmann. Violin. Pages: Score = IV and 27 * Vl Part = 16. Piano Reduction-paper bound. Published by G. Henle.
(1)$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ludwig van Beethoven: Concerto for Violin and Orchestra D major op. 61
Violin and Piano [Reduction] G. Henle
for Violin and Orchestra - Piano Reduction (Revised Edition). By Ludwig van Beet...(+)
for Violin and Orchestra - Piano Reduction (Revised Edition). By Ludwig van Beethoven. Edited by S. A. Kojima. Violin. Pages: Score = VII and 41 * Vl Part = 29. Piano Reduction-paper bound. Published by G. Henle.
(1)$31.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joseph Haydn: Concerto for Violin and Orchestra C major Hob. VIIa: 1 Violin and Piano [Sheet music] G. Henle
Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz J...(+)
Cadenzas by Franz Beyer - for Violin and Orchestra - Piano Reduction. By Franz Joseph Haydn. Edited by S. Zorzor, H. Lohmann. Violin. Pages: Score = IV and 22 * Vl Part = 12. Piano Reduction-paper bound. Published by G. Henle.
(2)$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Poeme, Op. 25 for Violin and Orchestra
Violin and Piano [Sheet music] G. Henle
For Violin and Orchestra - Piano Reduction. By Ernest Chausson. Edited by P. Jos...(+)
For Violin and Orchestra - Piano Reduction. By Ernest Chausson. Edited by P. Jost. Violin. Pages: Score = VI and 18 * Vl Part = 8. Urtext edition (Paper-bound). Published by G. Henle.
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| Bach, Johann Sebastian: Concerto for 2 Violins and Orchestra D minor BWV 1043 Violin and Piano [Reduction] G. Henle
(Double Concerto) for two Violins and Orchestra - Piano Reduction. By Johann Seb...(+)
(Double Concerto) for two Violins and Orchestra - Piano Reduction. By Johann Sebastian Bach. Edited by Hans Eppstein. Piano reduction by Johannes Umbreit. Violin. Pages: Score = III and 24 * Vl I Part = 8 * Vl II Part = 8. Piano Reduction-paper bound. Published by G. Henle.
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| Concerto n. 5 in La maggiore per violino e orchestra KV219 Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11711 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11711 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Wolfgang Amadeus Mozart, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11711). ISBN 9790215903098. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cadenze per il Concerto op. 61 per violino e orchestra Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11829 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11829 Revisione e diteggiatura di Salvatore Accardo. Composed by Ludwig van Beethoven, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11829). ISBN 9790215905313. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto op. 61 in Re maggiore per violino e orchestra Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11803 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11803 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Ludwig van Beethoven, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11803). ISBN 9790215905177. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto n. 3 in Sol maggiore per violino e orchestra KV216 Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11726 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11726 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Wolfgang Amadeus Mozart, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11726). ISBN 9790215903074. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto n. 1 in Si bemolle maggiore per violino e orchestra KV207 Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11774 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11774 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Wolfgang Amadeus Mozart, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11774). ISBN 9790215904521. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto n. 4 in Re maggiore per violino e orchestra KV218 Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11727 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11727 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Wolfgang Amadeus Mozart, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11727). ISBN 9790215903081. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto op. 77 in re maggiore per violino e orchestra Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11827 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11827 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte. Composed by Johannes Brahms, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11827). ISBN 9790215906051. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto op. 64 in Mi minore per violino e orchestra Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11828 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11828 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Felix Mendelssohn, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11828). ISBN 9790215906068. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto n. 2 in Re maggiore per violino e orchestra KV211 Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11775 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11775 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Wolfgang Amadeus Mozart, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11775). ISBN 9790215904538. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Movimenti singoli per violino e orchestra Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11776 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11776 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Wolfgang Amadeus Mozart, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11776). ISBN 9790215904545. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto op. 35 in Re maggiore per violino e orchestra Violin and Piano SATB, Orchestra Curci
Violin and piano SKU: CU.EC11802 Revisione e diteggiatura di Salvatore...(+)
Violin and piano SKU: CU.EC11802 Revisione e diteggiatura di Salvatore Accardo. Riduzione per violino e pianoforte di Francesco Fiore. Composed by Pyotr Ilyich Ciajkovskij, Francesco Fiore, Salvatore Accardo. I concerti classici e romantici per violino e orchestra nella revisione di Salvatore Accardo. Published by Edizioni Curci (CU.EC11802). ISBN 9790215905160. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Antonio Vivaldi : Violin Concerto in B-flat Major, F.I. no. 60 Violin and Piano - Advanced Wolfhead Music
By Antonio Vivaldi. Edited by John Craton. Chamber ensemble. For Violin, piano. ...(+)
By Antonio Vivaldi. Edited by John Craton. Chamber ensemble. For Violin, piano. Chamber Music. For violin scordatura and orchestra, this version is for violin and piano. Baroque. Score and part. 26 pages. Duration 15:00. Published by Wolfhead Music. (WM515)
Level: Advanced.
