SKU: TM.00046SET

Transposed: hn 1&2, tpt 1&2, cl orig. in Bb; Solo/pf.

SKU: BT.DHP-1135392-140

9x12 inches. English-German-French-Dutch.

Goethe’s Faust has already been set to music by various renowned musicians, such as Berlioz, Busoni and Spohr, and indeed Charles Gounod, who built his eponymous opera around the tale. Gounod’s Faust is primarily known for its lovely melodies and its beautifully expressive vocal parts and subtle orchestrations. One of the high points of this opera is doubtless this impressive Cavatina (“Salut, demeure chaste et pure”). Wil van der Beek has arranged the Cavatina with the euphonium as solo instrument.

Goethes Faust is in het verleden al door verschillende componisten - waaronder Berlioz en Spohr - op muziek gezet. Ook Charles Gounod gebruikte Faust voor zijn gelijknamige opera. Zijn versie staat bol van prachtige melodieën en uiterst expressieve zangpartijen in een gera_x001C_ffineerde orkestratie. Een van deze hoogtepunten is zeker zijn Cavatina (“Salut, demeure chaste et pure”), in deze versie van Wil van der Beek bewerkt voor euphonium en orkest.

Goethes Faust wurde schon mehrfach von namhaften Komponisten vertont - darunter Berlioz, Busoni, Spohr und eben auch Charles Gounod, der aus dem Stoff_x001F_ die gleichnamige Oper komponierte. Sein Faust ist vor allem für herrliche Melodien sowie schöne, ausdrucksvolle Vokalpartien und feinsinnige Orchestrierungen bekannt. Einer der Höhepunkte dieser Oper ist zweifellos diese eindrucksvolle Cavatina (Salut, demeure chaste et pure“). Wil van der Beek wählte für seine Bearbeitung das Euphonium als Soloinstrument.

Faust, de Goethe a été plusieurs fois mis en musique par des compositeurs célèbres - dont Berlioz, Busoni et Spohr. En s’inspirant de la pièce de Goethe, Charles Gounod composa un opéra connu pour ses belles mélodies, ses chants expressifs et ses orchestrations subtiles. Un des points forts de cet opéra est sans aucun doute cette impressionnante Cavatine intitulée Salut ! Demeure chaste et pure. Wil van der Beek a choisi, pour son arrangement, de confi_x001C_er la partie solo l’euphonium. Un choix judicieux, qui placera votre soliste sous les feux de la rampe gr ce cette cavatine vibrante d’émotion et de sensibilité.

Il Faust di Goethe fu più volte messo in musica da compositori famosi quali Berlioz, Busoni, Spohr e Charles Gounod che compose l’opera omonima. Il suo Faust è noto per le belle melodie, le parti vocali particolarmente espressive e la ra_x001F_nata orchestrazione. Uno dei punti di forza di questa opera è senza dubbio l’imponente Cavatina (Salut, demeure chaste et pure). Wil van der Beek ha scelto di arrangiare la sua Cavatina per eufonio solo e banda.

SKU: BR.OB-4430-15

ISBN 9790004308882. 9 x 12 inches.

Ferruccio Busoni arranged the Cadenzas of Mozart's Piano Concertos, also the K. 466.

SKU: BR.OB-4432-30

ISBN 9790004309032. 10 x 12.5 inches.

The edition EB 8579 Busoni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in Eb major K. 482.

SKU: BR.OB-4430-19

ISBN 9790004308905. 9 x 12 inches.

Ferruccio Busoni arranged the Cadenzas of Mozart's Piano Concertos, also the K. 466.

SKU: TM.09330SET

P/C in set.

SKU: TM.01937SC

Solo in set.

SKU: BR.OB-15148-15

In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Part. 8 pages. Duration 28'. Breitkopf and Haertel #OB 15148-15. Published by Breitkopf and Haertel (BR.OB-15148-15).

ISBN 9790004342176. 10 x 12.5 inches.

Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants.

SKU: BR.OB-15106-16

ISBN 9790004339190. 10 x 12.5 inches.

The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).