Ten superb concert pieces in a wide variety of styles arranged by Bernice and Robin De Smet for the Cello and Piano.The pieces include traditional folk melodies such as Floral Dance and Scarborough Fair alongside popular tunes by Holst Joplin and other musical greats. An ideal resource whatever you performance occasion!

I Can Read Music is a beginning note-reading book for violincello students who have learned to play using an aural approach such as the Suzuki Method, or for those traditionally taught students who need extra note-reading practise. Rhythm and pitch are taught separately, so that the student can work on one thing at a time. When the aspects of reading are established, they can be combined successfully at a later date. / Violoncelle

for Fiddle Tunes-Eclectic cellist Renata Bratt has written the ultimate book for the fiddling cellist this time from the perspective of an accompanist. Herein you???ll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek Jenny Dang the Weaver The Water Is Wide The Girl I left Behind Me The Road to California Mason???s Apron and Green Grows the Laurel ??? plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup bluegrass bass style 2 and 3-note chords and arpeggios in the common fiddling keys one and two-measure rhythmic bowing patterns the Charleston rhythm the traveling beat and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author.

(Four Cities)-Faz?l Say?s ?Four Cities? Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say?s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia. SivasSivas is a conservative city located in Eastern Anatolia which is known for its large Alevi population. As¸?k Veysel is an Alevi Ozan (poet) and Faz?l Say has been inspired by his song ?Saz?m? (my saz/myinstrument) in the first part of this work. The movement is concluded on a melancholy tone in imitation of this ethnic instrument. HopaA traditional wedding provided Faz?l Say with his inspiration for this second movement which embraces Eastern Black Sea culture. Horon is a very fast folk dance in 7/16 time which is played on the kemence a typical instrument of the Eastern Black Sea region. The music also touches on Caucasian Georgian and Laz dances anonymous songs ?Laz women? and ?Cilveloy nanayda? (a Turkish song). AnkaraAnkara was declared the capital city of Turkey by Atatürk in 1923. This city with its population of four million was where the composer was born and also spent his childhood. ?Ankara?n?n Tas¸?na Bak? a rebellious song dating back to the First World War can be discerned in the mournful middle section. The movement with its atmosphere of tragedy evokes the republican spirit and the ambience of former times. BodrumBodrum is universally known as the Saint-Tropez of Turkey. A famous street in the city is fringed with countless bars and pubs from which a cacophony of different music can be heard ranging from jazz pop and rock to folk songs. Faz?l Say blends the sounds from these pubs in this movement which includes a walking theme in a swinging jazz tempo. The movement makes a

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violoncelle Et Contrebasse

Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle

For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?- The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.

For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?- The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.

Mit dieser Ausgabe stellen wir Ihnen eine Auswahl an Weihnachtsliedern für Cello und Basso continuo vor die sicherlich zu den schönsten und bekanntesten gehören. In Zeiten der Elektronisierung und allgegenwärtiger Popmusik möchten diese Arrangements stilistisch ganz bewusst einen Gegenakzent setzen und damit eine schöne Tradition fortsetzen. Deshalb wurden als Begleitinstrumente auch Orgel Virginal und Viola da Gamba gewählt. Bei einigen Liedern finden Sie eine zweite Stimme für Cello oder Viola da Gamba. Diese kann beliebig gespielt oder auch weggelassen werden. Die Tonarten wurden so gewählt dass die Weihnachtslieder bestmöglich auf dem Cello zu spielen sind und somiteinen frühen Einstieg ins weihnachtliche Musizieren ermöglichen.Die vorliegende Ausgabe wurde von der Cembalistin Mechthild Winter die an der Hochschule für Musik und Theater in Leipzig unterrichtet und Manfredo Zimmermann Professor für Blockflöte an der Musikhochschule Köln/Wuppertal und Spezialist für Alte Musik herausgegeben.Bach-Format (230 x 305 mm)CD mit Konzertversion und 2 verschiedenen BegleitungstempiErstklassige LIVE-Einspielungen in herausragender QualitätLesefreundliches Notenbild und klarer scharfer Druck

Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date parution : 2022-06-08/ Recueil / Violoncelle

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

12 Vibrant Themes With Latin Flavour And Spirit. Jouer avec support authentique pistes dans cette superbe collection de thèmes Latin. Mettant en vedette 12 arrangements du célèbres favoris latins y compris and lsquo - La Bamba and rsquo-, and lsquo - Guantanamera and rsquo-, and lsquo - Volare and rsquo-, and lsquo - Cielito Lindo and rsquo - et and l / Schott Master Play-Along Series / Recueil / Violoncelle