$16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lennox Berkeley: Five Pieces for Violin and Orchestra Op.56 (Violin/Piano) Violin and Piano Chester
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. Music Sales America. Classical. Book [Softcover]. Composed 2002. 56 pages. Chester Music #CH55778. Published by Chester Music (HL.14004213). 9.0x12.0x0.175 inches. Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer, gave the first performance on 31 July 1962 at the Royal Albert Hall, London during the BBC Proms season. This work is so constructed that each piece is complete in itself and can be played separately, while at the same time the whole set of five constitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone, and its inversion plays an important part in every piece. Thus the first piece, which is of a slow and meditative character, begins with this theme in the bass. It is also heard in the first entry of the solo part, and thereafter every episode is in some way derived from it. The next piece, a vigorous and strongly marked 'allegro', uses the semitone of the original figure as its starting point. A second theme appears, first on the horns and is later taken up by the solo violin, while a third section has the initial idea as its accompaniment. Next comes an extended scherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the first section, violas and cellos are divided in the middle section, and all the strings are used in the last, which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others, concerned mainly with giving the soloist material for display, but not unconnected with what has gone before. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alla madre - concerto per violino ed orchestra Violin and Piano Fennica Gehrman
Violin, piano SKU: FG.55011-824-9 Solo part & piano reduction. Com...(+)
Violin, piano SKU: FG.55011-824-9 Solo part & piano reduction. Composed by Mikko Heinio. Classical, contemporary. Solo part & piano reduction. Fennica Gehrman #55011-824-9. Published by Fennica Gehrman (FG.55011-824-9). ISBN 9790550118249. Mikko Heiniö's Alla madre (2007) abandons the traditional virtuoso concerto concept: here a large orchestra engages in dialogue with a solo violin. The first movement is called Arrivo, “Arrival: the soloist literally arrives later, and by degrees, playing his/her first two solos offstage. Even then the orchestra continues to take the initiative for a long time. Not until the second movement, entitled Aura, “Air or Wind, does the initiative pass to the solo violin as it sets light to notes in the orchestra harmony like individual lamps. And not until the end of the second movement and the beginning of the third does the solo violin play completely on its own. The title of the first movement, “Arrival, underlines the event, the dramaturgy, whereas that of the second movement, “Aura, alludes to the texture and the shimmering space. The third movement is the most strongly emotional, as the name Carezza, “Caress suggests.
This product includes the solo part and the piano reduction (B4 sized).
The orchestral material is available from the publisher. The orchestration: 3(III+picc)3(III+ca)3(III=bcl)3(III=cfg)-4331-13-hp-str. $55.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for Violin and Orchestra no. 1 H 226 Violin and Piano - Intermediate/advanced Barenreiter
Violin-solo, piano (Violin solo, Piano) - Level 4 SKU: BA.BA11527-90 Comp...(+)
Violin-solo, piano (Violin solo, Piano) - Level 4 SKU: BA.BA11527-90 Composed by Bohuslav Martinu. Arranged by Karel Å olc. Stapled. Replaces H 5797. Piano reduction, Part. H 226, No. 1. Baerenreiter Verlag #BA11527_90. Published by Baerenreiter Verlag (BA.BA11527-90). ISBN 9790260107946. 31 x 24.5 cm inches. Preface: Sandra Bergmannova. Bohuslav Martinu wrote his First Violin Concerto in Paris in 1932-33, this work having been commissioned by the violin virtuoso Samuel Dushkin. However, it was never performed during the composer's lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller, contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk, who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.
This piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czech violinist and performer of Martinu's music.
* Major violin concerto of the 20th century * New Foreword by Martinu scholar Sandra Bergmannova (Cz/Eng/Ger)
$38.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Claude Debussy: Nocturne Violin and Piano Schott
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra Reduction
(Piano). Composed by Claude
Debussy (1862-1918) and
Robert Orledge. Arranged by
Robert Orledge. String.
Softcover. 34 pages. Schott
Music #VLB214. Published by
Schott Music
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| John Corigliano: Concerto for Violin and Orchestra (The Red Violin) (Piano / Violin) Violin and Piano [Reduction] Schirmer
For Violin and Piano Reduction. By John Corigliano. String Solo. Published by G....(+)
For Violin and Piano Reduction. By John Corigliano. String Solo. Published by G. Schirmer, Inc.
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fire and Blood (Piano / Violin) Violin and Piano [Reduction] Boosey and Hawkes
(for Violin and Orchestra Violin/Piano Reduction). BH Chamber Music. Softcover....(+)
(for Violin and Orchestra Violin/Piano Reduction). BH Chamber Music. Softcover. 64 pages. Boosey & Hawkes #M051105519. Published by Boosey & Hawkes
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Concerto D Major Op. 61
For Violin And Orchestra Violin and Piano G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...(+)
Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Concerto D major op. 61 for Violin and Orchestra pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée
23.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Concerto For Violin And
Orchestra A Minor Bwv
1041 Violin and Piano [Sheet music] G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for Violin and Orchestra a minor BWV 1041 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 671. / Violon Et Piano / Partition
19.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Bohuslav Martinu:
Concerto for Violin and
Orchestra no. 1 H 226:
Violin: Violin and Piano Barenreiter
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work ...(+)
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work having been commissioned by the Violin virtuoso Samuel Dushkin. However it was never performed during the composer?s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This Piano reduction is based on the musical text of the first edition. The solo parthas been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hireFull score available for sale (H5798)
26.50 GBP - Sold by Musicroom UK | |
| Benjamin Frankel:
Concerto For Violin And
Orchestra Op.24: Violin:
Instrumental Violin and Piano - Advanced Novello & Co Ltd.
Benjamin Frankel's reputation is based on the cycle of five string quartets and ...(+)
Benjamin Frankel's reputation is based on the cycle of five string quartets and eight symphonies which together with the powerfully beautiful concertos for violin and for viola rather overshadow many of his other fine pieces. The Violin Concerto grew from the composer's long and close association with Max Rostal a friendship which also inspired one of Frankel's perhaps best known compositions the First Sonata for Solo Violin.Frankel's exciting Concerto For Violin And Orchestra Op.24 has been beautifully arranged for Violin with Piano Reduction by Philip G. Jones. The solo violin part is also included on a separate insert.
