Original Manuscript Edition-Almost 100 years after the first publication of Debussy's Sonate Pour Flute Alto Et Harpe by Durand et Cie this seminal work in the chamber music literature has been meticulously compared contrasted and corrected against Debussy's handwritten and autographed 1915 manuscript. Using photographs provided by the National Library of France harpist Carl Swanson has documented and corrected nearly 300 discrepancies between the composer's intent and the Durand 1916 edition.The corrections made in this edition consist of musical indications being omitted misplaced or inverted; dynamic markings that are in the manuscriptbut not the printed version have been added wrong and misaligned notes have been corrected musical indications previously omitted in individual parts have been added and intended durations of dynamic and tempo changes have been corrected.Debussy was one of the first composers to make extensive use of musical indications and was extremely meticulous in his scores. To read a score of his with missing misplaced or wrong directions is a significant as reading a score with missing or incorrect notes. Now for the first time in history Debussy's Sonate Pour Flute Alto Et Harpe has been printed exactly as the composer intended.

Sonata for Flute Viola and Harp-The middle work in the three late chamber music sonatas was composed in spring 1915 directly after the Cello sonata (HN 633). The innovative combination of sounds a Wind instrument a Stringed instrument and a Pluckedinstrument greatly contributes to the impression of restrained melancholy. Debussy himself confirmed it saying: ?It is terribly sad. And I do not know whether one should laugh or cry about it? Perhaps both at the sametime?? On another occasion he emphasised the similarities with his own compositional style of the 1890s remarking of the sonata: ?It reminds me of a very old Claude Debussy the one of the Nocturnes?.

adaption pour 4 harpes-Claude Debussy's Petite Suite. Adaptation for four Harps by Isabelle Marie.

extrait de Six Sonates pour flûte alto et harpe-Claude Debussy's Sonate for Flute Viola and Harp. Parts.

Par DEBUSSY CLAUDE. / classique / Répertoire / Flûte Traversière et Harpe ou Piano

Par DEBUSSY CLAUDE. Transcription par Georges Lambert et Yung Wha Lee. / classique / Répertoire / Flûte Traversière et Harpe ou Piano

The years between 1900 and 1925 in Paris were some of the most fruitful in the history of harp repertoire. Debussy?s ?Danses sacree et profane? and his ?Sonate pour flute, alto, et harpe,? Caplet?s ?Masque of the Red Death? and his ?Two Divertissements,? Gabriel Pierne?s ?Concertstucke? and ?Impromptu caprice,? and Ravel?s ?Introduction et Allegro? were among the many important compositions written during this period. Many harpists would give pride of place in this list, however, to Gabriel Faure?s ?Impromptu? and ?Une chatelaine en sa tour.?? now published here in one volume for the first time. These are both essentials for every serious student of the harp.

This unique book of 14 lever harp arrangements includes excerpts of some of the most famous French works by Debussy and Ravel including Clair de lune The Girl with the Flaxen Hair and Pavane. The book features classicalexcerpts but there are five folk tunes and a medieval melody. The level of difficulty ranges from advanced beginner to advanced intermediate. This is a collection of some of the most beautiful French melodies and is a perfectaddition to almost every harpist’s repertoire. The arrangements all have fingering and dynamics. The keys range from two sharps to one flat but a full set of levers is needed for several of the more advanced classical excerpts.Eight of the pieces require no lever changes and five of the classical melodies require multiple lever changes.