Following in the tradition of Bach, Chopin, and other composers, Melody Bober has written the In All Keys series, which includes original piano solos in all major and minor keys. Each book in the series contains 16 pieces and follows the circle of fifths, with pieces in major keys followed by pieces in relative minor keys. Book 1 features one piece in C major, one piece in A minor, and the seven major 'sharp' keys (G, D, A, E, B, F-sharp, and C-sharp major) and their relative minors (E, B, F-sharp, C-sharp, G-sharp, D-sharp, and A-sharp minor). Book 2 includes one piece in C major, one piece in A minor, and the seven major 'flat' keys (F, B-flat, E-flat, A-flat, D-flat, G-flat, and C-flat major) and their relative minors (D, G, C, F, B-flat, E-flat, and A-flat minor). The C major and A minor pieces of Book 1 are different than the C major and A minor pieces of Book 2. The pieces with five, six, and seven sharps in Book 1 have been transposed to their enharmonic flat keys for Book 2. These pieces help develop reading skills, and they reinforce the study of scales, arpeggios, and chords. / Piano

1 Outstanding NFMC Selected Solos-Proven piano solos fill this compilation of selected gems chosen for various National Federation of Music Clubs (NFMC) Junior Festival lists. This collection features pieces for intermediate to late-intermediate level students. Titles: Barcarolle Impromptu · Cathedral Echoes (Harp Song) · Dance of the Trolls · Jasmine in the Mist · Jesters · Maestro There's a Fly in My Waltz · Mother Earth Sister Moon · Northwoods Toccata · Sounds of the Rain · Un phare dans le brouillard (A Lighthouse in the Fog).

Solfège Pratique is a method for learning pitch and sight-reading. The practice of Solfège teaches one to immediately recognise and play notes through careful study of intervals. This particular book is forKeyboard instruments and Harp. Solfège Pratique guides you through the fundamentals of learning to recognise pitch and play immediately. This is an essential skill for all musicians topractice from beginner to advanced. This particular book only focuses on two keys Sol and Fa.

The early music specialist and harpsichordist, Robin Bigwood presents the first in a series of four volumes dedicated to keyboard music from the Baroque period. Featuring a variety of interesting solo pieces, this collection includes works by well-known figures as well as lesser-known and rarely available pieces from a range of composers.Suitable for students of ca.2-3 years of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Robin Bigwood. / Piano

Compositeur : Beethoven, Ludwig van Instrumentation : Piano solo Editeur Musicologique : Wallner, Bertha Antonia Couverture Reliée Contenu : Piano Sonata No. 14 c sharp minor op. 27,2 [Moonlight]

Pr?lude in c sharp minor op. 3 no. 2-Pr?lude C Sharp Minor Op.3 No.2 is possibly Sergei Rachmaninow's most famous late romantic Piano work and is now finally available as a Henle Urtext edition.First published in 1892 as part ofthe Piano cycle 'Morceaux de Fantaisie' Op. 3 the work soon became well known abroad in particular due to the concert tours given by the pianist Alexander Siloti Rachmaninow???s cousin. Even Rachmaninow himselfwas soon no longer able to perform any concerts in America without someone in the audience crying out 'C sharp minor!' at the end. The thundering chords of the final part of this work are legendary and at the same time not asunplayable as one might have been led to believe.

This generous compilation of Rachmaninoffâ??s Piano music reflects the 'best of the best' â?? selected shorter works that have been most often performed and most frequently recorded by such great Keyboard artists as Horowitz Richter Gilels Cliburn and Rachmaninoff himself. Offered here for the first time in a single collection are the Prelude in C-sharp Minor; three exquisite Etudes-Tableaux from Op. 33 and 39; seven best-loved Preludes from Op. 23 and 32; three Moments Musicaux from Op. 16; the Barcarolle and Humoresque from Morceaux de salon Op. 9 and the charming Polichinelle from Op. 3.

