Franz Schubert's The Shepherd On The Rock (Der Hirt auf dem Felsen) with English version by J. S. Shedlock. This song Op.129 is written for Voice Clarinet (or Cello) and Piano. The clarinet and alternative Cello parts are also included along with a separate insert for the vocal part with text in English and German.

Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit Dominus RV 595 shares a key and some further characteristics with the better-known setting of the same psalm RV 594 but differs from it markedly: first in being scored for an undivided ensemble (i.e. not ?in due cori?): second in belonging to Vivaldi?s first period of sacred music composition around 1715 rather than to a later period. There are stylistic parallels too with Vivaldi?s two Gloria settings RV 588 and RV 589. Three of the eleven movements making up RV 595 use borrowed material which in two instances is taken from movements by unknown composers in Vivaldi?s own collection and in one instance (heavily disguised) from a published madrigal(1705) by Antonio Lotti. The borrowings are absorbed extremely well into the fabric of the setting and do not disrupt its well-unified character. Among the high points of RV 595 are its opening pair of moments ? the first bustling and the second poignantly reflective ? and the fourth movement ?Tecum principium? where two obbligato cellos enter into dialogue with two sopranos. This Dixit Dominus preserved uniquely in Prague ranks among Vivaldi?s finest large-scale sacred vocal compositions. The Introduction and Critical Commentary for this vocal score are based on the Critical Edition by Michael Talbot published in 1993.

Book 2-Compiled by Kenneth Bowen and Geoffrey PratleyCONTENTSSe povero il ruscello (from 'Ezio') D - ATergi l'ingiuste lagrime (from 'Ezio') C - GLa gloria in nobil alma (from 'Partenope') C - GAlzo al volo (from 'Radamisto') D - APrigioniera hò l'alma in pena (from 'Rinaldo') E - APastorello d'un povero armento (from 'Rodelinda') D - F sharpEmpio per farti guerra (from 'Tamerlano') C - AForte e lieto a morte andrei (from 'Tamerlano') C - G

Des morceaux de clavier de deux parties de j. s. Bach forment un important corpus de littérature musicale, mais seulement à l'occasion ont elles été organisées pour les chaînes. Cela transcrit soigneusement collection de duos violoncelles et le volume de ses deux compagnon - duos pour deux violons (MB # 21437) - et duos pour deux altos (MB # 21438) apportent de nombreux ajouts, tirées des suites de Bach, préludes et inventions, au répertoire du joueur de la chaîne. Les instrumentistes intermédiaires et avancés ravira la complexité musicale, dialogue contrapuntique et variété d'ambiances dans ces pièces. Puisque la prosternation et doigté préférences varient considérablement entre les acteurs de la chaîne, marques de rédactionnelles ont été réduites au minimum. Ces arrangements sont un ajout attrayant, précieux aux travaux de chaîne ensemble. / 2 Violoncelles / 52 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5