The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards guitar bass drums/percussion in various different Latin styles including Calypso Mambo Salsa Songo Bossa Guaracha Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track around 3 minutes in length recorded without the solo part so you can practice the riffs that you have learned. Also these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

Traditional church Organs are no longer the exclusive domain of Bach and the like - popular styles have conquered the “king of instruments” and found wide-ranging forms of expression. The only thing missing to date is a broad selection of suitable pieces. This is where Jazz Inspirations For Organ steps in. This comprehensive collection of moderately difficult pieces by various composers and organists offers “classical” swing jazz blues and Latin numbers side by side with rumba ragtime and calypso. A chorale prelude on Silent Night rubs shoulders with a Swing Fughetta and Latin for Lefties.The collection's great attraction lies in its personal treatment of the various themes. The editors are experienced organists fully conversant with the timbral possibilities of the pipe Organ. Their suggestions regarding registration are valuable tips that allow organists to develop their own style and be creative.

A totally groovy collection of riffs turns grooves and vamps specially compiled for the Organ player by Andrew D. Gordon.This generous selection of grooves will add swing bounce and funky syncopations to your playing with everything from four-bar riffs to more substantial progressions that will squeeze a host of unusual and addictive rhythms from beneath your fingers. All examples are grouped by style covering Blues Funk Gospel Jazz Latin and Reggae sounds. There is guidance to help you choose appropriate voice selections as well as a guide to some of music's funkiest Organ stars.The book is complete with a CD featuring recordings of everyexample to help you really capture the 'feel' of each unique groove.

A setting of verses from Psalm 112 (Latin text). The prize-winning work in the composers’ competition held in conjunction with the 2nd Norwich Festival of Contemporary Church Music 1983. Suitable for advanced standard performers.

Hymn-anthem for SATB Choir and Organ. Text translated from the Latin by J. Ellerton.

100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of as the title suggests 100 Jazz riffs based on common chord progressions used in jazz such as II-V-I III-VI-II-V etc. There are five separate sections: Jazz-Swing Jazz-Ballad Jazz-Funk Jazz-Waltz and Latin-Jazz. Besides the 100 riffs at the end of the book there is the chord progression for the popular jazz standard “Blue Moon” showing you how to use the various riffs from the 100 riffs to create an improvised solo over the cho

Orchestral reduction for organ.-The Organ score for this classic work with Latin and English text edited for SATB and Organ by Norris L. Stephens.

Tonalité : D-Dur - Rv 589. Par VIVALDI ANTONIO. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Messe / Répertoire / Solistes SSA, Choeur SATB, Hautbois, Trompette, 2

Album for organ solo from the composer of the much-recorded 'Miroir?. The album consists of four pieces of between 2½ and 4 minutes' duration respectively. 'Play it cool!? was composed as the mandatory test piece in the 2012 First Breda International Organ Competition, with the Grote Kerk's four-manual Flentrop/Van den Heuvel instrument in mind. As the title suggests, the piece makes great play on syncopated, jazz- and rock-inflected figures. Suitable for advanced standard performers. 'The Messenger on the Hill?, while similarly syncopated and witty, is within easy reach of intermediate standard players. Laid out for two-manual instrument it features an almost continuous oscillating left-hand figure with right-hand melody and a very simple pedal part. 'Rejoice!? is an arrangement of a work for saxophone and organ, made at the request of, and in collaboration with, Thomas Trotter. A duo for contrasting manuals, with a simple, syncopated bass part in the pedals. Suitable for advanced standard performers. '­Passacaglia?, also for two-manual instrument, is composed almost entirely for the white notes. The simple passacaglia theme is repeated throughout on the pedals. Above this, melodic material derived from the theme is played in the right hand against a sustained, chordal left-hand accompaniment. Later on, there is dialogue between the hands, with some optional ornamentation in the right hand. Suitable for intermediate standard performers. / Orgue

