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| Concerto Violin Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, ...(+)
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1 and more. SKU: PR.41641366L For Violin and Orchestra. Composed by Behzad Ranjbaran. Contemporary. Large Score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366L. Published by Theodore Presser Company (PR.41641366L). UPC: 680160585755. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violins open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movements primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violinas open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movementas primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violin's open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. $180.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circus Time Violin [Sheet music + CD] - Easy De Haske Publications
Violin - early intermediate SKU: BT.DHP-1125245-400 14 showstoppers fo...(+)
Violin - early intermediate SKU: BT.DHP-1125245-400 14 showstoppers for violin play-along performance. Composed by Joachim Johow. Book with CD. Composed 2012. 20 pages. De Haske Publications #DHP 1125245-400. Published by De Haske Publications (BT.DHP-1125245-400). ISBN 9789043141741. 9x12 inches. English-German-French-Dutch. The band strikes up the circus march for the entrance of the artistes—the audience waits expectantly…Between the Opening March and the Grand Finale the packed audience is presented with a colourful programme: courageous acrobats, comical clowns, oriental belly dancers, knife-throwers and snake charmers appear one after the other.Circus Time is also available for flute, clarinet and alto saxophone (in the same sounding key). This opens up all sorts of choices: musicians can take turns to perform or build a real circus band, or even—with the help of scenery and props—put on a proper circus performance. There is no end of possibilities!Theaccompanying CD contains demo and play-along version of all the pieces. Alternatively the chord symbols (written in concert pitch) above the music staff can be used for a live accompaniment by guitar and/or keyboard. An optional piano accompaniment is available separately (order number: DHP 1125344-401).On with the show!
Het orkest begint de circusmars te spelen voordat de artiesten opkomen - het publiek wacht vol spanning af…Van de openingsmars tot de grand finale krijgen de toeschouwers een kleurrijk programma voorgeschoteld: moedige acrobaten,grappige clowns, oostersebuikdanseressen, messenwerpers en slangenbezweerders volgen elkaar op in de piste.Circus Time is ook beschikbaar voor dwarsfluit, klarinet en altsaxofoon (in dezelfde klinkende toonsoort). Er zijn dusallerlei mogelijkheden: de muzikanten kunnen elkaar afwisselen met solo-optredens of een echt circusorkest vormen, of zelfs - in een geschikte omgeving en met behulp van decorstukken - een heus circusoptreden verzorgen. Laat jefantasie de vrije loop.De bijgevoegde cd bevat zowel demotracks als begeleidingen voor alle stukken. Voor live begeleiding door keyboard en/of gitaar staan de akkoordsymbolen (klinkend genoteerd) boven de muziek. Optionele pianobegeleidingenzijn apart verkrijgbaar (bestelnummer: DHP 1125344-401).Laat de show maar beginnen!
Die Kapelle spielt schon den Zirkusmarsch zum Einzug der Artisten - das Publikum wartet gespannt...Zwischen dem Eröffnungsmarsch und dem Großen Finale wird dem geneigten Publikum ein buntes Programm präsentiert: Mutige Akrobaten, lustige Clowns, orientalische Bauchtänzerinnen, Messerwerfer und Schlangenbeschwörer treten nacheinander auf.Circus Time gibt es auch für Klarinette, Altsaxophon und Querflöte (in den gleichen klingenden Tonarten). So eröffnen sich viele Möglichkeiten für die Aufführung: Die Musiker können abwechselnd auftreten oder ein ganzes Zirkusorchester“ bilden und sogar - ergänzt durch eine szenische Umsetzung - einerichtige Zirkusvorstellung geben. Der Fantasie sind keine Grenzen gesetzt!Die beiliegende CD enthält Demo- und Mitspielversionen aller Stücke. Alternativ zu den Mitspiel-Tracks können die Akkordsymbole (in klingenden Tonarten) über den Noten für eine Live-Begleitung durch Keyboard und/oder Gitarre genutzt werden. Optional sind Klavierbegleitungen separat erhältlich (Bestellnummer: DHP 1125344-401).Manege frei!
