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FOR VIOLONCELLO - CELLO
Bach CELLO - VIOLONCELLO Baroque Cello
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Bach Air for Cello Solo or Duet
Bach Air for Cello Solo or Duet
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2 Cellos (duet)
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Johann Sebastian Bach
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AccessibleCello.com
Sarabande from Cello Suite No.1 in G Major
Sarabande from Cello Suite No.1 in G Major
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Cello
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Johann Sebastian Bach
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Cellopedia
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Cellopedia
Courante from Cello Suite No.1 in G Major
Courante from Cello Suite No.1 in G Major
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J.S. Bach: Duets for Two Cellos
2 Cellos (duet)
[Sheet music]
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Easy
Mel Bay
By Johann Sebastian Bach (1685-1750). Edited by Peggy Spencer and Sue Engle. For...
(+)
By Johann Sebastian Bach (1685-1750). Edited by Peggy Spencer and Sue Engle. For Cello. Duets. Bill's Music Shelf. Baroque. Beginning-Intermediate. Book. 52 pages. Published by Mel Bay Publications, Inc
$14.99 - See more - Buy online
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Johann Sebastian Bach: 6 Suites For Cello Solo
Cello
[Critical Reports]
Barenreiter
Composed by Johann Sebastian Bach (1685-1750), edited by Bettina Schwemer, Dougl...
(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Bettina Schwemer, Douglas Woodfull-Harris. For cello. Urtext of the New Bach Edition. Includes critical performing edition, critical text volume (analysis and performance notes) and facsimiles of source manuscripts (5 complete source editions). Baroque. Text language English. 327 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.
(2)
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Music for Three, Volume 2 - Piano Trio (Violin, Cello and Piano - Set of 3 Parts)
Piano Trio: piano, violin, cello
[Set of Parts]
-
Intermediate/advanced
Last Resort Music Publishing
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged...
(+)
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. Piano trio. For Violin, Flute, Oboe, Cello, Bassoon, Piano. Music for Three series. Classical / Baroque. Intermediate/Advanced. Set of 3 parts. Published by Last Resort Music Publishing
$57.50 - See more - Buy online
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Music for Three, Volume 1 - String Trio or Wind Trio (2 Violins and Cello Set of 3 Parts)
String Trio: 2 violins, cello
[Set of Parts]
-
Intermediate/advanced
Last Resort Music Publishing
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged...
(+)
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. String trio, mixed trio, wind trio. For Trio - Violin, Flute Oboe, Cello or Bassoon. Music for Three series. Classical / Baroque. Intermediate/Advanced. Set of 3 parts. Published by Last Resort Music Publishing
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Music for Three, Volume 1 - Piano Quartet (Violin, Viola, Cello, Keyboard - Set of 4 Parts)
Piano Quartet: piano, violin, viola, cello
Last Resort Music Publishing
(Baroque, Classical and Romantic Favorites, Wedding Music). Composed by Various....
(+)
(Baroque, Classical and Romantic Favorites, Wedding Music). Composed by Various. Arranged by Daniel Kelley. Piano quartet. For Violin, Flute, Oboe, Cello, Bassoon, Piano. Music for Three series. Classical / Baroque. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing
$75.00 - See more - Buy online
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Music for Three, Volume 1 - Piano Trio (Violin, Cello and Piano - Set of 3 Parts)
Piano Trio: piano, violin, cello
[Set of Parts]
Last Resort Music Publishing
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged...
(+)
(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. Piano trio. For Violin, Flute, Oboe, Cello, Bassoon, Piano. Music for Three series. Classical / Baroque. Intermediate/Advanced. Set of 3 parts. Published by Last Resort Music Publishing
$57.50 - See more - Buy online
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Music for Three, Volume 2 - String Trio (Violin, Viola, Cello - Set of 3 Parts)
String Trio: violin, viola, cello
[Set of Parts]
-
Intermediate/advanced
Last Resort Music Publishing
Baroque, Classical and Romantic Favorites, Wedding Music. Composed by Various. A...
(+)
Baroque, Classical and Romantic Favorites, Wedding Music. Composed by Various. Arranged by Daniel Kelley. Music for Three series. Classical / Baroque. Set of 3 parts. Last Resort Music Publishing #50200. Published by Last Resort Music Publishing
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Music for Three, Volume 1 - String Trio (Violin, Viola, Cello - Set of 3 Parts)
String Trio: violin, viola, cello
[Set of Parts]
-
Intermediate/advanced
Last Resort Music Publishing
Baroque, Classical and Romantic Favorites, Wedding Music. Composed by Various. A...