WORKS FOR ORGAN OR KEYBOARD FANTASIAS AND RICERCAR 1. Fantasia Chromatic (Dorian mode) 2. Fantasia (Dorian) 3. Fantasia (G Dorian) 4. Fantasia (G Dorian) 5. Fantasia (A Phrygian) 6. (Hexachord) Fantasia super: Ut, Re, Mi, Fa, Sol, La (F Ionian) 7. Fantasia (F Ionian) 8. Fantasia (Mixolydian) 9. Fantasia (Mixolydian) 10. Ricercar (Aeolian) 11. Fantasia (Aeolian) 12. Fantasia ut sol fa mi (Ionian; 1st version) 13. Fantasia (Ionian; 2nd version) ECHO FANTASIAS 14. Fantasia (Dorian) 15. Fantasia (Ionian) 16. Fantasia (Aeolian) 17. Fantasia (Ionian) 18. Fantasia (Ionian) 19. Fantasia (Ionian) TOCCATAS 20. Toccata (Dorian) 21. Toccata (Aeolian) 22. Toccata (Aeolian) 23. Toccata (Dorian) 24. Toccata (G Dorian) 25. Toccata (G Dorian) 26. Toccata (G Dorian) 27. Toccata (Mixolydian) 28. Toccata (Mixolydian) 29. Toccata (Aeolian) 30. Toccata (Ionian) 31. Toccata (Ionian) 32. Toccata (Ionian) WORKS FOR ORGAN PRELUDE AND CHORALE VARIATIONS 33. (Praeludium; F Ionian) 34. Ach Gott vom Himmel sieh darein: (3 variations) 35. Allein Gott in der Höh sei Her (4 variations by Swelinck, 5 by Andreas Düben, 2 by Petrus Hasse [I], 6 by Gottfried Scheidt) 36. Allein zu dir, Herr Jesu Christ (1 variation) 37. Christe qui lux es et dies (3 variations) 38. Da pacem, Domine, in diebus nostris (4 variations) 39. Dies sind die heilgen zehn Gebot (2 variations) 40. Durch Adams Fall ist ganz verderbt (2 variations) 41. Erbarm dich mein, o Herre Gott (6 variations) 42. Es ist das Heil ulns kommen her (2 variations) 43. Es spricht der Unweisen Mund wohl (1 variation) 44. Herr Christ der einig Gottes Sohn (2 variations) 45. Herzlich lieb hab ich dich, o Herr (4 variations) 46. Ich ruf zu dir, Herr Jesu Christ (4 variations) 47. Nun freut euch, lieben Christen gemein (Was kann uns kommen an, Es ist gewisslich an der Zeit; 3 variations 48. Nun freut euch, lieben Christen gemein (original chorale melody; 3 variations) 49. Nun komm der Heiden Heiland (3 variations) 50. O lux beata trinitas (2 variations) 51. Psalm 116 (J'ayme mon Dieu, car lors que j' ay crie'; 4 variations) 52. Psalm 140 (O Dieu, donne moy delivrance; 4 variations) 53. Puer nobis nascitur (4 variati 54. Vater unser im Himmelreich (4 variations) 55. Wie nach einem Wasserquelle (Ainsi qu' on oit le cerf bruire, Freu dich sehr, o meine Seele; 1 variation) 56. Wir glauben all an einen Gott (4 variations) 57. Wo Gott der Herr nicht bei uns hält (2 variations) WORKS FOR KEYBOARD VARIATIONS ON SECULAR SONGS 58. Est-ce Mars (7 variations) 59. Ich fuhr mich vber Rheine (6 variations) 60. Mein junges Leben hat ein End (6 variations) 61. More palatino (4 variations) 62. Soll es sein (8 variations) 63. Unter der Linden grüne (4 variations) 64. Von der Fortuna werd' ich getrieben (3 variations) VARIATIONS ON DANCE TUNES 65. Balletto del granduca (5 variations) 66. Paduana Lachrimae colorirt 67. Passamezzo (6 variations) 68. Pavana Hispanica (4 variations by Sweelinck, 4 by Samuel Scheidt) 69. Pavana Philippi (2 variations) SUPPLEMENT 70. Capriccio 71. Fantazia op de Fuga van M: Jan Pieters. Fecit Dr. Bull 1621 15 Decemb. (Fantasia on a Fugue of Sweelinck, by John Bull, 1621) 72. Toccata (G Dorian; fragment) 73. Praeludium pedaliter (another version of No. 33)

Description 27 scintillating works for Church or Concert performance. Songlist Capriccio, 'La Caccia' (Polibio Fumagalli) Carillon (Leo Sowerby) Carillon From 'Douze Pieces', Op.16 (Leon Boellmann) Carillons From 'Dix Pieces', Op.7 (Emile Bourdon) Carillon-sortie (Mulet) Fanfare D'orgue (Harry Rowe Shelley) Festival Toccata [Fletcher, Percy E.] Humoresque, 'L'organo Primitivo' (Pietro Yon) Les Carillons De Saint-paul D'orleans (Adolphe Marty) Rondo Con Imitatizione De' Campanelli (Giovanni Morandi) Roulade From 'Six Pieces', Op.9 (Seth Bingham) Scherzo (Gaston Dethier) Scherzo In E Major From 'Dix Pieces' (Eugene Gigout) Scherzo In G Minor Op.49 No.2 Toccata (Symphony No.5) [Widor, Charles-Marie] Toccata And Fugue In D Minor- Bwv565 (J.S Bach Ed. Lemare) Toccata From 'Suite Gothique (Leon Boellmann) Toccata In A Major Op.67, No.2 (Georges Macmaster) Toccata In B Minor From 'Dix Pieces' (Eugene Gigout) Toccata In B Minor From 'Suite De Morceaux' (Charles Tournemire) Toccata In D Minor From 'Trois Pieces' (Alphonse Mailly) Toccata In D Minor Op.108, No.1 (Albert Renaud) Toccata In E Major (Remigio Renzi) Toccata In E Minor (Joseph Callaerts) Toccata In G Major From 'Douze Pieces' (Theodore Dubois) Tu Es Petra From 'Equisses Byzantines' (Henri Mulet) Veritables Preludes Flasques

This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition