The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Contenu : Recueil d'études progressives choisies, doigtées et annotés par L.R. Feuillard: I. FIORILLO, R. KREUTZER, J-B. BREVAL, BEETHOVEN, R. KREUTZER, J-L. DUPORT, F-A. KUMMER, J. DONT, R. KREUTZER, Fr. GRÜTMACHER, H-E. KAYSER, J-S. BACH, J. DONT, F-A. KUMMER, J. DOTZAUER, L. SPOHR, J. MARTINN et J-F. MAZAS

Comprised of works from Volumes 1, 2 and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method® repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J.S. Bach) * Gavotte in G Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 (J.S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J.S. Bach) * BourrEe, BourrEes I and II from Suite III in C Major for Violoncello, BWV 1009 (J.S. Bach).

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and in a short time develops an awareness of balance, musical phrasing, intonation, and tone quality. This type of training is excellent preparation for participation in large groups. These four volumes of duets for two violins will help fill the need for early ensemble experience in the public schools. They should be used in string classes as a supplement to any of the standard string methods. They will also encourage music making outside of the school, with parents or with other students. These duets are ideal for recitals in the public schools and in public school festivals. They may be played by two performers, or by multiple performers on each part, with or without piano accompaniment.

Folk Strings is a collection of folk melodies from around the world arranged for strings. Unlike classical music, which normally has an authentic version, folk music often exists in many versions, with differences in the melody or lyrics. Sometimes several countries lay claim to a melody because a group of people moved to a new country and took their music with them. Most folk songs were sung and played for many years before they were written down, and their original composer is usually unknown. This collection includes melodies in a variety of moods and with rhythmic patterns which are representative of their country of origin. The arrangements in Folk Strings can be effective with players at a variety of levels. In order to provide maximum flexibility, the collection is available in a number of instrumentations.

Contenu : Recueil d'études progressives choisies, doigtées et annotés par L.R. Feuillard: C-N. BAUDIOT, J. MARTINN, B. CAMPAGNOLI, R.KREUTZER, F. MAZAS, Fr. GRÜTMACHER, L. SPOHR, I. FIORILLO, J. DONT, J. MARTINN, H-E. KAYSER, I. FIORILLO, Fr. GRÜTMACHER, J. MARTINN, J. DONT, H-E. KAYSER, J-L. DUPORT, F. MAZAS, J. DOTZAUER et J-S. BACH

Édité par Pejtsik Árpád Instrument: Violoncelle Série: Music Lesson - Exercises, Studies Genre: Studies Langue: Hungarian, English, German Pages: 32 pp Date du parution: 1983

Un apprentissage du violoncelle fondé sur: une progression des difficultés manuelles, des graphiques expliquant les changements de cordes, le principe de la vitesse du son, des exercices sur les petits intervalles orientés vers l'éveil de l'oreille intérieure.Contenu : Compositeur/Auteur : BON BernardDiscipline/Instrument : violoncelleSupport : PartitionStyle/Genre : méthode - étudesDate de parution : janv.-98