(+)
Baroque, Classical and Romantic Favorites, Wedding Music. Composed by Various. Arranged by Daniel Kelley. Music for Three series. Classical / Baroque. Set of 3 parts. Last Resort Music Publishing #50100. Published by Last Resort Music Publishing
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Schott Cello Library
Cello, Piano
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
(+)
13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano
29.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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The Baroque Cello Collection: Cello Solo: Instrumental Album
Cello, Piano
[Sheet music]
Schirmer
10 Pieces by 9 Composers-This volume contains 10 Baroque pieces by 9 different c...
(+)
10 Pieces by 9 Composers-This volume contains 10 Baroque pieces by 9 different composers including Boccherini Corelli Bach Locatelli Marcello Sammartini Scarlatti Valentini and Vivaldi.
16.99 GBP - Sold by Musicroom UK
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Amanti Lucio Franco - Jazz Suite - Cello
Cello
Schott
Instrument : cello Series : Cello Library Nombre de Pages : 16 'The idea of wri...
(+)
Instrument : cello Series : Cello Library Nombre de Pages : 16 'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker) Content : Prelude - Allemande - Courante - Sarabande Portrait of Resi - Grove I/II - Finale: Latin moto perpetuo
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Cello & Piano 2: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik ...
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Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto)and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann's Etude-caprice and Jenkinson’s Dance of the sylphids the lighter kind include Joplin's Ragtime. Book II Contents: 1. Aldrovandini G. A. V.: Sonata2. Bella Domenico dalla: Sonata 3. Boni Pietro Giuseppe Gaetano: Sonata Op. 1 No. 5 4. Passionei Carlo: Sonata 5. Bach Johann Sebastian: Air BWV 1068/II 6. Tartini Giuseppe: L'arte del arco 7. Haydn Joseph: Sonatina Hob. XI:101 5 108 8. Albrechtsberger Johann Georg: Scherzando 9. Boccherini Luigi: Minuetto 10. Mozart Wolfgang Amadeus: Divertimento from KV 487 11. Beethoven Ludwig van: Andante con variazioni WoO 44b 12. Schubert Franz: Ave Maria Op. 52 No. 6 13. Mendelssohn-Bartholdy Felix: Lied ohne Worte Op. 19 No. 4 14. Schumann Robert: Schlummerlied Op. 124 No. 16 15. Goltermann Georg: Étude-caprice Op. 54 No. 4 16. Tchaikovsky P. I.: Chanson triste Op. 40 No. 2 17. Dvorák Antonín: Appassionato Op. 75 No. 3 18. Massenet Jules: Air de Ballet (Scene pittoresque)
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Cello & Piano 1: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
Cello & Piano book I and book II (Z14637) contain a selection from 200 years of ...
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Cello & Piano book I and book II (Z14637) contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto) and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson's Dance of the sylphids thelighter kind include Joplin’s Ragtime. This colourful ample selection provides a good basis for a music-lover's library. Book I Contents: 1. Corelli Arcangelo: Sonate Op. 5 No.8 2. Scarlatti Domenico: Sonata 3. Jacchini G. M.: Sonata 4. Vivaldi Antonio: Concerto RV 411 5. Telemann Georg Philipp: Sonata aus ''Der getreue Musikmeister'' 6. Bach Johann Sebastian Marcello Alessandro: Adagio BWV 974 7. Haydn Joseph: Scherzando Hob. XI:70 8. Mozart Wolfgang Amadeus: Menuet KV 334 9. Cherubini Luigi: Ave Maria 10. Romberg Bernhard: Rondo Op. 38 No. 1 11. Beethoven Ludwig van: Menuet WoO 10 No. 212. Beethoven Ludwig van: Tema con variazioni Op. 105 No. 1 13. Rossini Gioacchino Antonio: Pour Album 14. Schubert Franz: Morgenständchen D 889 15. Schubert Franz: Grätzer Galopp D 925 16. Schumann Robert: Arabeske Op. 18 17. Bizet Georges: Agnus Dei 18. Tchaikovsky P. I.: Valse sentimentale Op. 51 No. 6 19. Dvo ák Antonín: Humoresque Op. 101 No. 7 20. Dvo ák Antonín: Gipsy Melody Op. 55 No. 4 21. Fauré Gabriel: Mandoline Op. 58 No. 4 22. Joplin Scott: The Strenuous
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Bach - Six Suites Bwv 1007-1012 - Cello Solo
Cello
EMB (Editio Musica Budapest)
Édité par Banda Ede Instrument: Violoncelle Genre: Baroque Pages: 68 pp Date ...
