Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon,Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. / Ensemble Mixte

'Le grondement sourd d'une grosse caisse et le grattage nerveux d'un violon avec un trombone fixé par un cordon secoue la musique éveillé comme action, et à partir de là, il est à son apogée dans l'énergie rythmique continue d'alors reculera de nouveau dans un puits de bruits primitifs -. chaque fois que se wiedererfindend avec le nouveau matériel, c'est une oeuvre évocatrice et habile '(Richard Fairman, Financial Times, le 5 Juillet 2011). / Ensemble Mixte

Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Ensemble Mixte

Per 12 Strumenti (9 Esecutori) (1992). Par GUARNIERI ADRIANO. / Musique contemporaine / Date parution : 1905-06-25/ Répertoire / Ensemble Mixte

Numeri Soprasegnati Di 'Simile' In Trascrizione Per 9 Strumenti. Par CASTALDI PAOLO. Numeri Soprasegnati Di 'Simile' In Trascrizione Per 9 Strumenti / Musique contemporaine / Répertoire / Ensemble Mixte