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| My First Concertinos Volume 10 Cello, Piano - Intermediate Editions Marc Reift (Swiss import)
Violoncello & Piano or CD Play Back / Play Along - Grade 3 SKU: MA.EMR-54756<...(+)
Violoncello & Piano or CD Play Back / Play Along - Grade 3 SKU: MA.EMR-54756 Composed by Karel Chudy. Score and parts. Duration 21'41. Editions Marc Reift #EMR 54756. Published by Editions Marc Reift (MA.EMR-54756). 1. In The Our Yard / 2. Four Elements / 3. Four Seasons / 4. Shadows Of Light / 5. Glamour Of The Old Castle. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Music for Beginners 2 Cello, Piano - Easy EMB (Editio Musica Budapest)
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first position. By Arpad Pejtsik. By Endre Lengyel. EMB Music for Beginners. Educational Tool. Book Only. Composed 1973. 64 pages. Editio Musica Budapest #EMBZ6748. Published by Editio Musica Budapest (BT.EMBZ6748). Hungarian-English-German-French. The volumes of the series cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the volumes have been published in this series for the first time. An ABRSM syllabus title, 2010-16, Grade 2-3. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Souvenirs Cello, Piano - Intermediate Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musique de scène pour « Le Voyageur sans bagages ». Composed by Francis Poulenc. Classical. Book and Part(s). Composed 2016. 5 pages. Editions Salabert #SLB 00595900. Published by Editions Salabert (BT.SLB-00595900). INSSTR inches. French. A previously unreleased piece by Francis Poulenc, published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe, secretary of the Association des amis de Francis Poulenc [Association of the Friends ofFrancis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Thé tre de la Michodière; Francis Poulenc was asked to compose new stage music. Theentire unpublished score lay undiscovered until Bérengère de l’Épine, a librarian at the Bibliothèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Thé trale collection.Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs, all written for a small instrumental ensemble including oboe, clarinet, cello and piano. However, at the end of the manuscript, the composer echoes the second song Lent [Slow] and creates another version for cello and piano; curiously, the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for cello and piano, that we have publishedhere, as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey, accompanied by Jean-François Heisser, in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP), during thesymposium for the fiftieth anniversary of Poulenc’s death.Given in a dramatic context, some elements allow us to get an idea of the character of the piece, which Benoît Seringe, Poulenc’s beneficiary, judiciously chose to name Souvenirs.The main character of Anouilh’s play, Gaston, is suffering from amnesia at the end of World War One. Several families try to claim him; they want him to be their missing relative. The Renaud family prove to be particularly stubborn, but Gaston doesnot recognize himself in the child and young man they depict: a ruthless and violent person. In Act 1 Scene 3, left alone for a moment, overwhelmed by the story of the “old Gaston†that is gradually coming to light, and outraged by the desire ofthose around him to appropriate him (to the detriment of the person he would like to be from now on), he whispers these words: “You all have proof, photographs that look like me, memories as clear as day… I’ve listened to you all and it’s slowlycausing a hybrid person to rise up in me; a person in which there is a piece of each of your sons and nothing of me.†Poulenc chose to place the second piece from his stage music score as these words are spoken.He borrowed part of the material, as he often did, from an earlier composition. In this particular case, the beginning is a recycled version of the “slow and melancholic†section from L’Histoire de Babar , composed between 1940 and 1945, andpremiered in 1946 (unless it is Babar that reuses the musical idea from Voyageur ).The eponymous elephant decides to leave in search of the great forest. He embraces the old lady, promises her he will return and reassures her that he will never forget her. Left alone, the old lady, feeling sad and pensive, wonders when she’ll seeher friend Babar again. The situation is similar to that in Voyageur sans bagage: solitude, sadness, a distressing and introspective time, fear of oblivion, the presence of memories…