L’orchestre du cirque attaque la marche qui annonce l’apparition des artistes - le public attend impatiemment…Entre la marche d’ouverture et le finale, grands et petits savourent un programme haut en couleurs : acrobates audacieux, clowns comiques, danseuses orientales, jongleurs et charmeurs de serpents présentent tour tour leur numéro.Circus Time existe également pour fl te, clarinette et alto saxophone (dans la même tonalité). Ce choix offre de nombreuses options : les musiciens peuvent jouer tour tour ou former un véritable orchestre de cirque, ou même - avec des décors et des accessoires - monter une vraie représentation de cirque. Les possibilités sontillimitées !Le compact-disc ci-joint contient les versions intégrales des morceaux ainsi que les versions d’accompagnement. Les symboles d’accords (sons réels) figurant au-dessus de la portée facilitent l’accompagnement la guitare et/ou au piano. Les parties d’accompagnement de piano optionel sont rassemblées dans un recueil vendu séparément (référence :DHP_x001F_1125344-401).Que le spectacle commence !
Un viaggio nel mondo circense che consente ai musicisti di suonare da soli, ma anche di formare una vera band. Il CD contiene una versione demo e una play-long di ogni brano. In alternativa, grazie ai simboli degli accordi sopra il pentagramma, ci si può esibire live accompagnati dalla chitarra e/o tastiera (DHP 1125344-401). $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Violin Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets (Clarinet II doubles on Bass Clarinet), 2 Oboe...(+)
Orchestra 2 Bassoons, 2 Clarinets (Clarinet II doubles on Bass Clarinet), 2 Oboes (Oboe II doubles on English Horn), 2 Trombones (Trombone II doubles on Bass Trombone), 2 Trumpets in C, 3 Flutes (Flute III doubles on Piccolo), 4 Horns in F, Harp, Piano/Cel, Timpani SKU: PR.44641253L For violin and Orchestra. Composed by Stephen Jaffe. Contemporary. Large Score. With Standard notation. Composed Dec-99. Duration 35 minutes. Theodore Presser Company #446-41253L. Published by Theodore Presser Company (PR.44641253L). UPC: 680160593422. 11 x 17 inches. $225.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Violin Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Piano, Timpani, Trumpet 1, Trumpet 2, Viola, Violin, Violin 1, Violin 2, Violoncello SKU: PR.46600040L For violin and Orchestra. Composed by Dan Welcher. Premiere: Paul Kantor, Violin, Aspen Festival Orchestra, conducted by the composer. Contemporary. Large Score. With Standard notation. Composed December 26 1992. 186 pages. Duration 25 minutes. Theodore Presser Company #466-00040L. Published by Theodore Presser Company (PR.46600040L). UPC: 680160599134. 11 x 17 inches. $250.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Violin Theodore Presser Co.
Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrab...(+)
Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 3, Piano, Piccolo, Synthesizer, Timpani, Trombone 1 and more. SKU: PR.44641212L For violin and Orchestra. Composed by Donald Erb. With Standard notation. 112 pages. Theodore Presser Company #446-41212L. Published by Theodore Presser Company (PR.44641212L). 11 x 17 inches. $150.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Violin Theodore Presser Co.
Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrab...(+)
Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piano, Piccolo, Synthesizer, Timpani, Trombone 1 and more. SKU: PR.446412120 For violin and Orchestra. Composed by Donald Erb. With Standard notation. 112 pages. Theodore Presser Company #446-41212. Published by Theodore Presser Company (PR.446412120). UPC: 680160607419. 8.5 x 11 inches. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Violin Theodore Presser Co.
Orchestra Bassoon, Cello, Clarinet, Contrabass, English Horn, Flute, Horn, Oboe,...(+)
Orchestra Bassoon, Cello, Clarinet, Contrabass, English Horn, Flute, Horn, Oboe, Timpani, Trumpet, Viola, Violin, Violin 1, Violin 2, Violoncello SKU: PR.44641076P For violin, Violoncello and Orchestra (Double Concerto). Composed by Ellen Taaffe Zwilich. Set of parts. With Standard notation. Duration 18 minutes. Theodore Presser Company #446-41076P. Published by Theodore Presser Company (PR.44641076P). UPC: 680160095988. $31.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Triple Concerto Violin Theodore Presser Co.
