'Easy Charts Ensemble' is a new series containing the latest hits which can also be played by bands of beginners. The score comes with parts for piano/keyboard including overlaid first part in C, for B flat and E flat instruments (first and second parts each) and for the rhythm section (guitar, bass, drums). The first volume starts with the superhit 'Happy' by Pharrell Williams, the cool hipster song 'I Follow Rivers' by the dancing elf Lykke Li and other fantastic chart hits. / Voix

Les Citations by Henri Dutilleux is a diptych for Oboe Harpsichord Double Bass and Drums. Composed in 1985 for the Aldeburgh Festival this diptych is composed of two pieces: I. For Aldeburgh 85 and II. From Janequin to Jehan Alain. Very enigmatic this piece is very difficult to play and requires a very good level of theory. It is however perfect for concerts or recitals. The third section which was later added to this piece is not part of this book which only contains the scores for the first and second part for each instrument. Henri Dutilleux was internationally acclaimed for his workwinning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers amongst many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).

Rockschool is about singing the songs you love. Your Vocals Grade 7 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 7 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 7 exam.This book for female vocalists contains the songs:Bleeding Love - Leona LewisWhat's Up? - 4 Non BlondesHeaven - Emeli SandeBig Spender - Shirley BasseyAmerican Boy - EstelleI Dreamed A Dream - Les MiserablesOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

Belwin Jazz offers ten great jazz standards arranged for solo vocalist with a nine or ten piece combo accompaniment. These songs are superbly arranged by one of the finest writers in the business, Dave Wolpe. This collection is ideal for a vocalist who needs a smaller ensemble with four or five horns and rhythm section. The combo horns are trumpet, alto sax, tenor sax, trombone and baritone sax. The baritone sax part adds additional color to the texture but is optional. The rhythm section is scored for guitar, bass, drumset and a piano/conductor part which includes cues for the horns. Titles include: How High the Moon * I Get a Kick Out of You * I've Got You Under My Skin * Just Friends * My Funny Valentine * Night and Day * Something's Gotta Give * Summer Wind * They Can't Take That Away From Me * Too Close For Comfort Click On Each Image to Zoom. Click the larger image to close. Use the arrows on your keyboard to scroll left and right. There are no samples for this item There are no audio samples for this item.

Whether you are a member of a choir soloist singer or instrumentalist the ability to sight-sing with accuracy is one of the most important musical skills. Does your sight-reading ever let you down? Have you ever wished for a quick and painless way to improve? Paul Harris and Mike Brewer have constructed a brilliant practical method which takes you smoothly through a wealth of structured material including: 10 carefully formulated stages Over 100 rhythmic and melodic exercises many pieces with hints and tips for preparation 20 'unprepared' pieces by well-known composers Optional piano accompaniments for the majority of pieces All this andquestions and reminders to help you build a complete picture of each new piece leading you towards sight-singing with real confidence. This is a complete and proven method that really works! This volume is for elementary level Low/ Medium Voice in the Treble Clef.

Hob. I:105-Authoritative Henle Urtext Edition of Haydn's Concertante In B Flat Hob.I:105 for Oboe Bassoon Violin and Cello set here with a Piano reduction of the original orchestra material.

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE