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Classic Mallet Trios, Volume 2: Vibraphone
Classic Mallet Trios, Volume 2: Vibraphone
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Classic Mallet Trios: Vibraphone
Classic Mallet Trios: Vibraphone
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Silent Night for Solo Vibraphone
Silent Night for Solo Vibraphone
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Exercises for Mallet Instruments
Vibraphone
[Sheet music]
Hal Leonard
(Musical Etudes for Vibraphone and Marimba and Other Instruments). Percussion. S...
(+)
(Musical Etudes for Vibraphone and Marimba and Other Instruments). Percussion. Softcover. 104 pages
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Fantasy on a Shona Theme
Vibraphone
[Part]
Alfred Publishing
Solo Vibraphone. By Glenn Kotche. For Vibraphone. Percussion - Mallet Instrument...
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Solo Vibraphone. By Glenn Kotche. For Vibraphone. Percussion - Mallet Instrument Solo. Book. 8 pages. Published by Alfred Publishing.
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Mirror from Another / A Collection of Solo Pieces for Vibraphone
Vibraphone
[Sheet music]
Alfred Publishing
A Collection of Solo Pieces for Vibraphone. Composed by David Friedman. Percussi...
(+)
A Collection of Solo Pieces for Vibraphone. Composed by David Friedman. Percussion - Mallet Instrument Collection. Book. 32 pages. Alfred Music #00-0335B. Published by Alfred Music
(1)
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Mallet Instrument Method
Vibraphone
Schott
Vibraphone SKU: HL.49013369 Composed by Friedrich Hartung. This edition: ...
(+)
Vibraphone
SKU: HL.49013369
Composed by Friedrich Hartung. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 32 pages. Schott Music #BAT4. Published by Schott Music (HL.49013369).
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Solo Jazz Vibraphone Etudes
Vibraphone
-
Intermediate
Alfred Publishing
Composed by Arthur Lipner. Method/Instruction; Reference Textbooks; Solo S...
(+)
Composed by Arthur Lipner. Method/Instruction; Reference Textbooks; Solo Small Ensembles. Book. Alfred Music #36-10300164. Published by Alfred Music
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Mallet Chord Studies
Vibraphone
[Sheet music]
Hal Leonard
(Chord Voicings and Arpeggio Patterns for Vibraphone and Marimba and Other Instr...
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(Chord Voicings and Arpeggio Patterns for Vibraphone and Marimba and Other Instruments). Percussion. Softcover. 48 pages
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Fantasy for Vibraphone
Vibraphone
-
Intermediate/advanced
Tapspace Publications
(for solo vibraphone). By Jesse Monkman. For vibraphone solo (3-octave). Medium-...
(+)
(for solo vibraphone). By Jesse Monkman. For vibraphone solo (3-octave). Medium-advanced. Folio. 12 pages. Duration 6'00 . Published by Tapspace Publications
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Solos for the Vibraphone Player: Vibraphone: Instrumental Album
Vibraphone
Hal Leonard
The musical and expressive possibilities of the vibraphone are perhaps the great...
(+)
The musical and expressive possibilities of the vibraphone are perhaps the greatest of all the tuned percussion yet there is a real dearth of music for it. This book is an attempt to remedy this in part by presenting a collection of pieces from the Baroque and Classical eras selected arranged and and edited by Ian Finkel. All pieces require four-mallet technique. Includes works by Bach Kuhlau Scarlatti Sor and other classical composers.
19.99 GBP - Sold by Musicroom UK
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Anthony Gilbert: Sinfin: Vibraphone: Instrumental Work
Vibraphone
[Sheet music]
University Of York Music Press
For solo Vibraphone commissioned by Miguel Bernat and first performed at the T...
(+)
For solo Vibraphone commissioned by Miguel Bernat and first performed at the Totally Huge New Music Fesitval Perth Australia 11th May 2000.
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Hein de Jong: 20 Etudes for Vibraphone: Vibraphone: Instrumental Work
Vibraphone
De Haske Publications
Durant ces derni?res d?cennies de nombreux changements sont apparus dans les di...
(+)
Durant ces derni?res d?cennies de nombreux changements sont apparus dans les diff?rentes techniques et m?thodes d???interpr?tation du vibraphone. Parall?lement une musique de plus en plus moderne et int?ressante utilisant des techniques vari?es a ?t? offerte au vibraphoniste chevronn?. Comparativement il ne fut pas fait grand chose pour le musicien d?butant et c???est ? ce dernier que sont destin?es les 20 ?tudes contenues dans ce fascicule.Il contient les techniques suivantes :a. utilisation de la p?daleb. mise en sourdine de la baguettec. utilisation en alternance des mains : gauche et droited. passage d???un accord ? une m?lodie (utilisation de deux baguettes)e. utilisation desdeux baguettes avec une seule main
15.99 GBP - Sold by Musicroom UK
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Jazz Classics for Vibraphone: Other Percussion: Instrumental Album
Vibraphone
[Sheet music]
Hal Leonard
This wonderful collection for solo four-mallet Vibraphone features 17 concise b...
