This work was commissioned by the Strover family for the Maggini Quartet on the occasion of Rosalind Strover’s 100th birthday. It was first performed by the MagginiQuartet on 5th November 2004 at Stoke-by-Nayland Country Club Essex.

Set of parts for Rosengaardsspil / Rose Garden Play (BVN 153) for String Quartet by Rued Langgaard (1918). Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition.

The Ecstasies Above commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable. The string quartet and the two solo vocal quartets should be placed in front of the chorus. The vocal quartets should be spatially separated from each other. Depending on the venue and the size of the chorus the string quartetmay need to be amplified.

Italian Baroque composer virtuoso Violinist teacher and cleric Antonio Vivaldi's 6 Sonatas for Cello solo and Piano accompaniment.

Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra) the latter of which the soloist in a simple accompanyingrole but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved with the soloist at last being on equal terms with the orchestra. Per Nørgård

A collection of challenging and specialised studies exploring the variety of sounds and techniques of the Cello. Each study is full of unique character perfectly suited to the concert hall as well as private rehearsal. Some represent virtuosic technical displays whereas others are more lyrical and challenge the performer's interpretive skills.

Prayer of the Heart was inspired by The Chain of Hope. This charitable organisation raises money for the treatment of heart disorders in children including Marfan’s Syndrome of which John Tavener is a sufferer. Thesinger should sit on a low stool bowing towards the heart. This facilitates the soul’s concentration and its unification in ecstasy. The Prayer of the Heart is prayed ceaselessly day and night awake or sleeping becauseit has become at one with the beating of the heart... Silence peace sweetness of union with God... The Prayer is not usually sounded with the voice at all it is silent. Therefore the music must be played and sungintensely quietly with no physical effort. The Byzantine bell and large Tibetan temple bowl may be played by the singer. Prayer of the Heart should be sung in subdued lighting perhaps by candlelight. The recording of theheartbeat should sound very tenderly and quietly throughout.

Recognised as one of the most important works of the Cello repertoire Elgar's Conerto Op.85 was completed in 1919 and stands as his final major completed work. This new edition edited by John Pickard of the Elgar Society uses for the first time the composer's original sketches to piece together an authoritative and definitive arrangement for Cello and Piano. A wonderful new edition of one of the most frequently performed works for the Cello.

Remains for String Quartet was composed by Henrik Hellstenius in 2013. 'Hellstenius is a composer who writes music for his own times with all the hunger for knowledge of a researcher the playfulness of a child and a performer’s instinct for the sensuous in every strike stroke and breath.'Eli Berge.

Kvintet Opus 130 For Flute Violin Viola Violoncel and Piano by Danish composer Niels Viggo Bentzon.

The complete score and set of parts for Carl Nielsen's Quartet For Strings in F Minor Op.5 composed in 1890.

For Cello with Piano accompaniment. A compendium of pieces with historical and theory notes supporting each dance piece presented.

Available here is the score (Piano score) and set of parts for Leighton's Piano Quintet Op.34. This piece was first performed by the London String Quartet and the Composer in July 1959.Performance duration: 29 minutes.

Haflidi Hallgrimsson's Fimma Op.5 for Cello and Piano was premiered in the Purcell Room London in 1976.