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Édité par Banda Ede Instrument: Violoncelle Genre: Baroque Pages: 68 pp Date du parution: 1993
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Classical Music For Children
Cello, Piano
Schott
22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras...
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22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils. / Violoncelle Et Piano
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String Music Of The Baroque Era: String Quartet: Instrumental Album
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate
Boston Music
This is a wonderful collection of Baroque pieces including works by Corelli Ram...
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This is a wonderful collection of Baroque pieces including works by Corelli Rameau Handel Bach Purcell and Telemann. Each piece has been selected and arranged for String Quartet or String Orchestra by Irma Clarke.
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6 Suites Pour Violoncelles - Suites 4.5.6. - Vol.2
Français
Cello
[Sheet music]
Billaudot
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition SIX SUITES POUR VIOLONCELLES - SUITES 4.5.6. - VOLUME 2 qui a été écrite pourVioloncelle. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB4062. / Violoncelle / Partition
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6 Suites Pour Violoncelle - Suites 1.2.3. - Vol.1
Français
Cello
[Sheet music]
Billaudot
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition SIX SUITES POUR VIOLONCELLE - SUITES 1.2.3. - VOLUME 1 qui a été écrite pourVioloncelle. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB4061. / Violoncelle / Partition
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Classical Music For Children
Cello, Piano
Schott
24 pièces faciles pour violoncelle et piano de l'époque baroque, époques clas...
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24 pièces faciles pour violoncelle et piano de l'époque baroque, époques classique et romantique. Les morceaux sont principalement jouable dans la première position et sont particulièrement adaptés à partir de la deuxième année de scolarité. De nombreux accords de piano peut également être joué par les élèves / Violoncelle Et Piano
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Baroque: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
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Easy
Spartan Press
Excellent training material for string quartet using only 1st & 3rd Positions t...
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Excellent training material for string quartet using only 1st & 3rd Positions throughout.Including Handel's Overture from The Royal Fireworks and two matching movements from Bach's famous Suite in D (Air and Gavotte).
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2 Contrepoints De L'Art De La Fugue (Die Kunst der Fuge) (MANTOVANI BRUNO / BACH JOHANN SEBASTIAN)
Français
7 Violoncelles
Lemoine, Henry
Par MANTOVANI BRUNO / BACH JOHANN SEBASTIAN. ...et de Boulez à Bach Trois nouve...
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Par MANTOVANI BRUNO / BACH JOHANN SEBASTIAN. ...et de Boulez à Bach Trois nouvelles instrumentations réinventent donc l'Art de la fugue dont on a longtemps pensé qu'il avait été conçu dans une totale abstraction et se prêtait tout autant aux claviers du clavecin ou de l'orgue qu'à divers ensembles. Trois instrumentations, chacune renvoyant à une formation boulezienne différente : pour George Benjamin, la flûte et les huit musiciens de Memoriale - pour Marc-André Dalbavie, l'effectif de Dérive I - pour Bruno Mantovani, les violoncelles de Messaqesquisse, ' la formation la plus facile à traiter car homogène et plus connotée 'baroque'. Sept violoncelles, c'est un 'consort', et du coup, il ne restait qu'à transcrire. Je me suis donc amusé à alterner des passages 'dans le style' (avec utilisation du non vibrato ou du ponticello) avec d'autres plus 'modernes' (pizzicatos, harmoniques, notes figées comme des résonances infinies). En fait, un des enjeux était aussi de souligner les lignes individuelles qui forment la texture contrapuntique, de créer des lignes transversales que l'on perçoit comme des conséquences du contrepoint, et qui sont traitées ici dans leur continuité. Je dirais que c'est tout autant un exercice de perception que d'écriture : ce que je veux 'faire entendre' ce sont les croisements, les échos entre les voix, que je souligne en général par des procédés 'hors style'. ' (Bruno Mantovani) La réécriture ne nous inviterait alors pas tant à entendre une autre forme de l'original, qu'à percevoir différemment cet original en en présentant une autre forme. [...] François-Gildas Tual Note de programme du 16 décembre 2007 Cité de la Musique Du Spirituel dans l'art - Autour de Pierre Boulez / contemporain / Répertoire / 7 Violoncelles
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6 Sonatas Op. 2
2 Cellos (duet)
Schott
Ces duos pour violoncelle par Jacob Klein, maintenant publié complet pour la pr...