(+)
This wonderful collection for solo four-mallet Vibraphone features 17 concise beautifully written-out arrangements of favorite jazz gems geared toward the skilled intermediate and seasoned student/professional performer alike. Performance notes for each song are included to enhance your knowledge and technical ability. Songs include: Autumn in New York • Footprints • I Got Rhythm • Lullaby of Birdland • Night and Day • On Green Dolphin Street • Satin Doll • Summertime • (There Is) No Greater Love • Waltz for Debby • and more.
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Berklee Practice Method: Vibraphone: Vibraphone: Instrumental Tutor
Vibraphone
-
Intermediate
Hal Leonard
This is the first-ever method that teaches you how to play in a rock band. Learn...
(+)
This is the first-ever method that teaches you how to play in a rock band. Learn what all the great musicians seem to know intuitively - how to listen interact and respond improvise and become part of the groove. Lessonsthroughout this book guide you through technique that is specific to playing vibraphone in a contemporary ensemble.
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First 50 Songs You Should Play on Vibraphone: Vibraphone: Instrumental Album
Vibraphone
Hal Leonard
A Must-Have Collection of Well-Known Songs Arranged for Virbraphone!-If you've b...
(+)
A Must-Have Collection of Well-Known Songs Arranged for Virbraphone!-If you've been learning vibes for a little while you are probably eager to put your new skills to work and learn some familiar songs. This book includes a wide variety of favorite songs from pop hits and movie themes to classical melodies and folk songs. Songs include: All of Me · Birdland · Clair De Lune · Desafinado · Friend like Me · Havana · How Far I'll Go · Misty · On Green Dolphin Street · The Pink Panther · Sway (Quien Sera) · Sweet Caroline · Walkin' on the Sun · and more.
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Machado Jean-Marie : Pistacos Spices
Vibraphone
Dhalmann
'Pistacos' : petits diables.'Spices' : les épices.'Les épices des diablotins'....
(+)
'Pistacos' : petits diables.'Spices' : les épices.'Les épices des diablotins'...en épis et jubilations, Pistacotiques.Collection 'Percussion Plaisir' proposée par Christian Hamouy.Pianiste, compositeur d'origine portugaise et italo-espagnole, Jean-Marie Machado a passé son enfance au Maroc. Jeune adulte, il étudie la musique auprès de la concertiste classique Catherine Collard et s'initie en autodidacte à la musique pop et au jazz.En 1986, Jean-Marie Machado fait son irruption sur la scène du jazz avec un trio aux conceptions tout à fait originales (Trio Machado avec Louis et François Moutin), et un répertoire entièrement neuf, atteignant, selon Martial Solal, 'un degré de raffinement et de perfection rarement atteint dans ce domaine'. Il est reconnu comme 'l'un des jazzmen les plus inventifs de sa génération'.En 1991, il crée la première version de l'orchestre 'Vibracordes' et enregistre un disque avec le percussionniste Nana Vasconcelos et les cordes du Nouvel Orchestre Philharmonique de Radio-France.Dès lors, Jean-Marie Machado s'affirme comme un leader talentueux de formations originales au service d'une musique riche de croisements entre les mondes du classique, du jazz et des musiques traditionnelles.'Septuor Vibracordes' réunit entre 1993 et 1998 la fine fleur de la jeune scène du jazz français (Laurent Dehors, Sylvain Beuf, David Chevallier, François Thuillier, Ramon Lopez, Yves Rousseau, Franck Tortiller) et crée en 1996 le spectacle ' Septuor Vibracordes et les musiques de Bretagne ' (Chants de la Mémoire, Hopi, 1997). En mai 1998, le ' French Piano Trio ' réunit trois pianistes : Martial Solal, Jean-Marie Machado et François Raulin autour d'un répertoire entièrement original. Jean-Marie Machado témoigne de son intérêt pour la poésie et la voix en créant à l'automne 2001 un spectacle en grand orchestre intitulé ' La Main des Saisons ', oratorio profane inspiré des poèmes de Fernando Pessoa, avec la collaboration du metteur en scène Philippe Delaigue et du Choeur Les Solistes de Lyon Bernard Tétu (Leve, leve, muito leve, Hortus distrib. Codaex, 2003).Jean-Marie Machado ne délaisse pas pour autant les petites formations : il se produit en solo dans de nombreux festivals, joue et enregistre avec Jean-Marc Padovani en duo et en quartet (Takiya, Tokaya avec Paul Motian et Jean-François Jenny-Clark, Hopi), ainsi qu'en duo avec