Fac-similé de l'édition originale anglaise en parties séparées : harpe ou piano forte primo - piano forte secondo.Présentation de Fabienne Leloup : Le trio Dussek-Krumholz-Pleyel - La harpe de Krumpholz - La harpe à Paris - Ignace Pleyel - Les pianos Pleyel - Le piano à Paris.Remarquable duo pré-romantique écrit par Dussek pour une formation peu courante, mais que l'on peut exécuter au piano.Une interprétation harpe et piano demandera aux interprètes un effort de style dans le jeu et un équilibre dans le toucher et la sonorité. / Harpe Et Piano Ou 2 Pianos / 27 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Edition complète en fac-similés de l'oeuvre de Fédéric ChopinPiano : Alex Szilasisur un athentique Piano PLEYELOeuvres proposées par Alex Szilasi19 Valses : 1 - KK IVb no11 (a-moll - A minor - La mineur) - 1'54''2 - - KK IVa no13 (Asz-dur - A flat major - La bémol) - 1'25''3 - - KK IVb no12 (E-dur - - E major - Mi majeur) - 2'23''4 - - KK IVa no14 (Esz-dur - E flat major - Mi bémol majeur) - 2'21''5 - - KK IVa no15 (e-moll - - E minor - Mi - mineur) - 2'58''6 - - KK IVb no10 (Esz-dur - E flat major - Mi bémol majeur) - 1'56''7 - - Op. 18 Grande Valses Brillante (Esz-dur - E flat major - Mi bémol majeur) - 6'02''8 - - Op. - 34 no1 - Grande Valses Brillante (Asz-dur - A flat major - La bémol) - 5'56''9 - - Op. - 34 no2 - Grande Valses Brillante (a-moll - A minor - La mineur) - 6'23''10 - Op. - 34 no3 - Grande Valses Brillante (F-dur - - F major - Fa majeur) - 2'33''11 - - Op. posth. 69 no2 - (h-moll - - B minor - - Si mineur) - 3'34''12 - Op. posth. 70 no1 - (Gesz-dur - - G flat major - Sol bémol majeur) - 2'17''13 - Op. posth. 70 no2 (f-moll - - F minor - fa mineur) - 1'41''14 - Op. posth. 70 no3 - (Desz-dur - - D flat major - - Ré bémol majeur) - 2'31''15 - Op. - 64 no3 (Asz-dur - A flat major - La bémol) - 3'21''16 - Op. posth. 69 no1 - (Asz-dur - A flat major - La bémol) - 3'47''17 - Op. - 64 no1 (Desz-dur - - D flat major - - Ré bémol majeur) - 1'57''18 - Op. - 64 no2 (cisz-dur - - C sharp minor - - Ut dièse mineur) - 3'54''19 - Op. - 42 Grande Valse (Asz-dur - A flat major - La bémol majeur) - 4'02''Trois - Ecossaises : 20 - Op. posth. 72 no3 (D-dur - D Major - Ré majeur) - 1'05''21 - Op. posth. 72 no4 (G-dur - - G Major - - Sol majeur) - 0'37''22 - Op. posth. 72 no5 (Desz-dur - D flat Major - Ré bémol - majeur) - 0'37'' / Piano / niveau : 1 / Fac-Similés - Format: 12.5 X 14

Par CHOPIN FREDERIC. In 1845/46 Chopin composed his bel canto inspired “Barcarolle” in F-sharp major op. 60, which became a model for subsequent generations of composers. In his evaluation of the divergent and partly even contradictory sources – due to the different engraving models (Stichvorlagen) for the first editions published almost simultaneously in Paris, London, and Leipzig – the editor obtains new results and readings, especially regarding problematic passages. Chopin’s pedal indications from the other sources, which differ from the main source, are added in small print. Information on this is provided in the Critical Commentary, which also documents the numerous variants of the sources and editorial decisions. An informative preface (Ger/Eng) discusses the genesis of the work and Chopin’s specific understanding of the final shape of his works. Hardy Rittner supplements Chopin’s fingering from a historically informed perspective. He gives in-depth advice on central questions of performance practice (including cantilena style, rubato and pedal use) and discusses different interpretational approaches (Ger/Eng). Practical page turns (with fold-out page) and a reader-friendly engraving round off this new edition./ Répertoire / Piano

Works include 'Scherzo In C Sharp Minor' two movements from 'Memories Of Childhood' and 'Hopak'. Edited by Pavel Lamm.