Orchestra Bassoon, Cello, Clarinet, Contrabass, Flute, Horn, Oboe, Piano, Timpan...(+)
Orchestra Bassoon, Cello, Clarinet, Contrabass, Flute, Horn, Oboe, Piano, Timpani, Trumpet, Viola, Violin, Violin 1, Violin 2, Violoncello SKU: PR.446411020 For violin , Violoncello, Piano and Orchestra. Composed by Ellen Taaffe Zwilich. Classical. Large Score. With Standard notation. Composed 1995. Duration 24 minutes. Theodore Presser Company #446-41102. Published by Theodore Presser Company (PR.446411020). UPC: 680160096237. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chinese Rap Violin Theodore Presser Co.
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 ...(+)
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s) SKU: PR.416415110 For Violin And Orchestra. Composed by Chen Yi. Contemporary. Full score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511. Published by Theodore Presser Company (PR.416415110). UPC: 680160621286. Commissioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially. Commissioned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially. $45.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Chinese Rap Violin Theodore Presser Co.
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 ...(+)
Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s) SKU: PR.41641511L For Violin And Orchestra. Composed by Chen Yi. Contemporary. Large Score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511L. Published by Theodore Presser Company (PR.41641511L). UPC: 680160621293. Commissioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially. Commissioned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Violin Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percu...(+)
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percussion, 3 Trumpets in C, 4 Horns in F, Bass Clarinet, Bass Trombone, Piccolo, Solo Violin, Strings, Timpani SKU: PR.416414600 For violin and Orchestra. Composed by Samuel Adler. Premiere: Tulsa Symphony Orchestra, Siwoo Kim, violin; Tulsa, OK. Contemporary. Full score. With Standard notation. Composed 2012. Duration 20 minutes. Theodore Presser Company #416-41460. Published by Theodore Presser Company (PR.416414600). UPC: 680160612246. 8.5 x 11 inches. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Violin Theodore Presser Co.
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percu...(+)
Orchestra 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Oboes, 2 Trombones, 3 Percussion, 3 Trumpets in C, 4 Horns in F, Bass Clarinet, Bass Trombone, Piccolo, Solo Violin, Strings, Timpani SKU: PR.41641460L For violin and Orchestra. Composed by Samuel Adler. Premiere: Tulsa Symphony Orchestra, Siwoo Kim, violin; Tulsa, OK. Contemporary. Large Score. With Standard notation. Composed 2012. Duration 20 minutes. Theodore Presser Company #416-41460L. Published by Theodore Presser Company (PR.41641460L). UPC: 680160612253. 11 x 15 inches. $145.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Orchestral Excerpts from the Symphonic Repertoire - Volume 3 (revised)
Violin IMC (International Music Co.)
Compiled by Josef Gingold. Orchestral excerpt book for violin. Published by Inte...(+)
Compiled by Josef Gingold. Orchestral excerpt book for violin. Published by International Music Co..
(1)$28.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ravel, Elgar and More - Volume 7 Violin [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Violin I and II. By Maurice Ravel, Edw...(+)
The Orchestra Musician's CD-ROM Library - Violin I and II. By Maurice Ravel, Edward Elgar. Misc. Size 9x12 inches. 8 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| 101 Classical Themes for Violin Violin [Sheet music] Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Phoenix Rising Violin Theodore Presser Co.
Chamber Music Violin SKU: PR.114422260 For solo violin. Composed b...(+)
Chamber Music Violin SKU: PR.114422260 For solo violin. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 0:09:00. Theodore Presser Company #114-42226. Published by Theodore Presser Company (PR.114422260). ISBN 9781491133866. UPC: 680160683352. 9 x 12 inches. Legends of the phoenix are found in stories from ancient Egypt and Greece. While each culture possesses a range of stories encompassing the myth, these tales tend toward similar traits: a sacred bird with brilliantly colored plumage and melodious call lives for typically 500 years, then dies in a nest of embers, only to be reborn among the flames. Phoenix Rising consists of two movements: I. Dying in Embers represents an old phoenix settling on top of a pile of embers and breathing its last breath; II. Reborn in Flames depicts the newly-born phoenix getting its first taste of flight. Legends of the phoenix are found in stories from ancient Egypt and Greece. While each culture possesses a range of stories encompassing the phoenix myth, these tales tend to share similar traits: a sacred bird with brilliantly colored plumage and melodious call lives for typically five hundred years; then the bird dies in a nest of embers, only to be reborn among the flames.In Egyptian stories, the phoenix gathers scented wood and spices for its funeral/rebirth pyre, then collects the ashes from its earlier incarnation and flies them to the temple of the sun in Heliopolis to offer as a tribute to the sun god.In Greek myths, the phoenix was approximately the size of an eagle and was adorned with red and gold feathers; it would fly from either India or Arabia to Heliopolis to give its offering. The bird’s association with immortality and resurrection are particularly intriguing aspects of these tales, giving numerous writers (including William Shakespeare, C.S. Lewis, and J.K. Rowling) a rich resource for their own stories.Phoenix Rising consists of two movements. I. Dying in embers represents an old phoenixwho is settling on top of a pile of embers and breathing its last breath. II. Reborn in flames depicts the newly-born phoenix getting its first taste of flight.Phoenix Rising was commissioned by saxophonist Christopher Creviston, who has recorded the work on the Blue Griffin label. The composer has also made editions of the work for flute and for clarinet (also available from Theodore Presser Company). $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Tunes for Strings - Book 1 Violin [Sheet music] Boosey and Hawkes
By Stanley Fletcher. (Violin). Boosey and Hawkes Chamber Music. Softcover. Size...(+)
By Stanley Fletcher. (Violin). Boosey and Hawkes Chamber Music. Softcover. Size 9x12 inches. 36 pages. Published by Boosey & Hawkes.
(1)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Creative Carols for Violin Violin Lillenas Publishing Co.
Violin Solo SKU: LP.9780834178090 Traditional Carols with a Popular Tw...(+)
Violin Solo SKU: LP.9780834178090 Traditional Carols with a Popular Twist. Composed by Ed Hogan. This edition: Paperback. Instrumental Collections & Church Orchestras. Preludes, offertories, recitals, talent contests, personal worship, and instruction. Multicultural and Sacred. Book with CD-ROM. Published by Lillenas Publishing Company (LP.9780834178090). ISBN 9780834178090. Looking for an innovative way to incorporate your instrumentalists into your Christmas worship services? Our Creative Carols Series is just for you! We've arranged ten of your favorite Christmas carols for eight different soloists (Flute. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Double Play Violin Theodore Presser Co.
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contraba...(+)
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more. SKU: PR.416411770 For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770). UPC: 680160091508. I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting. $26.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rhapsodia Andina Violin [Score and Parts] Hildegard
For Violin or Flute and Piano. Composed by Adriana Isabel Figueroa Manas....(+)
For Violin or Flute and Piano. Composed by Adriana Isabel Figueroa Manas. Contemporary. Score and part(s). 22 pages. Hildegard Publishing Company #494-02957. Published by Hildegard Publishing Company (PR.494029570).
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Easy Popular Movie Solos
+ Cd - Violin Solo Violin [Sheet music + CD] - Easy Alfred Publishing
Easy Popular Movie Instrumental Solos is an accessible selection of movie hits f...(+)
Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student, with simple notation and a play-along CD. Available for flute, clarinet, alto saxophone, tenor saxophone, trumpet, horn in F, trombone, violin, viola, cello and piano accompaniment. Believe (The Polar Express); Come So Far (Hairspray); Gonna Fly Now (Rocky Balboa); Hedwig's Theme (Harry Potter and The Sorcerer's Stone); In Dreams (Lord of the Rings: The Fellowship of the Ring); James Bond Theme (Casino Royale); Over the Rainbow (The Wizard of Oz); The Pink Panther Theme (The Pink Panther); Raiders' March (Raiders of the Lost Ark); Way Back Into Love (Music and Lyrics)
