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| Messiah 1741 HWV 56 Choral Breitkopf & Härtel
Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed ...(+)
Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed by George Frideric Handel. Edited by Caroline Ritchie and Malcolm Bruno. Arranged by Andreas Kohs. Choir; Softbound. Edition Breitkopf. Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary. Have a look into EB 8450. Oratorio/passion; Baroque. Piano/Vocal Score. 300 pages. Duration 120'. Breitkopf and Haertel #EB 8450. Published by Breitkopf and Haertel (BR.EB-8450). ISBN 9790004184936. 7.5 x 10.5 inches. Messiah 1741 - new light on Handel's masterpiece The focus of this new edition is the Messiah as first conceived by the composer in 1741: before its first performance in Dublin in 1742, before the first London performances of the mid 1740s, before the final Foundling Hospital performances in the late 1750s. The editor succeeds in creating a 21st-century edition from the perspective of 1741, making clear that Messiah was a genius hit from the start. Messiah 1741 - the first and only complete edition of Handel's autograph score Thorough information on Handel's performance practice in 1741 (including topics such as orchestration, continuo, text underlay and specific questions on interpretation) It offers a reconstruction of the wind parts according to contemporary sources Piano vocal score with contemporary vocal ornamentation First edition including the German text by Herder - a monument of the German enlightenment - which is contentwise and phonetically closer to Jennens' text than any other translation, therefore being a perfect singable alternative The appendix contains additionally the most popular and important aria versions composed after 1741 for practical reasons. Throughout this new edition, creative yet pragmatic scholarship shines through, and the Preface and Critical Report are thorough and unusually fascinating. ... I'm very happy to own the full score, and if I were starting out now, I'd invest in the whole kit and caboodle. (Jeremy Summerly, Choir & Organ)
Critical Edition with the original English text by Charles Jennens as well as the German translation by Johann Gottfried Herder, including a comprehensive historical and musicological preface and detailed critical commentary. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Madrigali a cinque voci. Libro secondo (Ferrara 1594) Choral Barenreiter
Composed by Carlo Gesualdo. Edited by Marco Mangani. This edition: complete ...(+)
Composed by Carlo Gesualdo.
Edited by Marco Mangani. This
edition: complete edition,
urtext edition. Cloth bound.
New Gesualdo Edition 2.
Ferrara 1594. Complete
edition, Choral score,
anthology. Baerenreiter
Verlag #BA10382-01. Published
by Baerenreiter Verlag
$286.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Works for Mixed Choir Op. 55 etc Choral Schott
Clothbound Choral SKU: HL.49047150 Series V: Volume 3,1,2: Critical Re...(+)
Clothbound Choral SKU: HL.49047150 Series V: Volume 3,1,2: Critical Report Critical Report, Complete. Composed by Robert Schumann. Edited by Christina Thomas. Edition Schott. Classical, Critical Edition. Hardcover. Schott Music #RSA1037-20. Published by Schott Music (HL.49047150). UPC: 196288134091. The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works. It is the aim of the edition to reproduce authentic texts which – having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions – will approach as closely as is possible the intention of the originals. The critical edition will form the basis of accurate performance material for Robert Schumann's work. $295.00 - See more - Buy online | | |
| Vespro Della Beata Vergine 'Marienvesper' Choral [Score] Barenreiter
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo soprano...(+)
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo sopranos/3 solo tenors/2 solo basses/mixed choir: SSATTB/mixed choir 2: SATTB/orchestra. This edition: Urtext edition. Paperback. Score. English/German. Published by Baerenreiter Ver
$98.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claudio Monteverdi : Vespro Della Beata Vergine 'Marienvesper' Choral [Reduction] Barenreiter
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. Arranged by Andrea...(+)
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. Arranged by Andreas Kohs. For 2 solo sopranos/3 solo tenors/2 solo basses/mixed choir: SSATTB/mixed choir 2: SATTB/3 cornetts/3 violins/3 violas/violoncello/contrabass/2 flutes/2 Recorders/3 tr
$30.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Mårten Jansson: In the
Light of God: Mixed
Choir: Vocal Score Choral [Sheet music] Barenreiter
?I asked my friend the poet Einar Askestad if he could write a poem for me abo...(+)
?I asked my friend the poet Einar Askestad if he could write a poem for me about love between father and son brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece various aspects of these relationships are conveyed?. - Mårten JanssonBiography:My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings life consists of. This has led people todescribe my music as both ?so sad that it sounds like birds who have lost their wings? and ?the happiest classical music we ever heard?. I have also always preferred beautiful music to atonal music and that is surely the reason why the most part of my music is more on the sad side but what a dream it would be to be able to create beautiful music that?s bubbling over with joy! My compositions consist of almost only sacral music. This is to express my own faith but also my appreciation and respect for the timeless texts that have been used for centuries after centuries.In 1994 I was lucky enough to start conducting the female choir Carmen and I conducted them until we decided to disunite 2010. This is of course the biggest reason why most of my compositions are for female choirs the knowledge that what I write during the night will be tested the next evening is a driving force that not so many are lucky enough to have.I work as a voice music theory and conducting teacher and conductor in Uppsala were I was born -65 and still live. My education is in short: two years of musicology at Uppsala University and a MFA in Music Education and Dalcroize Rhythmics at the Royal Academy of Music in Stockholm.- Choral works a cappella.- Sample pages for download: www.baerenreiter.com.
10.50 GBP - Sold by Musicroom UK | |
| Heinrich Schütz: Sacred
Choral Music SWV 369-380:
Mixed Choir: Vocal Score Choral Barenreiter
The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Ref...(+)
The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Reflects the latest in musicological research based on the New Schutz Edition.Includes a detailed foreword (Eng/Ger) on performance practice by a Schutz expertInstrumental parts (Strings Winds) available in transpositions.In 1648 Heinrich Schutz published a collection of 29 motets with five to seven parts titled ?Geistliche Chor-Music? (Sacred Choir Music). Here the term ?Chor? (Choir) refers not only to a (large) Vocal ensemble but more generally to a group of musicians vocal or instrumental. As explained by Schutz in the foreword he published withthe collection all parts of the motets can be performed vocally and/or instrumentally.This practice common in Schutz?s time has been incorporated into Bärenreiter?s new publication. The edition includes the twelve five-part motets at original pitch with Basso Continuo. In addition instrumental parts for String and Wind instruments can be purchased. These parts which include the text serve to support and complement the choral sound ?colla parte?. To enable varying tone-colour possibilities instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory counterpoint and ensemble and is also rector of the ?Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble ?Weser-Renaissance Bremen?.
15.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| R. R. Terry: Sailor
Shanties: TTBB: Score Choral J. Curwen and Sons
Sir Richard Runciman Terry (1865-1938) was a British organist musicologist and ...(+)
Sir Richard Runciman Terry (1865-1938) was a British organist musicologist and editor often known as simply R. R. Terry. He was the first Director of Music at Westminster Cathedral where he also lead agreat revival in English Renaissance music especially the Latin works of composers like Tallis Byrd and Morley. While Terry is best remembered for his contribution to Tudor Church music he also did much topreserve the shanty tunes that died out as the age of the sailing ship came to an end. His two volumes of The Shanty Book have been considered the prime musicological work on the subject for generations. In SailorShanties these tunes have been arranged for TTBB chorus with solo Voice and Piano accompaniment.
4.50 GBP - Sold by Musicroom UK | |
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