Pièce inédite de Francis Poulenc, publiée avec l’autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l’Association des Amis de Francis Poulenc.Le 1er avril 1944, Le Voyageur sans bagage d’Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Thé tre de la Michodière. Francis Poulenc a été sollicité afin d’écrire une nouvelle musique de scène. On ignoraittout de cette partition inédite, jusqu’au jour où Bérengère de l’Épine, conservateur la Bibliothèque historique de la ville de Paris, nous signala l’existence d’un manuscrit dans le fonds de l’Association de la Régie thé trale.Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano.Cependant, la fin de son manuscrit, le compositeur reprend le no 2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n’est pas biffée dans le manuscrit.Poulenc semble nous inviter considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l’édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant lecolloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d’orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d’intituler Souvenirs.Le personnage principal de la pièce d’Anouilh, Gaston, a été retrouvé amnésique la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces ; maisGaston ne parvient se reconnaître dans l’enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l’acte I, resté seul un moment, écrasé par l’histoire de cet autre lui-même qu’il découvre peu peu, indigné par le désir des personnes qui l’entourent de le ramener elles au détriment de celui qu’il voudrait être désormais, il se murmure ces paroles : « Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis commedes crimes… je vous écoute tous et je sens surgir peu peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi »…C’est sur ces mots que Poulenc a choisi de placer le no 2 de sa partition de musique de scène.Comme il le fait souvent, il emprunte une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section « Lent et mélancolique » de l’Histoire de Babar, composée entre 1940 et 1945, créée en1946 ( moins que ce ne soit Babar qui réutilise l’idée musicale du Voyageur). Le héros-éléphant s’est décidé partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l’a rassurée : jamais il ne l’oubliera.Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire celle du Voyageur sans bagage : solitude, tristesse, instantde trouble et de retour sur soi, crainte de l’oubli, présence des souvenirs…. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sonata in two Movements Cello, Piano [Score and Parts] - Advanced Furore Verlag
By Ruth Schonthal. For cello and piano. Work premeried: Neues Kurhaus, Bad Wildu...(+)
By Ruth Schonthal. For cello and piano. Work premeried: Neues Kurhaus, Bad Wildungen (D), Corinna Eikmeier: Cello, Brunhilde Eikmeier, Piano. Commissioned by the Delta Omicron International Music Fraternity. Level: advanced. Score and parts. Composed 1989. Duration 13'. Published by Furore-Verlag (German import).
$26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Duo Concertante Cello, Piano Subito Music
Cello & Piano SKU: SU.27120040 For Cello & Piano. Composed by Pete...(+)
Cello & Piano SKU: SU.27120040 For Cello & Piano. Composed by Peter Scott Lewis. Score & Parts. Subito Music Corporation #27120040. Published by Subito Music Corporation (SU.27120040). Concert duo in four movements titled Introduction and Jubilant Light; Dance of Enveloping Wind and Fire; The Hills Beyond; Acrobatic Lines. Also acts as the duo version of my Second Cello Concerto. Cello & Piano Duration: 23' Composed: 2015 Published by: Lapis Island Press. $49.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gavotte Op. 112 Cello, Piano - Intermediate Schott
Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee ...(+)
Op. 112 B Minor Cello and
Piano Student Level 3.
Composed by Sebastian Lee
(1805-1887). Edited by Anna
Catharina Nimczik. This
edition: Saddle stitching.
Sheet music. Schott Student
Edition. Classical.
Softcover. Op. 112. 16 pages.
Schott Music #SE1023.
Published by Schott Music
$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| William Lloyd Webber:
Three Pieces For Cello
And Piano: Cello:
Instrumental Cello, Piano Stainer and Bell
Complementing the Lyric Suite a much loved title in our cello list these three...(+)
Complementing the Lyric Suite a much loved title in our cello list these three pieces are delightful miniatures from the pen of William Lloyd Webber. Air Varié Slumber Song and In the Half-Light can be played as individual concert items or as suite of contrasting musical moods. Air Varié and In the Half-Light are recorded on ASV CD DCA 961 and Slumber Song is available on Philips CD 442 426-2 cassette 442 426-4.
5.25 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Ruht Wohl Bwv245
(Johannes): Cello:
Instrumental Work Cello, Piano - Intermediate/advanced Spartan Press
'Ruht Wohl' is the final Chorus from the St. John Passion and takes the form of ...(+)
'Ruht Wohl' is the final Chorus from the St. John Passion and takes the form of a Da Capo Aria with opening ritornello.This beautiful music cri de coeur for the human heart and spirit comes at a dark point in the Passion story yet there is constant play of light and colour hinting at the hope and renewal of Easter. Sweeping melodic lines are a gift for cello and the arrangement retains all counterpoint dramatic episode formal symmetry of the original. Technically accessible to Grade 6 & 7 students 'Ruht Wohl' makes an impressive concert item for Grade 8 and above.
4.95 GBP - Sold by Musicroom UK | |
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