SKU: HL.48010807
UPC: 073999186437. 8.25x6 inches.
Contents: Sound for us • London's burning • Drummer's march • Fiddle and flute • Favourite round • Long, long ago • My dame hath a lame, tame crane • Tallis' canon • Summer song • Summer is a-coming in • Echo dance • Ave Maria • Idle cowboy • Three blind mice • Gavotte • I sing when I'm happy • The rose • Oh, how lovely is the evening • Rumba Time • A boat, a boat • Haste thee, nymph • The flower wondrous-fair • Come, follow • O my love • The four posted bed • Emperor Waltz • Little Brown Jug.
SKU: CA.1124111
ISBN 9790007191702.
Score available separately - see item CA.1124100.
SKU: HL.44007368
ISBN 9789043128407. UPC: 884088246167. 9.0x12.0x0.135 inches. English-German-French-Dutch.
More Viola Fun picks up where Viola Fun left off - with 15 easy viola pieces for the second year student. The lower string is not used and the fingering patterns - while still simple - are now combined. Several new rhythmic challenges are explored. The attractive accompaniments on the CD and the wonderful illustrations give this book extra appeal.
SKU: SP.TS557
ISBN 9781585609178.
Due to the success of our Instrumental Fingering Posters, we thought it would be helpful to create a smaller version that could be tucked comfortably into any method book as a reference guide. Unbeknownst to us after days of research, we were left with countless questions, much confusion, and a slew of poorly crafted images from contradicting publications. That being said, we realized that there weren't truly any trustworthy resources in print and decided to address the void. We consulted experts in every category asking questions until both we and they and we were satisfied. Finally, a guide to fingering for beginners that even the experienced players will find beneficial. Santorella's Basic Fingering Charts are essential for anyone that picks up an instrument. Initially intended for beginners but after understanding the importance of false fingerings or more appropriately called, alternate fingerings their necessity is vital for playing certain musical passages on a particular instrument. In addition, after observing the difficulties that students had in identifying key signatures, we decided to include the Circle of Fifths diagram and every major scale in two octaves in every key including their enharmonic counterparts. After all was said in done, we now know, we now have the best educational products available for fingering in the industry. Our Basic Fingering Charts are perfect for private students, classroom study, or simply for a quick and easy reference guide while practicing at home. These graphic reference guides for assorted brass, reeds, woodwinds, and orchestral strings are specifically available for Clarinet, Bass Clarinet, Trumpet, Flute, Piccolo, Recorder, Baritone Horn, Trombone, Bass Trombone, Alto Sax, Soprano Sax, Tenor Sax, Baritone Sax, French Horn, Euphonium, Tuba, Oboe, Bassoon, Violin, Viola, Cello, and Bass. Every chart displays the entire range of each instrument by clearly depicting the fingering for each note including all their enharmonic substitutions. Each chart includes a diagram identifying the levers, valves, keys, slides, frets and more of each and every instrument. Learn where, when, and why to place your fingers. Now is the time to truly start playing with assured confidence.
SKU: BR.OB-5509-19
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004338483. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
