Little David Play On Yo' Harp is a 2-part song for upper voices with Piano accompaniment by Trevor Widdicombe.

Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

from The Passion of The Christ-From the unforgettable “The Passion of the Christ” comes this stunning choral setting of Mary's Theme. The Academy Award® nominated score for this film is beautiful and this theme is among its most movingmoments. The stirring text is adapted from scripture.Available separately: SATB SAB and 2-Part. Instrumental Pak includes score and parts for Flute; Oboe; Bb Clarinet 1 2; Bassoon; F Horn 1 2; Trombone 1 2; Bass Trombone;Percussion; Timpani; Harp; Violin 1 2; Viola; Cello and Contrabass. ChoirTrax CD also available. Performance Time: Approx. 4:00

No. 5 Auld Lang Syne-Auld Lang Syne is an instantly recognisable song most commonly associated with the turn of a new year voicing proud sentimentality for friendship bygones and merriment. No.5 from a Scottish Folk Song Suite penned by the great Scottish poet Robert Burns who set his text to an old Scots tune. A heart-felt and warming air a wonderful journey into nostalgia praising friendships and optimistic for the future. Fabulously arranged for two-part Treble Voices with Piano or Harp accompaniment by Lee R. Kesselman.

Emily John harpist and elementary choral director offers us an absolutely delightful setting of this absurd and playful nursery rhyme. Selected for the Judith Herrington Choral Series historical and performance notes areprovided. The nonsensical words which are part of the folk song add to the fun.

The story of David and Goliath never gets old. Incorporating the Play on Your Harp Little David theme J. Paul Williams has teamed with Patti Drennan to create another wonderful rendition. Part of the Houston Children's Chorus series.

Everest Charles W.-The southern folk harp tradition is full of inspirational melodies. Here Jonathan Shippey sets one of these melodies for two-part mixed voices with piano and optional hammered dulcimer (though it works fine without the dulcimer). Be creative it's worth it!

A joyful carol of celebration with the refrain Gloria In Excelsis. Arranged for SS (or SA) with either harp or piano accompaniment.

The sturdy melody of a favorite Sacred Harp tune is first presented in unison by the choir decorated by a flute obbligato. Verse 3 is sung by a soloist while in verse 4 the choir returns with the melody and a descant for ajubilant finish. Ideal for Christmas concerts or festival performances by children's choirs and middle school.

This beautiful folk song lament from northern England is given a creative treatment in this new arrangement. Set in the uneven meter of 5/8 and with an accompaniment that can be realized by piano guitar or harp this is a teaching piece for your choir. The counter melody can be sung or played by a C instrument like a flute or oboe.

A delightful Christmas cantata for children’s voices (and ensemble/electronic backing tracks) with or without narrator: reggae jazz rock ballad and pop numbers to witty text by Richard and Thomas Allain. Caesar has called a census in the Holy Land. So everyone is crowding back into Bethlehem a town where they read Shalom! Magazine where suddenly there are donkey traffic gridlocks and hotels where you can't get a room for love or shekels. Tom works doing odd jobs at the Fun Big Inn which isn't much fun at all. This busy night he decides to leave the landlord in the lurch and head for the bright lights of Jerusalem. But he doesn't get far running first into reggae singing shepherds and then three groovy wise dudes following a star. Tom can hardly ignore the remarkable things they have to tell him. So what does he do next? What would any of us do? Richard and Thomas Allain retell the story of the Nativity in a new and individual way with immediacy and wit in a string of unforgettable tuneful songs and sharply clever words in an idiom accessible to everyone. Manger Tom can be performed with unison voices someone to narrate highly effective with just Piano or Keyboard accompaniment. But there are parts available too for instruments you might want to add. Included with the score of Manger Tom is a CD which comprises of a full performance of the musical numbers by professional singers and players as well as just the accompaniments for everyone to sing along to if they prefer. Additionally lyric sheets and a script are available as free downloads - visit www.hybridpublications.com to access the bonus material. Lyric sheets enable easy rehearsals and the script allows Manger Tom to be performed as a full nativity play. Review from Andrew Stewart of Classroom Music says: 'Manger Tom manages to squeeze within the space of eight numbers everything from big-band and rock numbers to reggae and in ‘Star of the

A vibrant and rhythmic setting of the traditional Old Testament spiritual this work relates a narrative that celebrates David's victory over the mighty giant Goliath. An excellent honor choir or concert finale this selectionwill showcase your singers at their best! Available separately: SATB 2-Part. Duration: ca. 2:50.

This arrangement of the classic American spiritual by John Leavitt is lively and expressive. The optional piano accompaniment allows for an a cappella performance if desired. Bright rhythms surprising harmonies and dynamiccontrasts make this an inviting “sing” for your choir! Available separately: SATB opt. accompaniment; SAB opt. accompaniment; 2-part opt. accompaniment; PianoTrax CD 2008.