SKU: BT.AMP-437-400

ISBN 9789043148689. English-German-French-Dutch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.

Faisant partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

SKU: BT.DHP-1165696-401

ISBN 9789043150088. English-German-French-Dutch.

Two pages appear, carrying torches that illuminate an imposing woman in a majestic pose… (Alexandre Dumas, in La Reine Margot) The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Majestic for euphonium players at the level of approximately 3 4 years’ study and paid special attention to an easy-to-follow, attractive musical style. As a result, Majestic is an ideal performance or competition work for young musicians.

Er verschijnen twee pages die fakkels dragen en daarmee een imposante vrouw in majestueuze houding verlichten… (Alexandre Dumas in La Reine Margot) De componist Pascal Proust heeft jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Majestic voor euphoniumspelers die ongeveer drie tot vier jaar les hebben, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Majestic een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

Es erscheinen zwei Pagen, die Fackeln tragen und damit einer imposanten Frau in einer majestätischen Haltung leuchten… (Alexandre Dumas, in La Reine Margot) Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Majestic für Euphoniumspieler mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Majestic ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Deux pages parurent, portant des flambeaux et éclairant une femme d’une taille imposante, d’un maintien majestueux … (Alexandre Dumas, extrait de La Reine Margot) Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Majestic pour joueurs d’euphonium ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Majestic est la pièce idéale pour tout examen ou audition de jeunes musiciens.

SKU: CY.CC2727

Paul Marie Theodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diemer. His main influence was Cesar Franck. These three pieces were some of his many works for Piano. Opus 33 was inspired by a trip to Bayreuth, the musical home of Wagner and the Black Forest region. Opus 33 no. 1 from 1889 is titled ? with no explanation of itself. Opus 33 no. 10 is titled Lermoos, which is a delightful skiing village in Austria right on the border with Germany. Germany's largest mountain is in perfect view, possibly giving the movement its spirit.
Opus 28 is a Serenade for Violin and Piano published in 1900. It is lithe, subtle and lyrical.

SKU: FL.FX071958

A musical evasion with a legendary captain...

SKU: CY.CC2652

British composer Frank Bridge is mainly remembered for his beautiful chamber music. The Four Pieces from 1912 are originally for Violin and Piano and are titled:
1. Meditation
2. Spring Song
3. Lullaby
4. Country Dance
Mr. Sauer has done a beautiful job scoring these works for Euphonium. There is a wonderful simplicity to Bridge's music, a simplicity that was lost forever just two years later at the beginning of the Great War, WW I. Bridge's most famous composition student was Benjamin Britten, who wrote one of his greatest works as an homage to Bridge.

SKU: CY.CC2516

Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saen's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.

SKU: FL.FX071872

This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!

SKU: FL.FX071576

The purpose of this composition is to familiarize yourself with the unusual 5/4 metric, often associated to the famous jazz standard by Paul Desmond, Take Five. Rhythms and articulation are varied but without major difficulty. This iece is dedicated to the saxophonist Michel Itier.