SKU: BA.BA10438-90
ISBN 9790260109391. 27 x 19 cm inches. Text Language: Czech, English, German. Preface: Simon, Robert. Text: Jaroslav Kvapil.
SKU: BA.BA11599-01
ISBN 9790260109841. 34 x 27.5 cm inches. Text Language: Czech, German, English. Preface: Tyrrell, John. Text: Janácek, Leoš / Dostojewskis, Fjodor Michailowitsch.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08872-01
ISBN 9790006575886. 33.5 x 26 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.
SKU: BA.BA11308
ISBN 9790006567683. 31 x 24.3 cm inches. Language: German. Preface: Malcolm Bruno/Caroline Ritchie.
SKU: BA.BA11308-90
ISBN 9790006574674. 27 x 19 cm inches. Language: German. Preface: Malcolm Bruno/Caroline Ritchie.
SKU: BA.BA04025-90
ISBN 9790006569052. 27 x 19 cm inches. Text Language: English. Preface: Risinger, Mark.
SKU: BA.BA08744-90
ISBN 9790006563128. 27 x 19 cm inches. Text Language: English. Preface: Shay, Robert. Text: Tate, Nahum.
SKU: BA.BA10438
ISBN 9790260109384. 31.7 x 25.5 cm inches. Text Language: Czech, English, German. Preface: Simon, Robert. Text: Jaroslav Kvapil.
Der neue Klavierauszug einer der meistgespielten tschechischen Opern, Dvoráks Rusalka, bildet einen Bestandteil der neuen Urtextedition des Werkes, in der nach mehr als sechzig Jahren der Notentext den gegenwärtigen Editionsregeln angepasst wurde. Anders als bei der vorangegangenen kritischen Ausgabe von Jarmil Burghauser aus dem Jahre 1960, dokumentiert der Herausgeber Robert Simon alle redaktionellen Eingriffe. Die neue Edition widmet auch dem Libretto gebührende Aufmerksamkeit, unter sorgfältiger Auswertung aller erhaltenen Quellen, darunter des Klavierauszuges von Josef Famera (1883â1914), der nach Dvoráks Tod veröffentlicht (1905) und dessen Manuskript noch vom Komponisten autorisiert worden war.Dieser historische Klavierauszug wurde einer gründlichen Revision durch den Arrangeur Petr Koronthály unterzogen, der ihn unter maximaler Berücksichtigung des Originals und der Beibehaltung von dessen Qualitäten in eine Bearbeitung gebracht hat, die einer neuen Urtextedition und den aktuellen Bedürfnissen der Aufführungspraxis entspricht. Die Neuausgabe enthält das Vorwort des Herausgebers zur Entstehung der Oper und ihres historisch ersten Klavierauszugs, auÃerdem werden in der Einleitung Hinweise zur Aussprache des tschechischen Gesangstextes veröffentlicht.
SKU: AP.36-A793401
ISBN 9798892704922. UPC: 659359746130. English.
The six CONCERTI ARMONICI was long thought to be the work of the violinist-impresario Carlo Ricciotti or composer Giovanni Battista Pergolesi, but more recent research has revealed the composer to be Unico Wilhelm van Wassenauer (1692-1766). Born into a wealthy Dutch family, the diplomat and composer founded a Collegium musicum in The Hague under the oversight of Ricciotti. Composed between 1725 and 1740, the six concertos have been falsely attributed to a variety of contemporaries, Ricciotti and Pergolesi amongst them, since its anonymous publication. Wassenauer's aristocratic background was the reason for his secretiveness. The sentiment of the time ordained that musicians belong to the lower classes. This edition of CONCERTINO No. 2 (also CONCERTO ARMONICO in G Major, CONCERTO IV, or just CONCERTINO in G), drawing from the CONCERTO ARMONICO in G Major, IUW 3, was edited by 20th century Baroque expert Fritz Rikko. Rikko spuriously attributes the work to Pergolesi. Despite Wassenauer's authorship having since been confirmed, Rikko's original editorial notes have been retained. Instrumentation: Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A793402
UPC: 659359748073. English.
