with Hosanna Loud Hosanna-Designed especially for church orchestras this festive pairing of two hymns works well for the Easter season or in any service where you would like to program an instrumental piece. With careful attention to ranges keys andaccessibility this piece is workable for a wide variety of instrumental groups. Parts are included for all band and orchestral instruments with strings being completely optional.

Concert Overture-The Hebrides Op.26   Concert Overture   The Hebrides the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures is one of Mendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.   The new Bärenreiter edition consist of two versions each containing additional material from further sources.   Version one the “Rome” version exists itself in two versions and has never beenpublished in a performing edition.  Version two the “London” version also exists in two versions one of which was published by Mendelssohn in 1835.   This pioneering edition documents the development of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back   First ever Critical Edition   Edited by Christopher Hogwood  

The première of Daudet's play L'Arlésienne with incidental music by Bizet at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus before his death in June 1875 Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.

(1993)Since its premiere by the Baltimore Symphony in 1994 at Carnegie Hall the GRAMMY®-winning Metropolis Symphony has entered the orchestral repertoire and been performed by orchestras all over the world.Metropolis Symphony is a five-movement musical response to the world of Superman and Krypton refers to the exploding planet from which the infant Superman escaped. A dark microtonal sound world is createdby glissandi in the strings trombone and siren. Two percussionists play antiphonal fire bells throughout the movement as it evolves from a recurring solo motive in the cellos into ominous calls from the brass section. Graduallythe movement builds toward an apocalyptic conclusion. Duration - ca. 7:00

Master arranger Bob Krogstad has crafted a brilliant showcase of some of Broadway's most beloved songs. Orchestras everywhere will love his creative treatments as he takes us on a musical journey through stage history spotlighting many of the enduring songs of our time. Includes: There's No Business like Show Business Phantom of the Opera One Don't Rain on My Parade If He Walked into My Life and Everything's Coming Up Roses.

Andrew Carter's arrangement for amateur and school orchestras of Mozart's Spring Rondo with Piano score and parts that are flexible to suit your own ensemble. The parts have also been designed to suit the enthusiastic amateur musician giving younger groups the opportunity to play Mozart's pastoral masterpiece.

The Kennedy Center Honors program paid tribute in 2004 to America's favorite film composer including a performance of several of Mr. Williams' classic scores. Paul Lavender has adapted the televised musical tribute into a concertedition for all orchestras who enjoy performing the ever-imaginative music of John Williams. Includes: Star Wars (Main Title) Jaws Superman March Harry Potter Raiders March and Theme from E.T.

Concert Overture-The Hebrides Op.26   Concert Overture   The Hebrides the third in Bärenreiter’s series of critical editions of Mendelssohn’s great overtures is one of Mendelssohn Bartholdy’s most performed compositions.  Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s.   The new Bärenreiter edition consist of two versions each containing additional material from further sources.   Version one the “Rome” version exists itself in two versions and has never beenpublished in a performing edition.  Version two the “London” version also exists in two versions one of which was published by Mendelssohn in 1835.   This pioneering edition documents the development of the composition and the various changes made by Mendelssohn.  The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back   First ever Critical Edition   Edited by Christopher Hogwood  

Symphony No. 25 begins with one of Mozart's most recognized themes as heard in the classic Oscar¸-winning film Amadeus. Jamin Hoffman has placed the first movement in an accessible practical format that can be performed by school orchestras with confidence.

Taken from Camille Saint-Sans' most successful opera, this powerful and energetic arrangement challenges all sections, yet is within the grasp of high school orchestras. Another skillful Merle Isaac selection. (4:05)

The première of Daudet's play L'Arlésienne with incidental music by Bizet given at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet however did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.

From the creators of Song of the Shadows comes a work of great depth and power. Through music and symbols worshippers are invited to a season of contemplation as the mystery and power of Christ's passion are presented.Using new music and beloved hymnody Joseph Martin provides a work of greatly expressive beauty. Pamela Martin and Brant Adams reprise their respective roles as librettist and orchestrator in this creative and moving offering forHoly Week. Highly recommended!Includes: Testament of Tears; Winds Through the Olive Trees; In Love Christ Came Amongst Us; and more.

Symphony No. 5 by Poul Ruders.Commissioned by the Danish National Radio Symphony Orchestrafor World Premiere on January 9 2015.

Legacy of Faith is a powerful musical presentation that celebrates the foundations of the church and God's redemptive work among us. Joseph and Pamela Martin have again teamed with orchestrator Brant Adams to provide afresh and compelling work suitable for any time of the year. Churches will find this uplifting new cantata to be a work of scope and vision that will prove especially useful for church heritage events founding anniversaries andAll Saints' Day services. Legacy of Faith pays homage to the past but delivers a strong message of hope for the future. Make Legacy of Faith a part of your church's history.

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale