Brahms?s Clarinet Trio composed in 1891 was inspired by the exceptional musicality of clarinettist Richard Mühlfeld. As he did for his horn trio Brahms prepared a viola part as a possible alternative to the clarinet. Both scorings were rehearsed (the viola part being played by Joseph Joachim) prior to the premiere and publication of the work.Bärenreiter?s scholarly-critical edition prepared by Christopher Hogwood offers a foreword on the trio?s compositional process with comments on performance practice as well as a comprehensive critical commentary and facsimile excerpts of the manuscript.Viola part included as an alternative to the clarinetpartWith a detailed foreword (Eng/Ger) on the work?s genesis and performance Practice

für Klarinette 2 Violinen Viola und Violoncello-1890 est l?année où Brahms envisagea d?arrêter de composer. Heureusement sa rencontre avec Richard von Mühlfeld clarinettiste du célèbre orchestre de la cour de Meiningen le détourna de ce projet et l?incita dès 1891 à composer le trio avec clarinette op. 114 ainsi que le quintette avec clarinette op. 115 ? deux des ?uvres les plus extraordinaires qui soient parmi le répertoire de cet instrument. Les premières exécutions publiques eurent lieu à Berlin et un peu plus tard à Vienne et furent couronnées d?un tel succès que Joseph Joachim désigna le quintette avec clarinette comme l?une des meilleures ?uvres jamais composées par Brahms. Comme toujours la présente édition urtext deséditions Henle a donné lieu à l?analyse approfondie de toutes les sources pertinentes. Les corrections personnelles de Brahms y ont également été intégrée.

Great Clarinet Quintets(2). Mozart's friendship with Anton Stadler, the clarinetist in Vienna's Royal-Imperial Court Orchestra, led to the composition of his beloved Quintet in A Major. The four-movement piece is arranged for clarinet, two violins, viola, and cello. Brahms's Clarinet Quintet in B minor, also in four movements, is equally popular and often recorded as a companion to Mozart's work. Professional and amateur musicians alike will appreciate this convenient single-volume publication of these frequently performed quintets. Both scores were reproduced from authoritative sources. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.

After Concertino for Clarinet and String Quartet-Inspired by Concertino for Clarinet and String Quartet which draws on fragments of folk tunes from northwestern China. This edition presented for solo clarinet (B flat or A).

Compositeur : Brahms, Johannes Instrumentation : Chamber Music with Wind Instruments Editeur Musicologique : Grassi, Andrea Massimo Couverture Reliée Contenu : Clarinet Quintet in b minor op. 115 for Clarinet, 2 Violins, Viola and Violoncello

Trio in d minor op. 3-Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier inspired hit the Trio For Clarinet Op. 3 written in 1896 owes agreat deal to Zemlinsky’s first important role model Johannes Brahms as far as inflection and instrumentation are concerned. It was also Brahms who following its first performance in Vienna enthusiastically recommendedthe trio to his publisher Simrock.As the autograph has disappeared Henle’s edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous partly blatant engraver’serrors. Alongside the Piano score Henle’s edition comprises a part for Clarinet in Bb/A and an authentic alternative part for Violin as well as a Cello part.

Scored for clarinet, cello and piano Clarinet Trio (BH 12624) is in three movements, with a total duration of 20 minutes. The first movement, 'Ljud stort, ljud' (Sound big, sound), was commissioned in 2008 to celebrate the centenary of Svenska kulturfonden. 'Som det stilla vi söker' (Like the tranquillity we seek) and 'Slå våg, slå' (Crash wave, crash) were commissioned in the same year by the Bergen International Festival. Piano Trio (BH 12982) is the same work adapted by the composer in 2011-12 for violin, cello and piano.Note that the piano and cello parts are not interchangeable between the respective versions. / Clarinette, Violoncelle Et Piano

For Clarinet and String Quartet.Published in 2011.Parts.This work was commissioned by Linda Merrick and the Kreutzer Quartet to whom it is dedicated as a project involving commission performance recording and  educational and outreach work. It was supported by funds provided by the PRS for  Music Foundation RVW Trust The Holst Foundation the Royal Northern College of Music and the Ida Carroll Trust. The first performance was given at the Royal Northern  College of Music Manchester on June 15th 2011.

Clarinet Trio In A Minor Op. 114 - With Critical Report - Series II Volume 7. Par BRAHMS JOHANNES. With Critical Report / Loose, Katharina / Répertoire / Violon, Cor (Eb) et Piano / Clarinette (Alto), Vio

The piano version of the B flat major Quintet Op. 34 prepared by Carl Maria von Weber himself will no doubt cause some surprise among clarinetists as well. To this day few people know that the composer arranged his work for clarinet and piano as soon as he heard about the success of the original scoring. Weber himself a talented pianist transposed the string quartet sound to the piano in an effortless and very idiomatic manner. In Weber's version for clarinet and piano the Quintet proves to be just as suitable for concert performance as for the rehearsing of the original chamber setting. Ulrich Leisinger's source studies show that Weber very carefully followed thepublication of the first edition in 1816. Divergences from the quintet version (EB5830) are indicated in the new edition.