29.99 GBP - Sold by Musicroom UK | |
| Bohuslav Martinu:
Concerto for Violin and
Orchestra no. 2 H 293:
Violin: Violin and Piano Barenreiter
After hearing the Boston Symphony Orchestra perform Martinu?s Symphony No. 1 in ...(+)
After hearing the Boston Symphony Orchestra perform Martinu?s Symphony No. 1 in New York Mischa Elman commissioned the composer to write a Violin Concerto for him. Martinu thereupon composed his second Violin Concerto in 1943. That same year Elman played the solo part at the première with Sergei Koussevitzky conducting the Boston Symphony Orchestra.This Piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinuscholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hire
23.00 GBP - Sold by Musicroom UK | |
| Peter Maxwell Davies:
Concerto For Violin And
Orchestra: Violin:
Instrumental Violin and Piano [Sheet music] Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...(+)
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday and was written for Isaac Stern. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenthSt. Magnus Festival. It was given by Isaac Stern and the Royal Philharmonic Orchestra conducted by Andre Previn.This book contains the solo violin part and a piano reduction of the orchestral score.
19.99 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Concerto For Violin And
Orchestra In E BWV 1042:
Violin: Violin and Piano [Reduction] G. Henle
The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movem...(+)
The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movements: Allegro Adagio Allegro Assai. Its history is somewhat vague as no autograph manuscript survives. Originallyscored for Violin Strings and Continuo it is presented here with a Piano reduction. Editorial suggestions for bowing and fingering have been provided together with a ?clean? copy for the violinist?s own use. J. S.Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organist and choirmaster but was also employedas a composer a many different Royal Courts.
15.75 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wolfgang Amadeus Mozart:
Single Movements For
Violin And Orchestra:
Violin: Violin and Piano [Reduction] G. Henle
For years Henle has been issuing urtext Piano reductions of Mozart?s works for V...(+)
For years Henle has been issuing urtext Piano reductions of Mozart?s works for Violin and Orchestra at six-month intervals. Now the time has come for the three Single Movements. These incomparabletreasures of the Violin literature are too well-known to require special praise here. Each solo part appears in an impeccable urtext edition accompanied by cadenzas improvised lead-ins (Eingänge) fingering and bowing marks. ThePiano reduction sounds beautiful and is easy to play or to quote Mozart?s own words 'it comes off as smooth as silk'.
16.75 GBP - Sold by Musicroom UK | |
| John Joubert: Concerto
For Violin And Orchestra
(Violin/Piano): Violin: Violin and Piano [Sheet music] Novello & Co Ltd.
Concerto For Violin And Orchestra (Violin/Piano)
32.50 GBP - Sold by Musicroom UK | |
| John Corigliano: Concerto
For Violin And Orchestra:
Violin: Instrumental Work Violin and Piano [Sheet music] Schirmer
John Corigliano's Concerto for Violin and Orchestra (The Red Violin) draws upon ...(+)
John Corigliano's Concerto for Violin and Orchestra (The Red Violin) draws upon music he composed for the film of the same name which won an Academy Award for best film score. The story spans three centuriesin the life of a magnificent but haunted Violin in its travels through space and time. Corigliano composed this 36-minute concerto in memory of his father the former concertmaster of the New York Philharmonic. For Violin andPiano reduction.
23.99 GBP - Sold by Musicroom UK | |
| Bartok B. - Violin
Concerto No.1 Op.posth. -
Violin And Orchestra Violin and Piano Boosey and Hawkes
Edition : piano reduction with solo part Instrumentation : violin and orchestra ...(+)
Edition : piano reduction with solo part Instrumentation : violin and orchestra Date of Composition: 1907-8 Duration : 21' Number of Pages : 32
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| Wolfgang Amadeus Mozart:
Single Movements for
Violin and Orchestra:
Violin: Part Violin and Piano [Reduction] Barenreiter
Single Movements for Violin and Orchestra (Urtext). (Adagio in E K.261; Rondo in...(+)
Single Movements for Violin and Orchestra (Urtext). (Adagio in E K.261; Rondo in B flat K.269; Rondo in C K.373).vn orchPiano reduction(New edition with Cadenzas)
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| Camille Saint-Saëns:
Concerto For Violin And
Orchestra No.1 Op.20:
Violin: Français Violin and Piano [Reduction] Hamelle
Concerto For Violin And Orchestra No.1 Op.20
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| Maurice Ravel: Tzigane:
Violin: Instrumental Work Violin and Piano Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...(+)
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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| Jones: Viennese Fiddler:
Violin: Instrumental
Album Violin and Piano [Score and Parts] Boosey and Hawkes
Viennese music has become almost synonymous with Johann Strauss II and his great...(+)
Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.