19.50 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| James Power: Three's A
Crowd: Book 2 (Violin):
Violin: Instrumental
Album Violin [Sheet music] - Easy Power Music Company
Here are 19 easy-intermediate arrangements of familiar melodies in classical fo...(+)
Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Saxophone Brass and Brass editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three violins - with or without accompaniment May also be used withmatching arrangements in Book 2 editions of this series for Flute Clarinet Saxophone and BrassOptional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use
9.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| HAYDN J. - MISSA BREVIS
IN F MAJOR HOB. XXII:1 -
VIOLON 1 Violin BARENREITER
Early version only for strings and later version with woodwinds, brass and timpa...(+)
Early version only for strings and later version with woodwinds, brass and timpani. Urtext of the Haydn Complete Edition Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Dack, James;Feder, Georg Binding : paperbound Instrumentation : 2 Soprano solo, Mixed Choir-SATB, Flute, 2 Clarinet (b flat), 2 Fg, 2 Trumpet, Kettledrum, 2 Violin, Basso continuo / Partitions classique / Cordes / Violon / BARENREITER
6.30 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| HAYDN J. - MISSA BREVIS
IN F MAJOR HOB. XXII:1 -
VIOLON 2 Violin BARENREITER
Early version only for strings and later version with woodwinds, brass and timpa...(+)
Early version only for strings and later version with woodwinds, brass and timpani. Urtext of the Haydn Complete Edition Edition : Piano Reduction/Vocal Score; Urtext Edition Editor : Dack, James;Feder, Georg Binding : paperbound Instrumentation : 2 Soprano solo, Mixed Choir-SATB, Flute, 2 Clarinet (b flat), 2 Fg, 2 Trumpet, Kettledrum, 2 Violin, Basso continuo / Partitions classique / Cordes / Violon / BARENREITER
6.30 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Pyotr Ilyich Tchaikovsky:
Tchaikovsky's The
Nutcracker: Violin Solo: Violin [Sheet music + Audio access] - Easy Cherry Lane
Instrumental Play-Along-Play along with 10 pieces from the beloved holiday balle...(+)
Instrumental Play-Along-Play along with 10 pieces from the beloved holiday ballet including: Arabian Dance ('Coffee') ? Chinese Dance (Tea) ? Dance of the Reed-Flutes ? Dance of the Sugar Plum Fairy ? Final Waltz and Apotheosis ? March from the Nutcracker ? Overture ? Russian Dance (Trepak) ? Spanish Dance ? Waltz of the Flowers. Includes access to online audio.
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Paavo Heininen: Jeu II
Op.43: Violin:
Instrumental Work Violin Jasemusiikki
This is the Score for Paavo Heininen's work for Flute and Piano: Jeu II from Opu...(+)
This is the Score for Paavo Heininen's work for Flute and Piano: Jeu II from Opus 43. Commissioned by the Finnish Broadcasting Company in 1980.
11.95 GBP - Sold by Musicroom UK | |
| Claude Debussy: Works For
Two Pianos: Piano Duet:
Instrumental Album Violin G. Henle
Works for two Pianos-Whose ears are not instantly filled with the dreamy flute s...(+)
Works for two Pianos-Whose ears are not instantly filled with the dreamy flute solo when Debussy?s 'Prélude l?après-midi d?un faune' is mentioned? Very few people know that before he wrote the orchestral score Debussy made a version for two pianos.Both versions should be seen as being independent and they differ in some details. The differences are revealed in our edition as are Debussy?s entries concerning the work in his copy of the score. The volume also contains theSpanish impression 'Lindaraja' and the three pieces 'En blanc et noir' in which Debussy addresses the horrors of World War I. Andreas Groethuysen one half of the famous piano duo Tal & Groethuysen provided the fingerings.
28.99 GBP - Sold by Musicroom UK | |
| Howe's 1 000 Jigs
And Reels - Clog Dances
Contra Dances (SKY
PATRICK) Violin Mel Bay
Par SKY PATRICK. Au milieu de XIXe siècle, violoneux et éditeur Elias Howe de ...(+)
Par SKY PATRICK. Au milieu de XIXe siècle, violoneux et éditeur Elias Howe de Boston, a publié son Howe 1000 turluttes et bobines qui s'est avéré être un livre innovateur. Maintenant, grâce à Mel Bay Publications, Inc. et spécialiste de la musique, rédacteur en chef Patrick Sky, Howe 1000 turluttes et bobines est une fois de plus mis en lumière pour la première fois en plus de 100 ans. Cet ouvrage de turluttes, reels, danses de sabot, contra danses, danses de fantaisie, hornpipes, des strathspeys, pannes, danses irlandaises, danses de Scotch et plus est approprié pour le violon ou fiddle, flute, guitare, mandoline, tinwhistle, enregistreur ou tout instrument triple. C'est un must pour violoneux ainsi que les historiens de la musique. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Songbooks / Recueil / Violon
32.65 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| New Tunes For Strings
Vol.1 English Violin [Score] Boosey and Hawkes
/ Violon, Violoncelle, Alto, Contrebasse Et Piano (Flexible)
26.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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