le batteur Ramon Lopez ou le percussionniste Keyvan Chemirani (Azul, Hopi, 1998).Parallèlement, son activité de compositeur l'amène à multiplier les collaborations : avec les Percussions de Strasbourg, l'Ensemble de Trompettes de Paris, La Maîtrise du Choeur de Radio France (commande du Festival Présence en 2001), pour la danse (Elsa Wolliatson, Compagnie Taffanel, L'Estampe), le théâtre (avec Enzo Corman, La Cie Le Bruit des Hommes), la radio. En 2005, il crée une oeuvre pluri-artistique pour l'Ensemble, Orchestre régional de Basse-Normandie, (Direction Dominique Debard).Entre 1994 et 2001, Jean-Marie Machado participe à des résidences de création et de sensibilisation (à Quimper, Les Ulis, Chelles, Niort, Lannion, Valence, Foix) qui ont donné naissance, entre autres aventures collectives, au ' Chant des Pierres dans l'eau ' (pièce pour quinze pianistes, un choeur d'enfants et un choeur d'adultes, amateurs et professionnels), L'Autre Rive (Hortus, 2005, pièces pour choeur, violon, accordéon, tuba, deux percussions) et à deux grandes pièces pour soliste et ensemble d'harmonie fréquemment re-crées : présentées dans l'album Hymne (enregistré en 2002 par l'Ensemble Instrumental de l'Ariège, direction Eric Villevière).De ses résidences naissent également des formes artistiques pour la jeunesse comme en 1998 le ' musi-contage ' Double Croche et Sortilège avec le conteur Jean-Jacques Fdida (L'Oiseau de Vérité - conte musique - Editions Didier Jeunesse, 2003) puis en 2004 dans une formule musicale étoffée l'Opéra-Conte 'La Fille du Diable' (deux chanteurs, un conteur, piano, violoncelle, percussion).En 2001, Jean-Marie Machado effectue un retour remarqué vers un format plus ' classique ' du jazz avec la création à Banlieues Bleues du Quartet Lyrisme avec autour de Riccardo Del Fra et Jacques Mahieux des solistes tels Paolo Fresu, Andy Sheppard, Glenn Ferris, Sylvain Beuf, Claus Stötter. Cette formation est à l'affiche des plus grands festivals de jazz de l'été 2002 (Jazz à Vienne, Marciac, LaVillette, Orléans) et effectue un grand nombre de concerts sur les scènes nationales. En 2003, le quartet devient sextet pour interpréter une suite instrumentale de jazz d'aujourd'hui dédiée aux grands thèmes de la musique classique et traditionnelle andalouse (Andaloucia, Le chant du Monde - Harmonia Mundi , 2005)En 2003, Jean-Marie Machado crée un magnifique duo avec le saxophoniste américain David Liebman autour d'un répertoire dédié en partie au fado. Le fado est également au coeur de son nouveau répertoire en piano solo et trio intitulé 'Soeurs de sang' avec Jacques Mahieux et Jean-Philippe Viret. En 2004, une nouvelle collaboration voit le jour avec le chanteur Antonio Placer. En 2008 il crée son nouveau grand ensemble : ' Danzas '. / Vibraphone Et Piano
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Steve Smith: Jazz Legend: Vibraphone: Biography
Vibraphone
[DVD]
Hal Leonard
'King Of The Vibes' 'The Vibes President' or 'Boss Of The Backbeat'...call him ...
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'King Of The Vibes' 'The Vibes President' or 'Boss Of The Backbeat'...call him what you will Lionel Hampton was a Jazz hero. This enthralling documentary presents the life and times of the man who virtually invented the Vibraphone as a Jazz instrument and is one of the fundamental influences of early Rock n' Roll. Mike Mainieri and Steve Smith narrate this collection of archive footage and rare photographs from the 30s to the 90s telling the fascinating story of Hampton's 73-year career. The programme also includes contributions and appearances from a host of Jazz stars including Benny Goodman Gene Krupa Teddy Wilson Milt Buckner Benny Carter and many more.Legendary!
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Paul Buyer Josh Gottry: The Art of Vibraphone Playing: Vibraphone: Instrumental
Vibraphone
Meredith Music
An Essential Method for Study
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Giner Bruno : Arche
Vibraphone
Dhalmann
Commande du Conservatoire National de Région de Nancy.Partition pour vibraphone...
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Commande du Conservatoire National de Région de Nancy.Partition pour vibraphone sans moteur, archet de violoncelle ou de contrebasse, 4 baguettes médium.' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ? (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Vibraphone Solo
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