SKU: UT.CH-401
ISBN 9790215328464. 9 x 12 inches.
Performance Material on Hire
SKU: TF.100262
SKU: HL.1335414
ISBN 9798350113822. UPC: 196288187653. 11.0x17.0x0.398 inches.
Concerto for Tuba (1981) by Robert Jager. Duration ca. 13'. Orchestra version and piano reduction also available from the publisher.
SKU: HL.48182753
UPC: 888680948504. 12x16.5 inches.
â1.Récit evangélique; 2.Configuration Corpori claritatus suae; 3.Christus Jesus, splendor Patris; 4.Récit evangélique; 5.Quam dilecta Tabernacula tua; 6.Candor est Lucis â³ternae; 7.Choral de la Sainte Montagneandrdquo.
SKU: HL.1455422
UPC: 196288209539. 9.0x12.0x0.337 inches.
ItÂs never too early to introduce your students to great music. This outstanding addition to the beginning band repertoire is certain to be a hit with your students and audience. Clarinets remain below the break, first trumpet goes stepwise once to fourth line D.
SKU: HL.44004753
UPC: 073999047530. 11.75x8.25 inches.
SKU: HL.51487240
ISBN 9790201872407. UPC: 888680973667. 6.75x9.5x0.29 inches.
SKU: MA.EMR-23102
KV 545 - 1st Movement.
SKU: HL.127015
UPC: 073999270150. 9.0x12.0x0.135 inches.
Donald Hunsberger's classic edition of this Shostakovich masterpiece has already established itself as a staple in the repertoire for wind bands. This exciting and masterful work is a wonderful way to showcase a mature band. Recorded by the United States Marine Band – Jack T. Kline, conductor. Interlochen Bowl, National Music Camp 1978.
SKU: HL.6666
UPC: 884088141981. 9.0x12.0x0.07 inches.
SKU: HL.1455418
UPC: 196288209492. 9.0x12.0x0.365 inches.
A sparkling rendition of a traditional folk dance that provides an excellent opportunity to teach syncopation, this arrangement is perfect for a late first- or early second-year concert. Percussion demands are minimal and the second clarinet part does not cross the break.
SKU: HL.1455262
UPC: 196288209386. 9.0x12.0x2.5 inches.
Composed during the summer and fall of 1974, Barnes' FIRST SYMPHONY, Op. 35 was his master's thesis at The University of Kansas. It was premiered in the spring semester of 1976 by their Symphonic Band, Robert E. Foster conducting. The following year, the symphony was awarded the American Bandmasters Ostwald Composition prize, which led to a second performance (of only the first two movements) by the Northwestern Wind Ensemble at the American Bandmasters convention with Col. Jack Cline (U.S Marine Band) conducting. Following this performance, Barnes submitted the work to several publishers, all of which declined on the basis it was too long and difficult to be marketable. For this reason, Barnes set the work aside and there it remained until 2022, when an offer came from the Osaka Shion Wind Orchestra to record all nine of Barnes'symphonies to help celebrate their 100th anniversary. Barnes seized the opportunity, engraving all four movements, with revisions and corrections, an effort that took seven days a week for two months to complete. As a result, after almost fifty years, all nine of the Barnes symphonies are finally available for performance.
SKU: HL.1455419
ISBN 9798892702911. UPC: 196288209508. 9.0x12.0x0.074 inches.
SKU: HL.1455263
ISBN 9781638879329. UPC: 196288209393. 9.0x12.0x0.545 inches.
SKU: HL.1455416
UPC: 196288209478. 9.0x12.0x0.702 inches.
This is an outstanding overture, little heard and played in the western world, as with much Ukrainian music. The composer was embraced by Tchaikovsky, who particularly loved the opera.
SKU: HL.1455257
UPC: 196288209331. 9.0x12.0x0.949 inches.
Capriccio is the third composition by James Barnes that resulted from a commission by the Zushi High School Alumni Band in Kanagawa Prefecture, Japan. It is a light-hearted, happy piece in rondo form, full of bell tones in the brass, accompanied by jazzy harmony, long melodic lines and lots of counterpoint in the woodwinds.