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| Wieniawski H. - 2eme
Polonaise Brillante Op.
21 - Violon Et Piano Violin and Piano PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...(+)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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| Christmas Strings (MILLER
DONALD) Violin and Piano - Beginner Mel Bay
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...(+)
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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| Miller: Christmas
Strings: Violin 1 and 2:
Violin Duet: Instrumental
Album Violin and Piano [Sheet music] - Beginner Mel Bay
With Piano Accompaniment-These books are arranged to be performed with various c...(+)
With Piano Accompaniment-These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known others will sound fresh and new tomost players. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the pianoaccompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas Inc. If performed with full orchestra no solo parts should beplayed except the 1st violin part. Note also if you wish to perform these works with full orchestra and you are short certain instruments you still have some flexibility with the score. For example if there are not enoughviolas for balance the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.
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| Camille Saint-Saëns:
Havanaise Op.83: Violin:
Instrumental Work Violin and Piano [Score and Parts] Barenreiter
First scholarly-critical edition of this work.Variants from the Orchestral versi...(+)
First scholarly-critical edition of this work.Variants from the Orchestral version shown in the Violin part.This virtuoso work based on the Cuban Habanera rhythm was composed in 1887 and is a part of standard concert repertoire. Following Christine Baur?s highly successful Bärenreiter Urtext edition of Saint Saens? ?Allegro appassionato? (BA 9047) the editor now presents the ?Havanaise? in the version for Violin and Piano.This first-ever critical edi tion of ?Havanaise? draws on both the composer?s autograph version for Violin and Piano as well as the later orchestrated version. Where the solo part of theorchestral version differs from the version for Violin and Piano the variants are shown in the Violin part as ossias.The editor offers a concise and informative introduction (Eng/Ger/ Fr) on the history and compositional process of ?Havanaise?; a detailed critical commentary (Eng) concludes this Urtext edition.
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| Indra - Hommage A Lili
Boulanger (PEPIN CAMILLE) Violin and Piano Jobert
Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en...(+)
Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en hommage à une compositrice du passé, j'ai choisi de rendre hommage à Lili Boulanger (1893-1918). Compositrice et orchestratrice hors-pair, elle était également une très belle femme, généreuse et courageuse, oeuvrant à l'arrière du front pour les civils et soldats mobilisés durant la Première Guerre Mondiale - et cela malgré la maladie et sans jamais cesser d'écrire.
Première compositrice à remporter le Grand Prix de Rome en 1913, elle ouvre une voie jusqu'alors non reconnue aux femmes. Son succès éclaire la présence féminine dans un domaine jusque là 'réservé' exclusivement aux hommes. Rendre hommage à Lili Boulanger, c'est non seulement rendre hommage à l'incroyable femme et musicienne qu'elle était, mais aussi à cette voie qu'elle a ouverte aux compositrices des générations futures.
J'ai choisi d'écrire une pièce inspirée de la mythologie hindoue, en hommage à sa Vieille Prière Bouddhique achevée en mars 1917. Indra sera ainsi créée en mars 2017 - soit cent ans après la conception de l'oeuvre de Lili Boulanger !
Indra est le dieu de la guerre et de l'orage. Ses attributs sont l'éclair et l'arc-en-ciel. Doté de pouvoirs magiques, Indra affronte le serpent Vrtra qui retient les eaux célestes, faisant ainsi souffrir le monde d'une grande sécheresse. Indra le combat et délivre les eaux du ciel en transperçant les nuages. Tel est le mythe qui m'a inspiré.