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Ces duos pour violoncelle par Jacob Klein, maintenant publié complet pour la première fois, sont parmi les plus beaux duos de leur genre de l'époque Baroque. Leur richesse mélodique et harmonique, couplée à une technique éblouissante et idiomatique place fermement les sonates (ou mieux suites) en compagnie des oeuvres comme les suites pour violoncelle de Bach ou sonates de Vivaldi. Notre édition est basée sur la première édition publiée vers 1720 par Rodgers à Amsterdam et suit la pratique typographiques et éditoriale de l'original, comme cela semble utile pour comprendre la structure musicale et la pratique de rendement appropriés. Le petit secret pour violoncelles joueurs ! / 2 Violoncelles
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4 Pièces Pour Quatuor A Cordes Bleu - Les Fées - L'IVresse - Bwv 1007 (MANTOVANI BRUNO)
Français
String Quartet: 2 violins, viola, cello
Lemoine, Henry
Par MANTOVANI BRUNO. Par le poids de sa riche histoire et l'immensité de son r...
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Par MANTOVANI BRUNO. Par le poids de sa riche histoire et l'immensité de son répertoire, le quatuor à cordes est devenu, au cours des temps, une formation mythique, abordée par les compositeurs avec un mélange d'enthousiasme et de méfiance. Mozart, Haydn, Beethoven, Schumann, Bartok, Shostakovitch, et tant d'autres ont écrit d'innombrables chefs d'oeuvre pour cet instrumentarium qui, parce qu'il réunit intimité, homogénéité, et virtuosité, est propice à l'expérimentation. Ecrire pour quatuor est aujourd'hui un exercice très délicat, et ce n'est pas sans crainte que j'ai décidé d'aborder le genre en 2000. Un cycle a commencé à naître à cette période, cycle toujours incomplet en 2005. Bleu (2002) est une courte pièce énergique, jouant sur une disposition spatiale singulière des musiciens (les instrumentistes se faisant face). Du déferlement au jeu d'échos, ce mouvement repose sur une conception 'démocratique' de l'ensemble, la matière musicale étant plus fondée sur un flux cohérent que sur la hiérarchie entre un soliste et des accompagnateurs. Les fées (2004, création mondiale): il s'agit là d'un véritable scherzo, laissant la part belle à une écriture procédurale. J'ai commencé à m'intéresser depuis peu à cette dimension de l'écriture (avec Le cycle des gris pour orchestre baroque, ou avec Da Roma pour trio), afin de sortir d'une conception du langage fondée systématiquement sur le conflit entre des idées contrastées. La transformation progressive d'un élément en un autre est ici le maître mot, alors que la matière musicale subit ou des procédés d'accumulation, ou de raréfaction. L'ivresse (2003): il s'agit d'une musique de ballet, violemment contrastée, aride, virtuose. Le discours s'articule autour de quelques idées facilement repérables à l'écoute (unisson dans l'aigu, homorythmies...). Au milieu de cet océan d'incertitude et d'imprévisibilité, une séquence plus procédurale vient établir une continuité, toujours dans l'énergie, qui donne à la matière un caractère encore plus abrupt. BWV 1007 (2001): première pièce du cycle sur le plan chronologique, ce mouvement est un hommage à la Première suite de violoncelle de Jean-Sébastien Bach. Le modèle est ici toujours présent, mais sans cesse déformé, développé, si bien qu'il est pratiquement impossible de le reconnaître. Ici, le quatuor est traité de façon plus orchestrale, non dans la masse sonore, mais dans les hiérarchies, chacun des instruments prenant à tour de rôle la parole de façon soliste. Malgré la présence permanente dans mon esprit des grands modèles de l'histoire, j'ai essayé de conserver une certaine spontanéité dans mon écriture. C'est l'intuition qui a élaboré le discours, non la prédétermination. La matière a pris l'ascendant sur l'artisanat, s'exprimant malgré moi, de façon quasi-autonome. Bruno Mantovani, novembre 2004 / contemporain / Répertoire / Quatuor à Cordes
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Partia
English
Cello
[Score]
Boosey and Hawkes
Une suite substantielle en six mouvements, composée en 2001 comme une commissio...
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Une suite substantielle en six mouvements, composée en 2001 comme une commission pour le concours de violoncelle de Turku. Le titre a ses racines dans le manuscrit original de partitas de Bach pour violon dont il utilise le vieux italien nom partia. Cependant, les mouvements n'ont aucune similitude structurale directe avec les partitas baroques et leurs titres sont empruntés à une période de temps de Bach. Seuls les textures dans les divers mouvements sont en quelque sorte rappelle celui de leurs prédécesseurs. La suite commence avec un carrousel ressemblant Sinfonia, suivi par Coranto, Aria, Boria, Double et Giga. Un ajout important pour le répertoire violoncelle solo. / Violoncelle
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Baroque Pieces For String Quartet
String Quartet: 2 violins, viola, cello
Schott
/ Quatuor A Cordes
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