Commissioned by Norland Music Festival with the financial support from The Norwegian Culture Council. Premiered by Bodo Sinfonietta and Christian Lindberg.InstrumentationFlute/PiccoloOboe/English HornBb ClarinetBassoonoHorn in FTrumpet in BbTrombonePercussion 1 - Vibraphone Grand Cassa 3 suspended metals Crotales 2 BongosPercussion 2 - Marimba Timpani (F-C) 3 suspended metals Glockenspiel 2 BongosPiano2 ViolinsViolaCelloDouble Bass (5 String or with C extension)

This is the original version of Winternacht for 7 instruments composed by Hans Abrahamsen in 1976-78. Programme Note: Winternacht was written in 1976-78 and the title was taken from a poem by the Austrian poet Georg Trakl. The four movements which are all very precise and dreamingly poetic are almost classical in terms of clarity and discipline in orchestration and form: hence the dedication of the third movement to Igor Stravinsky. However the music has a strong impressionistic quality as well: four introverted still lives of the velvety dark iceness of a silvery winter night (one can veritably sense the fairy-tale-likesleigh ride in the two outer movements).The second movement is dedicated to the eccentric lithographer M.C. Escher and the first and last movements are both dedicated to Georg Trakl. As in the well-known orchestral work Stratifications we can enjoy Abrahamsen's fascination with having several events occur simultaneously: a thoughtful as well as playful multilayered quality mirrors the poetic and mysterious worlds of painting literature nature and most important of all: music.Poul Ruders

Hans Abrahamsen's Efteraarslied / Herbstlied (1992) for Mezzo-Soprano Clarinet Violin Cello and Piano (or Harpsichord).Original German text by Rainer Maria Rilke. Danish text by Thorkild Bjørnvig. Parts available: WH31259A Programme note This work was written for the tenth anniversary of the Vækstcenteret (the growth center) with a dedication to its head Jes Bertelsen. This center is a place for consciousness training as well as instruction in meditation practices and various forms of self-development. It is also a community of spiritual fellowship and a place to find peace andinspiration for internal contemplation. The original version of the piece was scored for mezzo-soprano clarinet and harpsichord. The work is a quodlibet utilizing a Danish song by Oluf Ring – Sig nærmer tiden (The time is near for you to leave) – and two themes by Johan Sebastian Bach from Die Kunst der Fugue: the main theme and the B-A-C-H theme which the Baroque composer introduces in the last fugue the moment before the composition breaks off unfinished. The text is Rainer Maria Rilke’s Herbst: Herbst Die Blätter fallen fallen wie von weit als welkten in den Himmeln ferne Gärten; sie fallen mit verneinender Gebärde.   Und in den Nächten fällt die schwere Erde aus allen Sternen in die Einsamkeit.   Wir alle fallen. Diese Hand da fällt. Und sieh dir andre an: es ist in allen.   Und doch ist Einer welcher dieses Fallen unendlich sanft in seinen Händen hält. In 2009 I wrote a version for cor anglais piano (or Harpsichord) and string trio: WH31261