J'ai eu envie d'écrire une pièce rythmique, puissante et énergique, pour rendre hommage à la force et au courage de Lili Boulanger en tant que femme artiste. Lui rendre hommage aujourd'hui sans prendre en compte sa condition de femme est un luxe que l'on ne peut pas encore se permettre. Qui plus est, il m'a semblé tout naturel de choisir ce thème plein de vigueur pour cette oeuvre dédiée à la pianiste Célia Oneto Bensaïd et la violoniste Raphaëlle Moreau qui en feront la création.
Tout l'enjeu de cette oeuvre était de représenter cette force et cette volonté : comment rendre cette vivacité et cette fougue de l'orage - de ce combat - avec seulement deux instruments ?
J'ai ainsi conçu une pièce alternant des épisodes nerveux et pulsés - guerrier - à des épisodes plus légers et dansants - vif, aérien. J'ai recherché des sonorités martiales en pensant véritablement l'oeuvre d'une façon 'orchestrale' avec des appels de cors ou encore des coups de grosse caisse. Un bref épisode aux couleurs flûtées sur un tapis scintillant de harpe - magique et incantatoire - rappelle les pouvoirs magiques d'Indra avant de retrouver la nervosité et la pulse initiales. / Contemporain / Répertoire / Violon et Piano
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| Edward Elgar: Chanson de
matin- Chanson de nuit:
Violin: Instrumental Work Violin and Piano [Sheet music] - Intermediate Peters
In the earlier part of Elgar's career as a composer he wrote several short piec...(+)
In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular. Chanson de Nuit and Chanson de Matin both carried his name far and wide before he composed his larger orchestral works. These two pieces which together complete Op.15 were published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was the original version. However Elgar himself was a good violinist and so it may well be that he would have played this tune through to himself on the violin before adding a piano part andsending it off to his publishers for their consideration. In any event it remains a beautiful theme of considerable character and style.This Urtext edition provides you with an accurate representation of the composer’s original intentions and thoroughly detailed editorial marking and suggestions with commentary as edited by Donald Burrows.This is the version for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.
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| Alla madre (HEINIO MIKKO)
(HEINIO MIKKO) Violin and Piano Fennica Gehrman
Par HEINIO MIKKO. Mikko Heiniö's Alla madre (2007) abandons the traditional vir...(+)
Par HEINIO MIKKO. Mikko Heiniö's Alla madre (2007) abandons the traditional virtuoso concerto concept: here a large orchestra engages in dialogue with a solo violin. The first movement is called Arrivo, ?Arrival?: the soloist literally arrives later, and by degrees, playing his/her first two solos offstage. Even then the orchestra continues to take the initiative for a long time. Not until the second movement, entitled Aura, ?Air or Wind?, does the initiative pass to the solo violin as it sets light to notes in the orchestra harmony like individual lamps. And not until the end of the second movement and the beginning of the third does the solo violin play completely on its own. The title of the first movement, ?Arrival?, underlines the event, the dramaturgy, whereas that of the second movement, ?Aura?, alludes to the texture and the shimmering space. The third movement is the most strongly emotional, as the name Carezza, ?Caress? suggests. This product includes the solo part and the piano reduction (B4 sized). The orchestral material is available from the publisher. The orchestration: 3(III picc)3(III ca)3(III=bcl)3(III=cfg)-4331-13-hp-str / Date parution : 2023-01-24/ Répertoire / Violon et Piano
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| Wolfgang Amadeus Mozart:
Violin Concerto No.3 In G
K.216: Violin:
Instrumental Violin and Piano [Sheet music] - Easy Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...(+)
Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
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| Rêverie Et Caprice
(Violin And Piano)
Violin and Piano Classical guitar Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834, B...(+)
Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.
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